Hear My Song

Unlike Larcher-2 who also has a comment on this film, l did see Josef Locke, l can remember my mother took me to see him when l was a young boy and was drawn to his type of sining.

It is well known that Mr Locke was a ladies man, but that did not detract from his voice, and Ned Beatty does a remarkable job of playing Josef Locke, dubbed in Mr Lockes own voice.

This is a great film, Adrian Dunbar plays his role as a seedy agent well and David McCallum as the policeman always trying to get Mr Locke is a gem...

The "tooth" scene is a great laugh....Please watch this film, if you know nothing of Mr Locke try to find out about him first then you will enjoy it better, and understand the title...

I give this film 8 out of 10...

I have been watching Waking the Dead, and thought I would explore other works done by it's stars. I'm starting with Eve (Tara Fitzgerald).

This is a great one for Ms. Fitzgerald, as we see all she has to offer as she jumps out of bed with Adrian Dunbar, after he fails to say he loves her. Unfortunately, her role is little more than that, as Dunbar is the star.

When you mention Irish tenors, people immediately think of Finbar Wright, Anthony Kearns, and Ronan Tynan. But long before, there was Joseph McLaughlin, better known as Josef Locke. This film is loosely based upon his life.

It really gets funny as Micky O'Neill (Dunbar) goes broke trying to fake everyone out with Franc Cinatra, and then with a Mister X, who pretends to be Locke, and goes chasing around Ireland to find the real Josef Locke and bring him back to England. Locke is played by Ned Beatty.

He manages to come to the realization that he really loves Nancy (Fitzgerald), and gets Locke to return.

What an ending!

I saw this film at the Toronto International Film Festival and thought I'd died and gone to heaven. I screeched with laughter, and cried real tears. The audience reception was rapturous, one of the most responsive I've ever witnessed at the festival. Director Peter Chelsom was reduced to tears, and when Ned Beatty made a surprise appearance in his Joseph Locke fedora and cloak the crowd went crazy. Since then, I make a point of watching this wonderful film in the dark days of February, the dreariest part of a Toronto winter. It never fails to restore my spirit.

As a final note, I think Chelsom is a very talented director. Who can ever forget the image of those Irish lady owners crammed onto one couch? The film is filled with glorious visuals like this one. I've liked every movie Chelsom has made since, but he seems to get a bum rap from the press. Nonetheless, he will always be remembered for giving us this treasure.

Micky O'Neill, a sleazy Irish entertainment promoter has about run his course offering pseudo-acts like Franc Cinatra. The Ryan family that owns the theater is about ready to throw him out when they ask who his next performer is "Bing Crosby spelled with a K"?, but Micky O'Neill comes up with the name of Josef Locke and the Ryan's gasp as Josef Locke is supposedly out of the country, because of tax fraud or something. So Micky is given a reprieve until it becomes known that the Josef Locke he has booked is a fraud, Since his girlfriend's mother once had a fling with Jo and has been duped by the fake Jo, Micky has been outcast by the Ryan family, his girlfriend and especially his girlfriend's mother. He hops a ride on a boat to Ireland where he meets up with his friend Fintan, a concert promoter, and the two of them ride through the Irish countryside in search of the real Josef Locke in an effort to convince him to return to England to perform. When they find him, the Irish comedy really begins, and also the Irish singing. The tenor voice is spectacular and when Jo sings, women weep.......

The owner of a low rent English music hall finds himself in hot water after booking a legendary (but fraudulent) Irish tenor, prompting a desperate visit to the Emerald Isle in search of the genuine article, not an easy assignment since no one has seen the man in 25 years. Maybe it makes a difference that the film was made on the far side of the Atlantic Ocean, but it succeeds as a genuinely charming and disarming romantic comedy without the expected formula plotting or trendy visual hype, and (perhaps not surprisingly) without the box office benefit of brand name stars. The climax is somewhat overwrought, but by then director Peter Chelsum is working from a surplus of good-natured blarney and local brogue, with some gorgeous Irish scenery added almost as an afterthought. And where else can you expect to see a movie hero declare his love to a girl while clutching a whippet?