NOTE IMDb
6,8/10
17 k
MA NOTE
Les destins de plusieurs personnes s'entremêlent de manière aléatoire. Leur sympathie les uns envers les autres fait face à de multiples différences dans leurs modes de vie.Les destins de plusieurs personnes s'entremêlent de manière aléatoire. Leur sympathie les uns envers les autres fait face à de multiples différences dans leurs modes de vie.Les destins de plusieurs personnes s'entremêlent de manière aléatoire. Leur sympathie les uns envers les autres fait face à de multiples différences dans leurs modes de vie.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 9 nominations au total
Patrick Y. Malone
- Otis
- (as Patrick Malone)
Lauren Mead
- Claire's Baby
- (as Loren Mead)
Avis à la une
Lawrence Kasdan has always assembled fantastic casts to deliver his creative and thought-provoking screenplays about contemporary life in America. From the classic "Big Chill", to the more recently understated comedy "Mumford", it is plain to see that Kasdan is much, much more than just the screenwriter of two "Star Wars" movies. With "Grand Canyon" Kasdan shows us a frightening, realistic story laced with humor and humanity about finding small miracles within the lives that we lead, instead of looking for greater ones. Kevin Kline and Danny Glover notable performances in their careers. Steve Martin plays it dramatic effectively, but being Martin, must inject humor here and there. Mary McDonnell, Mary-Louise Parker, and Alfre Woodard give strong support as well. "Grand Canyon" is one of the finest films released in 1991, and though it received an Academy Award nomination for Original Screenplay, it seemed to be unjustly passed over. Though over two hours long and filled with only dialogue, "Grand Canyon" is a must-see motion picture, if you appreciate intelligent, provoking and metaphorical writing, proving points in subtle humanity instead of exploding effects.
This is and will stay Hollywood's most criminally underrated movie about life... and how to live with it. No smart answers. No solutions. But every worth-while question gets its honest reflection.
Sometimes sentimental. Sometimes giving up on the unsolved future. Sometimes kissing the brow of the undeserving. Always scary and beautiful.
I know, not really a logical assessment, but if you saved yourself a fraction of your... well... 'innocense'..., a fraction of your desire for a solid horizon to look at, you will love this movie without a second consideration, and you'll need a LOT more time to explain that to yourself.
A very personal confession: The soundtrack makes me cry over what I've lost and gambled away for the prize of cynical safety. Nothing will come back. I am the child of black jokes. But 'Grand Canyon' reminds me of the ever-lasting loophole into hope.
This is the movie I will never be able to praise sensibly.
'Grand Canyon' will stay my guilty pleasure.
This is a truly beautiful movie. I had almost forgotten in my hard-boiled pride what that word means..., until I watched 'Grand Canyon'..., and had to watch it again... and again...
Schogger13
Sometimes sentimental. Sometimes giving up on the unsolved future. Sometimes kissing the brow of the undeserving. Always scary and beautiful.
I know, not really a logical assessment, but if you saved yourself a fraction of your... well... 'innocense'..., a fraction of your desire for a solid horizon to look at, you will love this movie without a second consideration, and you'll need a LOT more time to explain that to yourself.
A very personal confession: The soundtrack makes me cry over what I've lost and gambled away for the prize of cynical safety. Nothing will come back. I am the child of black jokes. But 'Grand Canyon' reminds me of the ever-lasting loophole into hope.
This is the movie I will never be able to praise sensibly.
'Grand Canyon' will stay my guilty pleasure.
This is a truly beautiful movie. I had almost forgotten in my hard-boiled pride what that word means..., until I watched 'Grand Canyon'..., and had to watch it again... and again...
Schogger13
I rarely review anything on the internet, but want to comment on this film. I think Grand Canyon is entirely under-rated, and is in fact one of the greatest American contemporary films. I have seen it many times, and am amazed at Kasden's directorial and writing skills. I think most reviewers don't understand it! I see very glib reviews about this film but seldom indepth comment.I believe this film is about synchronicity, life-purpose/meaning and the feeling of powerlessness and isolation of people in a fast-moving culture where youth passes rapidly,transition is constant, and big-brother is watching. Outstanding acting from all actors, indepth characterizations and real-life dilemnas. I love the way "Simon" who appears to be the "doubting Thomas" and only believes in "fate" without purpose begins to understand human interconnection towards the end of the film. Though I don't necessarily agree that "the problems of a few little people don't matter a hill of beans" in relation to the majesty of the Grand Canyon, I see Kasden's point that perspective on our lives is important!
I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.
Thank you, Mr. Kasden and please keep creating!
I don't know much about Kasden but have tried to learn more. He seems to manage to insert his spiritual message in an entirely entertaining way in recent films: witness "French Kiss" and Mumford"...both of which deal cleverly with loss and reinventing ourselves. I suspect he wrote many of the Jedi and Yoda parts of the original Star Wars films --the Jedi philosophy seems consistent with his own. I am a student of Conscious Creation concepts and love films so am always happy to see how Mr. Kasden weaves his message into his latest films.
Thank you, Mr. Kasden and please keep creating!
"Grand Canyon" is a lot of things at once, but I found all of it completely fascinating. The characters and situations were realistic and the cast is flawless. You might find yourself crying at the movie - I did. It's a shame there was no audience for this movie, because I think it has a lot to say on several levels.
This highly underrated film is (to me) what good writing in a movie should be all about. Kasdan takes the search for meaning in our lives and lays it out for all to see and wonder at. The movie is about the divides people create to insulate themselves from the violence and hatred and bigotry of everyday life.
Along the way we are asked question after question about life. Davis (Steve Martin with a great beard) asks himself 'Is my making a violent movie (and by extension our enjoyment of it) causing the violence in society?' Claire asks "What kind of world throws away something as precious as a human life?' Mack is not immune as he asks 'Is it possible to pass beyond the bounds of race and (an even harder step) finance? These are of course not quoted from the film, but generalities. Others ask their questions too, and to be honest it raises more than it answers.
But that is the nature of life. We strive all our lives to find answers to questions we will never totally answer, and in certain cases have to make answers fit to our own needs and desires. As humans we thrive on questions we cannot answer. Some answers are real. Claire and Mack come to realize that even though they could take the easy road and let the state take the baby, their finding it placed the responsibility for her life in their hands. Some answers are not. Davis `Sees the Light' and decides not to make violent films, but the next day turns around and dismisses his epiphany as subordinate to his art.
We all seek answers. This movie does not answer them for; it simply reminds you to keep looking for the answers.
Along the way we are asked question after question about life. Davis (Steve Martin with a great beard) asks himself 'Is my making a violent movie (and by extension our enjoyment of it) causing the violence in society?' Claire asks "What kind of world throws away something as precious as a human life?' Mack is not immune as he asks 'Is it possible to pass beyond the bounds of race and (an even harder step) finance? These are of course not quoted from the film, but generalities. Others ask their questions too, and to be honest it raises more than it answers.
But that is the nature of life. We strive all our lives to find answers to questions we will never totally answer, and in certain cases have to make answers fit to our own needs and desires. As humans we thrive on questions we cannot answer. Some answers are real. Claire and Mack come to realize that even though they could take the easy road and let the state take the baby, their finding it placed the responsibility for her life in their hands. Some answers are not. Davis `Sees the Light' and decides not to make violent films, but the next day turns around and dismisses his epiphany as subordinate to his art.
We all seek answers. This movie does not answer them for; it simply reminds you to keep looking for the answers.
Le saviez-vous
- AnecdotesThe scene where Mack is nearly killed by a bus was taken from writer and director Lawrence Kasdan's own life.
- GaffesThe Lexus driven by Mack is a rear wheel drive automatic transmission model. It should be towed with its rear wheels off the ground. Simon tows it from the front.
- Crédits fousThe closing credits include the following unusual job title: "Babies by . . . Denise & Robert Mead"
- Bandes originalesLawyers, Guns and Money
Written and Performed by Warren Zevon
Courtesy of Elektra Entertainment
By Arrangement with Warner Special Products
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- How long is Grand Canyon?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El corazón de la ciudad
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 33 243 020 $US
- Week-end de sortie aux États-Unis et au Canada
- 67 546 $US
- 29 déc. 1991
- Montant brut mondial
- 40 991 329 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Grand Canyon (1991) officially released in India in English?
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