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L'histoire, sur près de quarante ans, de deux vedettes du music-hall américain, habituées du théâtre aux armées. Ensemble, puis séparées, ils auront connu les guerres de Corée, du Vietnam, l... Tout lireL'histoire, sur près de quarante ans, de deux vedettes du music-hall américain, habituées du théâtre aux armées. Ensemble, puis séparées, ils auront connu les guerres de Corée, du Vietnam, les ravages du marccarthysme.L'histoire, sur près de quarante ans, de deux vedettes du music-hall américain, habituées du théâtre aux armées. Ensemble, puis séparées, ils auront connu les guerres de Corée, du Vietnam, les ravages du marccarthysme.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 3 nominations au total
Avis à la une
The movie is based during two wars and the relationship between two USO singer. Midler and Caan do a wonderful job at entertaining and showing the colors of the characters. Although it can be very sappy at times, it still is a movie I think even men can enjoy. The soundtrack is quite a experience as well.
Bette Midler proves that she can single-handedly make a film worth watching in FOR THE BOYS, an overlong but rewarding comedy-drama with music which chronicles the relationship between singer Dixie Leonard and comic Eddie Sparks (James Caan), a character clearly patterned after Bob Hope, which begins during a WWII USO tour and concludes in the present where the glamorously aging couple are being reunited for a television special. Bette received her second Best Actress Oscar nomination for her commanding performance here, She lights up the screen whether Dixie is upstaging Eddie in front of thousands of troops during WWII, cursing out sponsors during her and Eddie's television show, or tearing Eddie a new one when she thinks he is trying to steal her son away from her. As expected, she makes the most of her musical moments in the film with "Stuff Like that There" and "Come Rain or Come Shine" as standouts. Caan works hard in the role of Eddie Sparks, managing to make a pretty despicable character rather likable for the majority of the story. The only big mistake here was director Mark Rydell's casting of his real-life son, Christopher in the pivotal role of Dixie's adult son. Rydell's lifeless performance is a major detriment to an important part of the film, but for the most part, FOR THE BOYS is grand entertainment, thanks to the Divine Miss M.
An interesting film that seemed to try and do one too many things. It wants to entertain, educate, provide nostalgia, laughs and do character studies. The most interesting character easily is Bette Midlers Dixie Leonard. During her first performance `For The Boys' she is a vibrant comical singing and dancing entertainer who throws her heart and soul into her show. She is perhaps naïve and oblivious to what war is about and maybe even thinks it's just one big party and nobody really dies or suffers. By the end when she goes to Vietnam she is a vulgar, disgusting, embittered slob who harbors some anger that the GIs no longer swoon over her as they did a quarter of a century or so earlier. The GI's are of a different generation and she can't relate to them or why they have the attitude they do. She is perhaps also angry with herself for not being able to be enthused about performing for the fighting men of this war the way she was years ago. How does she end up like this? Well that's what this picture is partly about. It's not a bad movie and didn't deserve the blasting the critics gave it.
"For The Boys" is the story of two people - the irrepressible Dixie Leonard (Bette Midler) and the instantly dislikable but ever popular Eddie Sparks (James Caan). Set against the backdrop of wars in which the United States has been involved, the film moves from station to station as the pair entertain the boys while they bicker and fight amongst themselves.
The film starts with an aged Midler telling a studio assistant (Arye Gross) her tale, starting in the forties with World War II, moving through the was in Korea and climaxing in Vietnam. Along the way, she gets to sing a few classic tunes, including "Stuff Like That There" and "P.S. I Love You, as part of the stage act of comedian Eddie Sparks.
Bette Midler delivers a fine performance as the embittered Dixie Leonard who has seen it all in fifty odd years in the business. She layers her performance with emotion after emotion and has the gift of bringing out that quality in her fellow actors. The highlight of this film is her understated performance of "In My Life" at the small Vietnamese camp - truly a moment when the world stops turning and we are graced with a glimpse of heaven. James Caan, playing a quintessential son of a bitch, is less comfortable in his role but has some fine moments opposite his dynamic co-star.
The purpose of this film is not to document the wars which form such an integral backdrop to the plot. It succeeds primarily as a story of people - their suffering and their joy is real and it affects the audience in no uncertain terms. You will either love or hate this movie. Either way, take the time to decide - its worth the screening even if only for the divine Miss M.
The film starts with an aged Midler telling a studio assistant (Arye Gross) her tale, starting in the forties with World War II, moving through the was in Korea and climaxing in Vietnam. Along the way, she gets to sing a few classic tunes, including "Stuff Like That There" and "P.S. I Love You, as part of the stage act of comedian Eddie Sparks.
Bette Midler delivers a fine performance as the embittered Dixie Leonard who has seen it all in fifty odd years in the business. She layers her performance with emotion after emotion and has the gift of bringing out that quality in her fellow actors. The highlight of this film is her understated performance of "In My Life" at the small Vietnamese camp - truly a moment when the world stops turning and we are graced with a glimpse of heaven. James Caan, playing a quintessential son of a bitch, is less comfortable in his role but has some fine moments opposite his dynamic co-star.
The purpose of this film is not to document the wars which form such an integral backdrop to the plot. It succeeds primarily as a story of people - their suffering and their joy is real and it affects the audience in no uncertain terms. You will either love or hate this movie. Either way, take the time to decide - its worth the screening even if only for the divine Miss M.
Bette was magnificent in "The Rose", in my opinion the best movie she's made. In a totally different personna she plays Dixie equally wonderfully. "For The Boys" is, for a reason I cannot discern, one of my all time favorite movies. I love the movie and Bette is as always, the best. If you adore Bette, and if you've never "For The Boys", rent it or buy it and you'll see what I'm talking about.
Le saviez-vous
- AnecdotesMany reviewers noted that James Caan seemed miscast in the role of comedian Eddie Sparks (a caricature of Bob Hope) and wondered why co-star George Segal, who, as an actor, had proved equally adept at comedy and drama, wasn't cast in the role instead. The truth is that Caan's career was hot again after the success of Misery (1990), and Segal was not, so Caan got the lead, and Segal the supporting role.
- GaffesIn the film during a World War II sequence Bette Midler sings "Come Rain or Come Shine" which was not written until after the war and wasn't introduced until 1946.
- Bandes originalesDreamland
Written by Dave Grusin and Alan Bergman (as Alan) & Marilyn Bergman
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- How long is For the Boys?Alimenté par Alexa
Détails
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 17 860 280 $US
- Week-end de sortie aux États-Unis et au Canada
- 71 348 $US
- 24 nov. 1991
- Montant brut mondial
- 23 202 444 $US
- Durée
- 2h 18min(138 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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