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IMDbPro

Fisher King - Le roi pêcheur

Titre original : The Fisher King
  • 1991
  • Tous publics
  • 2h 17min
NOTE IMDb
7,5/10
95 k
MA NOTE
POPULARITÉ
3 600
450
Robin Williams and Jeff Bridges in Fisher King - Le roi pêcheur (1991)
Home Video Trailer from Columbia Tristar
Lire trailer1:00
2 Videos
99+ photos
ComédieDrameFantaisieComédie noire

Un ancien DJ de radio, suicidaire après une terrible erreur, se rachète en aidant un clochard déséquilibré qui a été la victime malgré lui de cette erreur.Un ancien DJ de radio, suicidaire après une terrible erreur, se rachète en aidant un clochard déséquilibré qui a été la victime malgré lui de cette erreur.Un ancien DJ de radio, suicidaire après une terrible erreur, se rachète en aidant un clochard déséquilibré qui a été la victime malgré lui de cette erreur.

  • Réalisation
    • Terry Gilliam
  • Scénario
    • Richard LaGravenese
  • Casting principal
    • Jeff Bridges
    • Robin Williams
    • Adam Bryant
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    95 k
    MA NOTE
    POPULARITÉ
    3 600
    450
    • Réalisation
      • Terry Gilliam
    • Scénario
      • Richard LaGravenese
    • Casting principal
      • Jeff Bridges
      • Robin Williams
      • Adam Bryant
    • 239avis d'utilisateurs
    • 99avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 14 victoires et 39 nominations au total

    Vidéos2

    The Fisher King
    Trailer 1:00
    The Fisher King
    'The Fisher King' | Anniversary Mashup
    Clip 1:00
    'The Fisher King' | Anniversary Mashup
    'The Fisher King' | Anniversary Mashup
    Clip 1:00
    'The Fisher King' | Anniversary Mashup

    Photos147

    Voir l'affiche
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    + 141
    Voir l'affiche

    Rôles principaux56

    Modifier
    Jeff Bridges
    Jeff Bridges
    • Jack Lucas
    Robin Williams
    Robin Williams
    • Parry
    Adam Bryant
    • Radio Engineer
    Paul Lombardi
    • Radio Engineer
    David Hyde Pierce
    David Hyde Pierce
    • Lou Rosen
    • (as David Pierce)
    Ted Ross
    Ted Ross
    • Limo Bum
    Lara Harris
    Lara Harris
    • Sondra
    Warren Olney
    • TV Anchorman
    Frazer Smith
    • News Reporter
    Mercedes Ruehl
    Mercedes Ruehl
    • Anne Napolitano
    Kathy Najimy
    Kathy Najimy
    • Crazed Video Customer
    Harry Shearer
    Harry Shearer
    • Sitcom Actor Ben Starr
    Melinda Culea
    Melinda Culea
    • Sitcom Wife
    James Remini
    • Bum at Hotel
    Mark Bowden
    • Doorman
    John Ottavino
    • Father at Hotel
    Brian Michaels
    • Little Boy
    Jayce Bartok
    Jayce Bartok
    • First Punk
    • Réalisation
      • Terry Gilliam
    • Scénario
      • Richard LaGravenese
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs239

    7,594.5K
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    Avis à la une

    10LJMTitle

    This movie should be on everyone's "must-see" list

    A touching yet humorous tale, THE FISHER KING brings together amongst the best performances given by Robin Williams and Jeff Bridges, as well as Terry Gilliam's finest directorial effort. Solid supporting performances by Amanda Plummer and Mercedes Ruehl round out a great film that ranks among my personal favorites.

    Bridges portrays an arrogant radio shock-jock, who's big mouth and flippant comments send a disturbed listener on a murderous rampage, thus ending his career. Enter Ruehl as his new enabler girlfriend, waiting patiently for him to drag himself up from the dregs, hoping to catch a ride to the top. Just when Bridges seems to have hit rock bottom, he encounters Williams, a crazed vagrant who thinks he is a knight in shining armor.

    What ensues is a tale of remorse, redemption and rebirth which is made all the more magical by Gilliam's magnificent vision. Most notable is a scene which takes place in Grand Central Station where the hustle and bustle of the busy commuters dissolves into a spectacular waltz as Williams follows Plummer, the woman of his dreams. Gilliam's style makes Williams delusions come alive as the character makes the slow journey from trauma-induced insanity to stark, yet hopeful, reality.

    Every character in this film undergoes a metamorphosis, each learning from the others along the transformation. It is a beautiful film to watch, and an achievement to all involved that subject matter of such depth can come across with such humor and with such beauty.
    CarolCC

    A film of power, substance and poetry

    I recently saw this movie again. (actually I felt compelled to buy it at a video sale). I have always loved it and I continue to be moved by it. The story has such a romantic and poetic quality. It examines the nature of redemption born, not out of guilt and obligation, but out of a truly selfless act of love for another person. The film rivals "The Shawshank Redemption" in its vision of the triumph of the human spirit, and the elements of fantasy are absolutely breathtaking, especially the scene in Grand Central Station. Definitely one of Robin Williams' most moving performances.
    7erwinjones

    Grand Central Station scene is one of cinema's greatest

    Family film night and Sarah Erwin Jones. Choice but she was cajoled a bit by me to pick this over The Piano (which will be viewed shortly). The Grand Central scene alone makes this essential viewing. A fantastical exploration of Arthurian legend, Ethel Merman and the fragility of mental health. Jeff Bridges and Robin Williams are stunning with William's performance all the more poignant in light of his own personal demons. Mercedes Ruehl deservedly took the best supporting actress Oscar but Amanda Plummer also excels. Despite the fantasy world Terry Gilliam has never directed such vivid relationships on screen. A gem.
    9dead47548

    One of Gilliam's best.

    Arguably Gilliam's best film, and certainly his best acted. As usual, Bridges is completely natural and absorbed in his role. This is the only time I've seen Robin Williams combine his best humor with his severe talent for dramatic work. He seamlessly switches from being wildly charismatic to being an empathetic, heart broken man just trying to escape his past. The basic structure is one which has been done many times, but never has it been mastered as Gilliam has done. The parallels in the story are remarkable. Parry's name being short for Parsifal, a knight of the Holy Grail. Parry saves Jack just as Parsifal saved the Fisher King. Also, Parry's flight from the Red Knight is reflected from Parsifal's battle with the Red Knight. Another parallel is seen when Parry's haunted past is brought back to him after kissing Lydia, just as Parsifal is reawakened after kissing Kundry. Gilliam creates all of this beautifully, yet keeps it very subtle and light. The film itself combines outrageous humor, heartwrenching drama and even some thrilling chase scenes. The hallucinations and flashbacks also have a very haunting ambiance to them. The film really is a tour de force on all fronts. As always, Gilliam creates a very haunting yet comfortable ambiance through some of the best cinematography I've ever seen.
    McGonigle

    The perfect Robin Williams movie (and much more)

    This movie is really exceptional in a lot of ways. It's got one of those plots, full of ironic reversals and personal struggle, that's been turned into melodramatic trash in every creative medium ever invented. With Robin Williams as the magic crazy guy and Jeff Bridges in an 80s ponytail, the ways the basic concept could have gone awry (in other hands) are truly frightening to contemplate. But with Terry Gilliam at the helm, The Fisher King speaks to your emotions more directly and powerfully than 90% of the movies out there without degenerating into sappiness.

    Perhaps the most brilliant acheivement of this movie is the way it takes Robin Williams' crazy-improvisational persona and makes it an integral part of the story. Instead of being a tacked-on adjunct to the "real" movie, Williams' stream-of-consciousness patter is essential to the work as a whole.

    At the same time, Gilliam is making an almost-mainstream movie for the first time in his career, while explicitly referencing his past (the Holy Grail). It all comes together into a movie you will never forget.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      For the "waltzing commuter" scene in Grand Central station, the main hall of the terminal was shut down for the shoot from 8pm until the first commuter trains arrived at 5:30 am the next morning. Lighting effects outside of the large terminal windows made it seem to be 5:00 in the evening the entire night, and over 400 extras waltzed around the mirror-ball topped Information Booth again and again throughout the night. Now, on New Year's, an orchestra plays there and people waltz for real.
    • Gaffes
      After the double-date dinner at the Chinese restaurant, Anne unlocks the door to the apartment and puts her keys in her purse. Then she is hugging Jack, and the keys are still in her hand.
    • Citations

      Parry: Did you ever hear the story of the Fisher King?

      Jack Lucas: No.

      Parry: It begins with the king as a boy, having to spend the night alone in the forest, to prove his courage so he can become king. Now, while he's spending the night alone, he is visited by a sacred vision. Out of the fire appears the Holy Grail, symbol of God's divine grace. And a voice said to the boy, "You shall be keeper of the Grail, so that it may heal the hearts of men." But the boy was blinded by greater visions of a life filled with power, and glory, and beauty. And in this state of radical amazement, he felt for a brief moment not like a boy, but invincible - like God... so he reached into the fire to take the Grail, and the Grail vanished, leaving him with his hand in the fire, to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its reason. He had no faith in any man - not even himself. He couldn't love, or feel loved. He was sick with experience. He began to die. One day, a fool wandered into the castle, and found the king alone. And being a fool, he was simple-minded; he didn't see a king. He only saw a man alone, and in pain. And he asked the king, "What ails you, friend?" The king replied, "I'm thirsty - I need some water to cool my throat." So the fool took a cup from beside his bed, filled it with water, and handed it to the king. As the king began to drink, he realized his wound was healed! He looked in his hands, and there was the Holy Grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty."

    • Connexions
      Featured in Siskel & Ebert & the Movies: Dogfight/Late for Dinner/Rambling Rose/Blood & Concrete (1991)
    • Bandes originales
      How About You?
      Written by Ralph Freed & Burton Lane

      Produced by Ray Cooper and George Fenton

      Whistled & Sung by Harry Nilsson

    Meilleurs choix

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    FAQ25

    • How long is The Fisher King?Alimenté par Alexa
    • What is 'The Fisher King' about?
    • Is 'The Fisher King' based on a book?
    • What did Jack Lucas say to the caller?

    Détails

    Modifier
    • Date de sortie
      • 2 octobre 1991 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pescador de ilusiones
    • Lieux de tournage
      • Hunter College High School, Madison Avenue, Manhattan, Ville de New York, New York, États-Unis(Exterior of Holy grail castle)
    • Société de production
      • Tri-Star Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 24 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 41 895 491 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 311 662 $US
      • 22 sept. 1991
    • Montant brut mondial
      • 41 895 736 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 17 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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