A Grande Arte

Tchéky Karyo is frankly OUTSTANDING in his role as Hermes. The disturbing, quiet, intense, dangerous man, superb! I feel this is Peter Coyote at his best, a vulnerable, intelligent, humane man who comes face to face with the reality of life that previously he had only viewed through the lens of his camera.

Again those remarkably talented Brazilian actors and actresses just continuously amaze me. As in another film I very much enjoyed that was shot in Brazil, BOCA, the Brazilian talent is immense. Previous comments have outlined the plot and so forth. I would only add that this film is tense and one comes away from it with a sense of discomfort, and that is something to be so affected by a film when all too often once the house lights come on there is no residual emotional connection.

I noted on the main details page that the Spanish version is several minutes longer than the USA video version and that REALLY irks me. This should be available, as should Zalman King's BOCA, on DVD and in full length, unedited, uncut, uncensored.

If one just wants to waste a couple of hours in amusement this is not the film to see, if one wants to have a visceral reaction and to be taken by one's collar and dragged into the frenetic and all too grim world of the invisible people of a great metropolis then by all means see EXPOSURE aka A GRANDE ARTE.

The path of a pacifist photographer being seduced by the need for justice and the intrigue of a hitherto unknown world of professional assassins plying their trade via the intimate and all-too-personal death delivered by a knife is a very deep experience to watch unfold, and Peter Coyote does it to a tee.

His inner revulsion to the horror of embracing this culture is offset by its fascination as well as the necessity of descending into it to find out the truth behind the killing of model/prostitutes. Slowly but surely you observe the influence of his gaining knowledge and confidence as he is tutored (by a master of the art he just happens to see and captures on camera one day plying his craft), all dragging him down to dive in completely.

The plot thickens as characters are revealed and surprises are forthcoming, all leading to a fantastic final knife-fighting confrontation with the acknowledged master, someone he has known all along but not suspected.

I saw this movie about 10 years ago, but never noted the title until I was trying to order it on-line, and now I have it in my collection. I highly recommend it for its combination of intense drama, revealing close analysis of the process of a sworn pacifist turned to embrace violence as a way of life, amazing fighting scenes, and an uplifting ending. Unforgettable.

Fighting with edged weapons fell into obscurity after the advent of the gun. The old European blade skills almost died out, as did the Oriental arts of Arnis, Escrima, and Silat(which were derived in part from the fighting art of the Spanish Conquistadors).

The science of blade fighting smoldered weakly for five hundred years in remote outposts of Indonesia, the Philippines and Japan where the gun never quite captured the imagination of peoples who had truly understood steel.

Recently, for reasons which are still obscure, blade skills have enjoyed a renaissance as a legitimate martial art in the United States. A sub-culture of knife fighting students has emerged which will be the audience of this excellent movie.

This film stands almost alone as an artistic representation of training and fighting with edged weapons. Early in the movie Tcheky Karyo carries off a chilling and realistic knife-fighting sequence which makes the hair stand up on the neck. He then plays the instructor, showing the viewer the simple beauty of how an art thousands of years old can be transmitted.

Peter Coyote makes us see the mental and physical journey of the student. At the climax of the movie he manages to project truly the mind-set needed to face steel with steel as he goes toe-to-toe with the true master in a duel to the death.

The training sequences in this movie are clear expressions of real techniques used in the old arts of Arnis and Escrima, with elements of European blade practice thrown in. The film could actually be studied as a training aid.

A certain amount of "Hollywood" was included to extend the final fighting sequence for dramatic effect, but this will not be noticed by the novice and should not interfere with the enjoyment of any viewer interested in the arts involved.

This film is an example of the movie being better than the book. Rubim Fonseca's book "The High Art" contained only the germ of the grim plot which the movie fully exploits. For some reason, after having his character learn the high art, Fonseca has him put the knife away in a drawer and back away from the brutal reality of the science he has learned, contenting himself with amorous conquests rather than the quest for vengeance which was the real core of the book.

This movie will have a limited but loyal audience for many years. It is sad that there will probably never be a DVD version in which the frames could be stopped to better understand the science involved.

When I saw this movie I thought it was the renaissance of the Brazilian Cinema. I was wrong.

Anyways this movie I consider one of the best of Walter Salles. A movie the He himself doesn't even like to talk about it, because of a lots of studios interference.

The photographer, José Roberto Eliezer, should be awarded for the first sequence of this movie.

It's a very good Brazilian cast and I, with 16 years old, believed that I was watching movie by Brazilwood.

I guess I reached 10 lines.

I believe this oddly successful film was also aired on US television (Bravo channel) as "Exposure". I have never seen it under the other titles listed. The knife techniques are very professional and effective, as is the explanation of selection of weapons.