Avril enchanté

I just adore this movie. I am on my 6th video and have great hopes they will eventually release it on DVD. It is a wonderful story about 4 women who stay at a villa in Italy and how their relationships change while there.

The cast is full of well known British actors and they are brilliant in their roles. I watch this movie when I feel the need to relax and unwind. It is very well directed and tends to follow the book pretty closely, which is unusual for a director. The scenery and the script are both delightful. I recommend this movie to anyone who wants to escape from reality, even if only for a short period of time. When ever I play this film, I can almost imagine being in Italy with the smell of flowers and feel the sunshine. Four stars****

Nice character development in a pretty cool milieu. Being a male, I'm probably not qualified to totally understand it, but they do a nice job of establishing the restrictive Victorian environment from the start. It isn't as bleak as it really was and the treatment of women was probably even harsher. What makes this go is a wonderful chemistry among the principal characters. Each has their own "thing" that they contend with. Once they come out of the rain and break out of the spider webs, they begin to interact and slowly lose their sense of suspicion. What I enjoyed about this movie is that it didn't go for cheap comedy when it could have. It didn't try to pound a lesson into us. The people who seem utterly without merit are really nicely developed human beings who get to see the light. I did have a little trouble with the Alfred Molina character having such an epiphany so quickly, but, within this world, it needed to happen. Good acting all around with something positive taking place in the lives of some pretty good people.

"Magic" isn't too strong a word for the spell this film weaves. You find yourself relaxing, and seeing others in a more benevolent light... Any movie that has that civilizing an effect on viewers deserves serious attention. Seldom are we soaked in beauty like this. As if that weren't enough, it's funny. Performances are, without exception, extraordinary, but special mention must be made of the miraculous Miranda Richardson, and the superb Josie Walker - both open like roses.

Why ISN'T this film on DVD? It deserves to live forever.

This is a lovely, spirit-restoring movie. From the use of the actual villa that inspired Elizabeth Arngrim to write the novel in the 1920s to the inspired casting, every choice was perfectly right! The quiet joy of this film doesn't stale after repeated viewings. Josie Lawrence, Miranda Richardson, Polly Walker and Joan Plowright seem to have been born to play these parts! I would dearly love to see Enchanted April released on DVD in a widescreen format.

This movie works like a tonic to make one realize what is important. Even the act of watching it is soothing. The four central characters are all women of means living in relative comfort but their lives lack passion and significance. A holiday to Italy inspires them to relax and reassess their lives, something so many of us need and never do.

Lotty (Josie Lawrence) discovers an ad in the newspaper announcing an Italian castle available to let for the month of April. She implores her neighbor, Rose (Miranda Richardson), to invest in the trip so that together they might find happiness. Lawrence and Richardson beautifully portray compliant wives who are defined by their husbands, homes and obligations. Their body language and speech are so repressed at the beginning of the film. I found myself thinking that one or both of them will crack if they do not find peace.

To defray the cost of the trip, Lotty and Rose invite two other women to share in the villa rental, an elderly matron (Joan Plowright) and a titled socialite (Polly Walker). Interestingly, both Mrs. Fisher and Lady Caroline are very fragile, lonely women who have known great loss and mask their pain with cold exteriors. One is trapped by her past while the other is trapped by her beauty. Plowright shines as the brusque outer layers peel away and we discover her heart.

While each actress portrays a traditional female stereotype (Lawrence the daft, eager to please wife, Richardson the puritan, Plowright the hardened dowager, Walker the used up party girl), it does not detract and in fact, includes the viewer as we see something of them in us and vice versa.

For me, the essence of the film occurs when Lotty befriends Mrs. Fisher in a poignant scene. It characterizes the hope that all the women had when they embarked on their journeys. To love and be loved. To be happy with self. To be enchanted by life.