L'amour n'est pas un jeu

DOGFIGHT is one of favorite films. The two leads actors share perfect a chemistry, making their interaction a pleasure to watch. Not to mention, Mr. Phoenix's screen presence is incredible. In fact, I could've followed him around the whole night. Furthermore, there is a great amount of foreshadowing on and off the screen. When Eddie (Phoenix) discusses Vietnam, he mentions its a small mess and that he'll be back in a few months. We, however, know that a different course lies ahead. In addition, this is one of Mr. Phoenix's final films, a glimpse of a magnificent only two years before his tragic demise. As a result, actor-character parallel almost each other, which I found to be truly sad. In addition, I give my credits to Bob and Nancy for executing a perfect ending. Yet, for me, this picture will always be a testament to one of the finest actors of our generation; may his spirit live on.

Ted's Grade: A-

"Dogfight", starring River Phoenix and Lili Taylor, is a surprisingly charming film. It tells a love story born of peculiar circumstances, much like "Marty" starring Ernest Borgnine. Phoenix and Taylor are quiet and awkward people on seemingly different paths who spend a short time together and wind up falling deeply in love with one another. The film is set against the backdrop of the autumn of 1963, prior to immense change in the United States. It is an intelligent work with a keen visual sense--watch for a kissing scene where our leads practically become musicbox dancers--and fine acting.

On the day my friends and I learned of River Phoenix's unfortunate death, we planned to have a movie marathon that weekend. Apparently other people on campus had the same idea. By the time we got to the video store, all of the better known movies (Stand by Me, Mosquito Coast, My Own Private Idaho) had already gone. Someone happened upon Dogfight, of which none of us had ever heard. We decided to give it a shot.

What a fabulous movie! The "first kiss" scene will probably never have an equal: most movies show a first kiss as a passionate, perfect moment rather than an awkward and tense one.

The most atypical River Phoenix role, the furthest from his own personality comes in this film. In Dogfight River plays a young Marine recruit who along with buddies Richard Panebianco, Anthony Clark, and Mitchell Whitfield who are on a last night's leave and are heading from their Treasure Island base for a night of fun and frolic in the San Francisco of November, 1963.

The guys are about to participate in a really mindless and sick ritual called a Dogfight. The guys seek out the ugliest woman they can find and bring her to a designated bar where they're judged. The 'winner' gets a prize of whatever monies the Marines have collected among themselves. Talk about objectifying the female body in a negative way.

Phoenix hooks up with sweet and shy Lilly Taylor who really moved me with her performance. She and her mother run a coffee shop and she's a quiet kid into folk music, her favorite being Joan Baez.

While the other three have the usual night on the town for the Armed Services, Phoenix and Taylor find they connect in ways that they never dreamed possible. As they get to know each other the audience sees a more typical River Phoenix.

I remember seeing this when it first came out. It had a limited release and was restricted to art houses. The theater I saw it in was memorable too, it was the only one I've ever been in without a concession stand, not even concession machines. I guess in this no frills theater I was lucky they had rest rooms.

Phoenix and Taylor make a very lovely couple. It's a good picture for River, but Taylor was the one who really blew me away.

I went to see this film because I am a River Phoenix fan, but when Ms.

Taylor appeared on the screen my breath was taken away. Never before

have I witnessed a more likable charater as well as an incredibly

sincere performance by such a young actress. I also was curious as to how anyone could tell a story about the Vietnam

war in a new way. Bob Comfort, the screenwriter is a genius as is Nancy

Savoca, the director. The closing scene is brilliant in its use of silence and facial

expressions. The war footage is minimal but poignant. This is a perfect

film and one of the best films eve