Un crime dans la tête

This is a really good movie to watch if you like silly/fun movies, parody movies, or john candy. It has a great blend of comedy, wit, action and all sorts of other things. I am pretty surprised by the low rating. Its not the best movie by any means, but greatly above standard and really enjoyable. The actors/actresses were funny and did their parts nicely. Its not exactly original though, and it doesn't look like it had the best budget, but it does what its suppose to.. make us laugh. Definitely worth checking to see if your video store rental has it. I rate it 7/10. Rated PG for sensuality, crude humor, language and comic violence.

That's John Candy's dilemma in Delirious. Candy's a writer for a popular television day time soap which seems to bear more resemblance to the night time big budget soaps so popular in the Eighties. Anyway after some creative differences with fellow writers Jerry Orbach and Renee Taylor, Candy gets into a nasty car wreck and when he wakes up finds himself in the hospital of his own show being treated by a couple of the characters of same, doctor David Rasche and nurse Andrea Thompson.

After seeing this, I see where the creators of Pleasantville got their idea. Pleasantville of course was a bit more serious in its subject matter. Delirious was a good idea that didn't quite come off although the players do give it a good try.

Part of the problem is that even in the fantasy Candy's thinking with his hormones. He's got it bad for his show's star Emma Sammes who is doing a nice Joan Collins impersonation. There's good girl Mariel Hemingway who is auditioning in real life for a part on Candy's soap opera and she shows up in the fantasy as well.

I have to give special kudos to Raymond Burr who plays the family patriarch of this soap opera with tongue firmly in cheek. Burr's occasionally flashes a twinkle which you have to be sure to catch just to let you know how much he's enjoying this. Nice he took time off from Perry Mason here.

Sammes and Burr are the real treats of Delirious. It could have been a lot funnier, but I think someone like Mel Brooks should have directed it.

I guess that "Delirious" was mostly one of John Candy's innocuously silly placeholders in between his really great roles, but it's still a fairly entertaining one. Maybe not rip-snorting hilarity - after "Planes, Trains and Automobiles", it's hard to imagine Candy in a funnier role - but an OK way to pass time. As a screenwriter who gets knocked out and wakes up a character in his own show, Candy makes the most of his role. Among the other cast members are Mariel Hemingway, Raymond Burr (in his final theatrical role), Jerry Orbach, Robert Wagner and Margot Kidder.

Oh, and if you think that you recognize "Hungarian Rhapsody #2", the classic Looney Tunes cartoons often used it: "Rhapsody in Rivets", "Rhapsody Rabbit", "Wise Quackers" and "What's Up, Doc?", to name a few. Later, "Who Framed Roger Rabbit" had Daffy Duck and Donald Duck play it on pianos and undermine each other's performances.

The all time best line in the movie -- John Candy rescuing Emma Samms on horseback -- "This stranger knows no danger!"

A bit spotty -- can't maintain a high comedy level throughout but nonetheless is enjoyable and a vehicle for John Candy to demonstrate comic range. Excited he will get to spend a romantic weekend tryst with Emma Samms (and misunderstanding her feminine wiles), he finds himself lugging umpteen of her suitcases to the taxi cab, then knocks himself out with the trunk door as he tries to load the suitcases. Wakes up in the pleasant little village where she reappears as new character, daughter of Raymund Burr, along with others in town, Mariel Hemingway et al. Plenty of lines for Candy in trying to write the new soap opera about family conspiracies with a stolen formula, and the rapid disintegration of Emma's brother while none in the family seem to notice or care. Again the highlight to me was the rescue chase by Candy when Emma's horse took her on a wild ride and Candy rides up and self congratulates later as modern day Zorro or Lone Ranger. All in all, enjoyable.

I have recently re-watched one of John Candy's more interesting films done around the subject of the soap opera. This film stars Candy as a producer of a Soap Opera that ends up being pulled into his own world where he has the opportunity (or misfortune) to interact with the characters that he created to love and hate.

This movie is pretty good. I felt that the entertainment value is fair and it is re-watchable. The cast interacts well and there are some very funny moments. I enjoy this film but unfortunately it falls in around the same basic feel that most comedies had at this time so don't expect the spectacular or a film that is gut wrenchingly funny. If you are looking for a film that is enjoyable and fairly pleasing this one has a good feel to it.