Conagher
- Téléfilm
- 1991
- 1h 34min
Ajouter une intrigue dans votre langueA tough cowboy facing some trouble crosses paths with a lonely woman living in the middle of nowhere.A tough cowboy facing some trouble crosses paths with a lonely woman living in the middle of nowhere.A tough cowboy facing some trouble crosses paths with a lonely woman living in the middle of nowhere.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 1 victoire et 2 nominations au total
Avis à la une
I am a great fan of Louis L'amour and the making of this book into a film was one of the best things that could have happened,for me.
The cast and crew could not have been better picked. The roles of Evie and Conagher could not have been better done than with the husband and wife team of Sam Elliott and Katherine Ross.
I am transported to the old west every time I watch this movie.I suppose I like it so much because the book does the same thing when I read it.It is a movie to enjoy time and time again.
The depth of love and respect for the original is also conveyed by the gracious touch of having Louis L'Amour's daughter portraying the starting-over former saloon girl stuck in the Indian battle at the stage station. The casting is near-perfect, even if most of them were the Elliott's good friends (and several were in Sam's other films).
The realistic look at ranch hand life strikes chords of memory with Monty Walsh. The action scenes were more reality-based than the 50's through 70's Westerns, such as the primitive look of the final saloon fight scene. And the costumes look straight out of a Matthew Brady photo book of a Western settlement, with the characters showing the dirt and grit which true pioneers experienced.
The developing love story between Con and Evie is beautifully captured by the camera, often without a word, as "the eyes tell the story". Ross plays the part perfectly of the dutiful, faithful frontier wife. And you "feel her pain" as she struggles with loneliness, and his as he struggles with an identity crisis and feelings of inadequacy to be the husband of a woman so noble. Sam deserved the Golden Globe for Best Actor he won, with a quietly powerful portrayal of the honest cowpoke.
All in all, a delightful and classically beautiful story of the Old West. I grew up in one of the last Western towns to "go modern", a real cow town which experienced some of the last (and biggest) gun battles in US history. This movie made me proud to be from my home area.
This movie is a love song to the west and to the man who made us love it too, Louis L'Amour. They got it all RIGHT in this one ... the script, the breathtaking cinematography, the casting, the acting, the costumes, the sets, the scenery, the direction, and the overall feel of the piece. And the frosting on the cake is that the book comes alive here, respectfully and faithfully transfered to film.
We see the tough and solitary life of a cowpuncher as it was, the dirt, the sweat, the never ending dust, the loneliness, no punches pulled. It exudes values and ethics while never preaching, and it shows the courage of one woman alone with children in the west. It's a tribute, a slice of history, a love story, and a lesson in standing up for what's right. Mostly it's just plain beautiful.
I think the thing that impresses me most about this movie is the casting ... not only the leads and supporting players, but the casting right down to the smallest bit part. And none of the roles are more perfectly cast than those of the children who manage to transcend time from now to then. The rest of the supporting cast reads like a Who's Who of American Westerns ... Barry Corbin, Ken Curtis, Buck Taylor, Dub Taylor ... and the newcomers here hold their own well in this distinguished bunch.
I try not to watch this movie more than once a year. That's difficult for me because I miss it between viewings like I miss an old friend. And every time I rewatch it my heart yearns to return to the west. This film is easily in a class with "Will Penny," and can stand proudly with any western ever made. Watch it.
PS: Yeah, it's got plenty of action too.
Katherine Ross plays the woman who has a small ranch that also serves as a stagecoach station.. But that small amount of base income is about to be cut off as a new station is being built, As for her ranch, Ross's husband is gone for some months now on a cattle buying trip with no word when or if he's returning.
Sam Elliott is our title character hero and he's riding line for Ken Curtis's ranch and doing his best to keep thieves off the range. Curtis is beset by rustlers and Elliott does get tempted to look the other way. But like Hondo Lane, Conagher is your straight up cowboy hero, the kind we seldom see in our more cynical age.
Real life marrieds Sam Elliott and Katherine Ross have some tender scenes as she and he would like to get together. But as long as the missing husband's status is still missing they will be true to their moral code.
The supporting cast has a several familiar western faces. My favorite is Barry Corbin the stagecoach driver who even with his company not subsidizing Ross, he has a great personal concern for Ross and her kids.
Conagher answers in a positive way the question of whether we see westerns like we used to see. Most affirmatively with this one.
Second, on behalf of my wife, this is her favorite western of all time.
And she has seen a bunch of them!
In addition to being a cowboy movie, it's a romance. A realistic one, too. Katherine Ross' strong female character provides an excellent counterpoint to Elliot's rough cowboy ways.
Sam Elliot gives his finest performance, I think. He certainly seems to be having fun while doing it, too.
In many ways, this movie reminds me of "Will Penny", another fine western, starring Charlton Heston. If you liked "Will Penny", you will like "Conagher".
Le saviez-vous
- AnecdotesThis was Ken Curtis' final acting role before his death on April 28, 1991 at the age of 74.
- GaffesWhen Evie Teale's husband is trapped under his horse he draws his revolver. When he does so, a white tennis shoe is visible in the lower left of the frame.
- Citations
Johnny McGivern: Why didn't you draw on Kiowa?
Conn Conagher: You mean, was I afraid? Staples didn't need killing. He needed to be taught a lesson.
Johnny McGivern: He'd had killed you if he had the chance.
Conn Conagher: He might have. But I'll tell you something, kid. Any man who kills when he could do otherwise is crazy. Just plumb crazy. Some men take to a side of killing, Johnny. Just make sure when the killing time comes, you're standing on the right side.
- ConnexionsFeatured in Big Guns Talk: The Story of the Western (1997)