Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.Jimmy Rabbitte, un Dublinois au chômage, décide de monter un groupe de jazz entièrement recruté de la classe ouvrière irlandaise.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 11 victoires et 12 nominations au total
Maria Doyle Kennedy
- Natalie Murphy
- (as Maria Doyle)
Ken McCluskey
- Derek Scully
- (as Kenneth McCluskey)
Avis à la une
This is the simple and captivating story of Jimmy Rabbitte (Robert Arkins, fantastic like the whole cast), a young guy who decides to form a soul band in Dublin, and all the amazing people who join him. They've got musical talent and big dreams, but is that enough to climb to the top (and stay there)?
Alan Parker has made some very diverse films ("Midnight Express", "Angel Heart", "Mississippi Burning", "Angela's Ashes") in his long career, but you can see that music is in his blood and one of his favourite themes ("Bugsy Malone", "Fame", "Pink Floyd The Wall", "Evita"). He orchestrates a mostly unknown cast (which includes a very young Glen Hansard, from the recent hit "Once") in a tale of hope, determination, and great music. The British have a great eye for the bittersweet side of life and misfits in general ("The Full Monty", "Little Voice", "Billy Elliot" are fine examples), often with music as an important factor in the background (coincidence? I don't think so!). "The Commitments" is a beautiful, cheerful film, as passionate and memorable as Cameron Crowe's masterpiece "Almost Famous", and certainly one of the best music films of all time. 10/10.
Alan Parker has made some very diverse films ("Midnight Express", "Angel Heart", "Mississippi Burning", "Angela's Ashes") in his long career, but you can see that music is in his blood and one of his favourite themes ("Bugsy Malone", "Fame", "Pink Floyd The Wall", "Evita"). He orchestrates a mostly unknown cast (which includes a very young Glen Hansard, from the recent hit "Once") in a tale of hope, determination, and great music. The British have a great eye for the bittersweet side of life and misfits in general ("The Full Monty", "Little Voice", "Billy Elliot" are fine examples), often with music as an important factor in the background (coincidence? I don't think so!). "The Commitments" is a beautiful, cheerful film, as passionate and memorable as Cameron Crowe's masterpiece "Almost Famous", and certainly one of the best music films of all time. 10/10.
The Commiments holds a very unique place in Irish modern movie history. For a start you have to understand that the Dublin that the film was shot in was incredibly bleak in the early '90's. Unemployemt was huge, money was scarce etc. When the film opened in Dublin it was a genuine phenomenon. The biggest cinema in Dublin (The Savoy) showed the picture around the clock on it's opening weekend and it played to pretty much full houses at all shows. I watched, for the 4th time, with a crowd of approx 500 at 6.00am on Sunday and the atmosphere was electric. This was a film we could relate to, it was about us and where we lived. Suffice to say it was a monster hit in Ireland at the time. I was working in the cinema business at the time (managing UCI) and I was lucky enough to be at the premiere. When the cast were introduced one by one the roof lifted. I attended the party where The Commitments (all of them) played in a tiny club on the docks called The Waterfront and to say that was pretty special is an understatement. To this day I'm still friend with Dick Massey (Billy Mooney) and and from to time to time he will remissness about his time with the film. The Commitments only played live together three times, the Dublin premiere, the NY premiere the LA premiere. I saw then in their home town! While the movie is certainly flawed it is still a classic for it's time.
The first time I saw "The Commitments" I got surprised because it doesn't seem to be a Hollywood-like movie (talking about money) but it's a great example of good script and great performance of the actors/singers. When you see the movie, it seems to be a real-life-documentary.
The music is great! And the best of all is that some of The Commitments' members really play and sing... I recommend to buy the soundtrack (Vols. 1 & 2) if you really are a fan of soul-music. You're gonna love it!
Really... it's one of the best movies that I've seen! It's a movie made with the Soul!
The music is great! And the best of all is that some of The Commitments' members really play and sing... I recommend to buy the soundtrack (Vols. 1 & 2) if you really are a fan of soul-music. You're gonna love it!
Really... it's one of the best movies that I've seen! It's a movie made with the Soul!
8emm
Alan Parker's brilliant directing effort on THE COMMITMENTS really shines. More than an entertaining spectacle, it has a whole lot of influence on the soul music circuit. Shots of Dublin city life are nicely photographed. The musical acts are extremely well talented and well done, if only the occasional dialogue breaks didn't interrupt the awesome sound. There could've been some more new tunes instead of old ones, but it's amazing to discover the fictional band's lead singer pull them off out of his lungs. Phenomenal! At least you can try to find the soundtrack album. One thing stands out the best: the casting. We need more of today's movies to do the same thing: to provide creative acting talents. The musical genre of modern Hollywood needed something like this to keep it afloat. Highly recommended!
10madam_Q
Who needs expensive movie stars when a group of unknowns can light up the screen like this lot?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
On paper, it sounds like a failure - a cast comprising almost entirely of untrained and untested performers, set in working class Dublin, based on the novella by Roddy Doyle. By God, does it defy expectations.
Jimmy Rabbitte is a working class Dublin lad who's been collecting unemployment benefits for two years. But he dreams of bigger things, namely making it big in the music industry. He sets out to form a soul band, and assembles a motley crew of musicians and singers, most of whom don't know each other and many of whom can't stand each other.
The look of the film is gritty and realistic - nothing is glossed over. North Dublin is presented in all it's glory. The home lives of the band members are depicted warts and all - their private lives set the scene for the inevitable personality clashes that are almost as explosive as the music. In the mix is the unique character of the Irish people - at one point Jimmy enters a tenement block and, as he waits for the lift, looks over to see a boy with a horse. "You aren't taking that in the lift, are you?" he asks. "I have to," the boy replies. "The stairs would kill him."
The real star of the show is the music - this film spawned two hugely successful soundtrack albums. The band members were cast partly due to their musical ability, and the results are superlative. The stand out is Andrew Strong as Deco - would you believe this kid was only 16 when the film was made? His amazing voice belies his tender years, and suggests that he's been smoking a packet a day since the age of about four. At the end of the day with is a fine ensemble piece, much like the band. The acting may be a little wonky at times, but the hysterical dialogue makes up for that.
Most remarkably, this is a feel good film that does not rely on any of the conventional feel good plot devices. There are no group hugs, no plot conveniences, no trite happy endings. Just a shrewdly observed and wittily captured human story about people who dream of making it out of their dreary world. And isn't that something we can all relate to?
Le saviez-vous
- AnecdotesThe kid on the skateboard who appears outside Jimmy's window during the first third of the movie when the band are recruiting members is Peter Rowen, the then boy from the covers of U2's "Boy" (1980) and "War" (1983) albums. At the time this movie was filmed, he owned a skate shop in Dublin and was a champion skateboarder.
- GaffesWhen the photographer tells everyone to say "testicles", only three people move their lips enough to make an audible sound (they are actually mouthing the word "lesbians"), but the sound is as if everyone was saying "testicles" out loud.
- Citations
Jimmy Rabbitte: Do you not get it, lads? The Irish are the blacks of Europe. And Dubliners are the blacks of Ireland. And the Northside Dubliners are the blacks of Dublin. So say it once, say it loud: I'm black and I'm proud.
- ConnexionsEdited into The Commitments: Try a Little Tenderness (1991)
- Bandes originalesMustang Sally
Written by Mack Rice
Performed by Andrew Strong, with Angeline Ball, Maria Doyle Kennedy and Bronagh Gallagher
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Commitments?Alimenté par Alexa
- Is "The Commitments" based on a book?
- Who are, and in what order did Jimmy put together, the musicians for The Commitments?
- What other names were suggested for the band before they chose "The Commitments"?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Los Reyes del Ritmo
- Lieux de tournage
- Musical Hall, Ricardo's Snooker Hall - Lower Camden Street, Dublin, County Dublin, Irlande(The Band's Rehearsal Room)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 919 570 $US
- Week-end de sortie aux États-Unis et au Canada
- 271 333 $US
- 18 août 1991
- Montant brut mondial
- 14 921 072 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Les Commitments (1991) officially released in India in English?
Répondre