Affaire non classée

Everything starts nice: the subtleties of the story line are introduced in an admirable low key fashion. And the 'expert' critics say this is a great new twist on a worn out theme, and maybe at the time this movie was released it was - but that was then and this is now and frankly the idea wears thin. There seem to be three writers attached to this project and one will of course conjecture what they were up to, for sections of this loose tale seem rather poorly written - and even poorly directed, and the director Michael Apted, who three years earlier made the excellent Gorillas in the Mist, will have to forgive.

The flaw seems to be thinking that the marriage of these two 'sub-plots' can work. And for a courtroom drama there is precious little courtroom time, and what is there jumps about a bit too much.

The cast are great; the acting is generally top drawer - except for a mother daughter scene near the beginning which simply unequivocally does not work and undermines the viewer's confidence in the movie - and I never before realised how beautiful MEM could be - but maybe anyone dressed in threads like that would look as good.

You'll enjoy it, you'll regard it as adequate entertainment, but if you're looking for excitement or a better overall premise, you'll be disappointed.

This subdued courtroom drama starts out like an extended episode of L.A. LAW but quickly reveals itself as the unheralded gem it is. Gene Hackman is as solid as ever as a fervent lawyer battling an auto giant accused of manufacturing a faulty model. The twist is that his rival attorney just happens to be his self-reliant daughter, played by Mary Elizabeth Mastrantonio.

CLASS ACTION is not a flashy, fill-up-the-screen-every-minute kind of film. But it is a quite compelling effort. The courtroom storyline is captivating, with director Michael Apted expertly showing the case and its various twists and turns from both sides. Anyone who was glued to the set anytime L.A. LAW came on be in heaven.

Then there's the family dynamic. Hackman and Mastrantonio are convincing as the father and daughter. He seems to know everything and she wants to prove that he does not. They begin the film miles apart in their relationship and it seems a tense court case will further drive in the wedge between them. It's a plot line that works well and helps elevate the film.

Sometimes I'm left with the impression that viewers think all films should be award winning material, as though the goal and worth of a film can be judged by the amount of award nominations it generates and brings home. I disagree, a good film should entertain, and that is what this film does very well. Nice on location sets give the film an authentic and attractive feel. The acting is top notch. The two main overlapping stories, the father & daughter relationship and the legal battle, tie in very nicely. This is a solid film that draws the viewer in and keeps his/her attention until final scene. There are many ways to waste two hours, this film is not one of them.

The idea, great. the actors, terrific. The plot, solid. the outcome, OK at best. Class Action has its moments, but spends way too much time developing the father-daughter relationship. Just as you get into the dirty dealings of the law firm, the director and editors give us more forced relationship. This is worth a look, but only if on TV.

Though I shan't name specifics, back in the '90s, when Class Action was made, vehicle component malfunction affected and scared more everyday folk than the usual cases for U.S Courtroom dramas i.e Medical and Corporate cases.

So, when a lighting circuit component fails in a popular car model and causes vehicle fires, naturally a case is lodged against the manufacturers. Taking the case is a crusty, liberal lawyer, Jed, (Gene Hackman). But, to his shock and fortunately for us, in defence is Jed's estranged daughter Maggie (Mary Elizabeth Mastrantonio), who's ambitious and ruthless. This creates a tension, in the courtroom and privately as reasons and causes for their differences are aired.

Unlike some more well known courtroom dramas, there's little shouting or violence. No one gets murdered. The case is reasonably involving and both leads are good. The outcome wasn't as full-blooded as I'd have liked and so I give six and bit stars. Quietly recommended, though, especially for lovers of the genre.