Cadence

Before he became a joke of an awful actor, Sheen did some good roles as a young man. Fishburne and Sheen also are quite good in this.

The directing isn't the best and there are some parts that are padding, but it's overall a good film. Vets will like this film because it captures army life pretty well, its everyday rhythm, its (yes) cadence. Orders, marching, discipline, chow lines, tedious busy work and solders' down time being filled with tedious time wasting like card games.

Most enlisted know someone like the sergeant, Martin Sheen's character. A lifer who has nothing else in life, who sacrificed his family and marriage.

Why is this film so unknown ? It really deserves to be recognised as a great film along with the Nam films of the late 70s early 80s. To me it has quite a Nam feel to it, (the progression of the relationship between the inmates, and the constant battle with the higher ranks). Deterioration of character screams out "Apocalypse Now", but the team aspect shows a strong influence from films such as "Platoon". The film itself is set during the time of Nam, but can't be bracketed as one. Charlie Sheen has once again took part as the lead role in a great film. I can't see the film working with any other actor ! His cold manner, but warm heart is seen also in the classic "Platoon". All in all this film is a good modern story. Which I recommend to not only Vietnam film fans, but to a general audience.

Plagued with a bad attitude and seriously lacking discipline, "Franklin Bean" (Charlie Sheen) joins the United States Army right after high school. Not long afterward, his father dies unexpectedly and this subsequently has a profound affect upon him. To that end, he gets into a drunken brawl while stationed in West Germany and for that he is sentenced to serve 90 days in a local stockade. Unfortunately, his attitude problems continue and this creates extreme friction with both his new NCOIC, "Master Sergeant Otis McKinney" (Martin Sheen) and his fellow prisoners. Likewise, the fact that all of his prison mates are black doesn't help his situation either. Now rather than reveal any more I will just say that this was an interesting film for the most part in that it highlighted some of the social issues surrounding race relations within the U.S. military during this particular era. Admittedly, the plot was rather predictable but even so I found it to be somewhat enjoyable and I have rated it accordingly. Slightly above average.

Perhaps, it was my having seen this movie with a bunch of my Army buddies - while in the Army. Or maybe, being a Larry/Laurence Fishburne FANATIC! It could be that I saw this with my heart open and my mind closed...nah, none of the above reasons are why this movie ranks as one of my all-time favorites. It is the camaraderie and class of the relationship that Martin Sheen created with his main characters.

Never have I seen a movie with such honesty and triumph. Truly, I saw the ending before it came...but I didn't care. Isn't that what a GOOD director will do - make you appreciate the movie and not focus on what the end result will be.

The "End of My Journey" rips through me every time I hear it. A great film study on what true friendship is when race is not factored into the equation. 9/10 - And, I know flicks!

Reading Maltin's summary may steer you away from a film which, after an unpromising beginning, develops into a gripping drama, aided no end by superb acting from the nine very individual players in this film: Charlie Sheen, as the white prisoner incarcerated with five black soldiers in a military stockade, the two very different white guards, and Martin Sheen as the bullying and racist Sergeant who causes the tension to mount as his personal problems drive him to take out his frustrations on his charges. Martin Sheen perhaps gives the weakest, because least believable, characterization. It is Charlie Sheen as the initially wary room mate and the five finely etched black prisoners, all very good in their roles, who forge a memorable dramatic scenario out of their situation. Martin Sheen's sole directorial effort makes the most of the increasingly tense story-line. See it, it's good!