Ajouter une intrigue dans votre langueA Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.A Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.A Liverpudlian mother flees to New York in search of her father and finds female pro-boxing as a way to make ends meet.
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Ravishing platinum-topped pugilist Margi Clarke is on prime gobby form as pugnacious single mum Ronnie O'Dowd in cult 90s Lively-bird drama 'Blonde Fist'. This engagingly rough-hewn, Kirby-set gem about a boozy working class scrappin' scouser and his no less hot-headed daughter is a comedic knock-out ripe for rediscovery! While some of the dramatic elements are a trifle ham-fisted, Frank Clarke's mostly witty text scintillates with a number of eminently quotable zingers!
There's a brief appearance by a young, snot-nosed Stephen Graham, Margi's fiesty prison scrap with fathole (Big Alice) remains a squalling cat-fighting treat, and the still-gorgeous Giallo Siren Carroll Baker is an absolute riot as sassy, warm-hearted ex-showgirl Lovelle Summers. You have to hand it to Margi as it takes some Promethean chutzpah to gamely deliver this deliciously clunky line to her absconding ex: "Don't come back 'ere like a thief in the night!!!!" and, almost, get away with it! I'm not claiming Blonde Fist is Ken Loachian quality, but the noisome protagonists are frequently fun, and this quirky 90s time capsule is a joyous reminder that Margi's a phooken goddess, mate!
There's a brief appearance by a young, snot-nosed Stephen Graham, Margi's fiesty prison scrap with fathole (Big Alice) remains a squalling cat-fighting treat, and the still-gorgeous Giallo Siren Carroll Baker is an absolute riot as sassy, warm-hearted ex-showgirl Lovelle Summers. You have to hand it to Margi as it takes some Promethean chutzpah to gamely deliver this deliciously clunky line to her absconding ex: "Don't come back 'ere like a thief in the night!!!!" and, almost, get away with it! I'm not claiming Blonde Fist is Ken Loachian quality, but the noisome protagonists are frequently fun, and this quirky 90s time capsule is a joyous reminder that Margi's a phooken goddess, mate!
This is one of my favourite films of all times. I've watched it dozens of times. The plot of the film is probably less important than the brilliant one-liners and cameos, although maybe you have to be British to understand the subtle but incandescently funny subtexts that run through the whole film.
Margi is an excellent actress although I guess her in depth experience of the Liverpool psyche means she was playing a role that was kind of like just being herself a lot of the time maybe?
You have to realise that not all the lines are meant literally. Like in the fight scene at the beginning of the programme (has me in stitches every time I watch it). The wonderful Margi Clarke gets fisty cuffs with the superb actress Tina Malone. Tina warns Margi "Now GIT... Before I throw a bucket of p&*^ss water over ya". This is a classically hilarious line. Please don't construe from this that all people in Northern England keep a bucket of urine water handy, ready to throw over aggressive strangers.
:)
A
Margi is an excellent actress although I guess her in depth experience of the Liverpool psyche means she was playing a role that was kind of like just being herself a lot of the time maybe?
You have to realise that not all the lines are meant literally. Like in the fight scene at the beginning of the programme (has me in stitches every time I watch it). The wonderful Margi Clarke gets fisty cuffs with the superb actress Tina Malone. Tina warns Margi "Now GIT... Before I throw a bucket of p&*^ss water over ya". This is a classically hilarious line. Please don't construe from this that all people in Northern England keep a bucket of urine water handy, ready to throw over aggressive strangers.
:)
A
A thinly plotted movie with comic moments that mostly don't work, and fight scenes that fail to convince ( except the last one).
Margi Clarke is fine in the lead, Ken Hutchinson good too but Carroll Baker pretty much steals every scene she's in, she's deserving of a better film.
A British drama; A working-class Liverpudlian who is prone to using her fists to settle disputes travels to New York to find her estranged father. Needing cash to rebuild her life she joins a women's boxing circuit. Lumbering drama with below par dialogue, especially the fighting talk which doesn't sink deeply and often lacks subtlety. Margi Clarke is striking, packing a mean punch as a scrappy and devoted mother. But there is very little to engage with due to a story that doesn't grip and some of the other performances are weak. The fight sequences are choreographed well but they are not impressive enough to wait around for.
This film requires few words of commentary. The plot is laughable, the script dismal and the acting appalling. However, as a Liverpudlian myself, I have rarely felt as embarrassed as I was by Margi Clarke's grotesque performance. She makes a laughing stock of Liverpool people. A dud without equal.
Le saviez-vous
- AnecdotesFilmed in six weeks on a £600,000 budget.
- ConnexionsReferences Horizons perdus (1937)
- Bandes originalesLike I've never been gone
Written by Paul Hampton and Camille Monte
Sung by Billy Fury
Published by Chelsea Music Ltd
Courtesy of The Decca Music Company Ltd
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- How long is Blonde Fist?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Lutadora
- Lieux de tournage
- Grafton Ballroom, West Derby Road, Liverpool, Royaume-Uni (RU)(Venue for the boxing matches)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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