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At the Max

  • 1991
  • 1h 29min
NOTE IMDb
7,5/10
414
MA NOTE
At the Max (1991)
DocumentaryMusic

Ajouter une intrigue dans votre langueA filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a... Tout lireA filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.A filming of the 1990 Rolling Stones "Steel Wheels" concert that traveled Europe. This was filmed in the IMAX process, which allows the film to be projected in a size ten times the size of a regular 35mm projected image.

  • Réalisation
    • Noel Archambault
    • David Douglas
    • Roman Kroitor
  • Casting principal
    • Mick Jagger
    • Keith Richards
    • Charlie Watts
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    414
    MA NOTE
    • Réalisation
      • Noel Archambault
      • David Douglas
      • Roman Kroitor
    • Casting principal
      • Mick Jagger
      • Keith Richards
      • Charlie Watts
    • 6avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos12

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    Rôles principaux17

    Modifier
    Mick Jagger
    Mick Jagger
    • Self
    • (as The Rolling Stones)
    Keith Richards
    Keith Richards
    • Self
    • (as The Rolling Stones)
    Charlie Watts
    Charlie Watts
    • Self
    • (as The Rolling Stones)
    Ronnie Wood
    Ronnie Wood
    • Self
    • (as The Rolling Stones)
    Bill Wyman
    Bill Wyman
    • Self
    • (as The Rolling Stones)
    Chuck Leavell
    • Self (Keyboards)
    Bobby Keys
    Bobby Keys
    • Self (Saxophone)
    Crispin Cioe
    • Self (Uptown Horns)
    Arno Hecht
    • Self (Uptown Horns)
    Hollywood Paul Litteral
    • Self (Uptown Horns)
    Bob Funk
    • Self (Uptown Horns)
    Bernard Fowler
    • Self (Vocals)
    Lorelei McBroom
    • Self (Vocals)
    Sophia Jones
    • Self (Vocals)
    Barry Porter-Robinson
    • Self
    The Rolling Stones
    The Rolling Stones
    • Themselves
    The Uptown Horns
    • Themselves
    • Réalisation
      • Noel Archambault
      • David Douglas
      • Roman Kroitor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs6

    7,5414
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    Avis à la une

    drosse67

    TOO larger than life

    I had high hopes for this IMAX film. To say I was disappointed would be an understatement. What should have been a revolutionary concert film turns out to be 85 minutes of the Mick Jagger show. Now, that's really not a big surprise as he is, after all, a legendary frontman for a legendary rock band. But seeing him (and to a lesser degree Keith Richards and Ron Wood) in IMAX proportions, posturing around the stage and "playing" with the huge blow-up dolls is more than anyone can handle. The emphasis here was NOT on the music, but on their obvious reactions to being filmed by a huge IMAX camera. I have only seen the Rolling Stones in concert once (for their 1999 tour), but I have to say that this concert was fairly disappointing. The entire concert was not filmed, as you can see the list of songs near Charlie Watts' drum kit several times in the movie and a few--Harlem Shuffle, Angie, Jumping Jack Flash--were not filmed. I could not believe they left off the latter song, one of the Stones' signature songs. The songs they did perform were over-extended versions of other classics like Satisfaction, where Mick climbs the rafters and catwalks and just acts silly. I glanced around the IMAX theater while this movie was playing, and everyone was frozen in their seats. It would have been a good opportunity to really "cut loose" and move to the huge images and sound, but no one did. The filmmakers really missed out on an opportunity to film a great concert with "At the Max." You are left with the feeling that the Stones were patting themselves on the backs for "revolutionizing" the concert film.
    8grantss

    Great Stones concert film

    A capture of The Rolling Stones live during their 1989 Steel Wheels tour. Footage is from the Turin, Berlin and London legs of that tour. All the Stones are there - Mick Jagger, Keith Richards, Ronnie Wood, Bill Wyman, Charlie Watts. The song selection includes heaps of classics plus a few less-often-played ones, e.g. 2000 Light Years From Home.

    A great capture of The Rolling Stones at their rockin' and rollin' best. Great selection of songs (2000 Light Years from Home was a pleasant surprise - it's not a live standard of theirs) and the band is in top form. Maybe a bit too conventionally shot to be regarded as brilliant but it's very entertaining nonetheless.
    Michael_Elliott

    Good Concert with Nice Reworked Songs

    Rolling Stones: At the Max (1991)

    *** (out of 4)

    Filmed during the European leg of the Stones' 1990 Steel Wheels tour, this production was shot for the IMAX screens so obviously seeing it there compared to your television is going to make a lot of different but I've always felt that no matter how you see it you need a strong performance, which you get here, although at the same time I'd say this concert isn't nearly the best that the group has released and certainly doesn't come close to what Martin Scorsese would pull off with SHINE A LIGHT.

    Start Me Up/ Sad Sad Sad/ Tumbling Dice/ Ruby Tuesday/ Rock and a Hard Place/ Honky Tonk Women/ You Can't Always Get What You Want/ Happy/ Paint it Black/ 2000 Light Years from Home/ Sympathy for the Devil/ Street Fighting Man/ It's Only Rock 'n Roll/ Brown Sugar/ Satisfaction

    Needless to say, there aren't any limits on the classics as the group comes out with a thunderous Start Me Up and it only gets better from here. The highlights include hearing some of this terrific tracks in a way that they hadn't been played on previous tours and this includes a terrific Ruby Tuesday and a more low-key but still rocking Tumbling Dice. I don't think Satisfaction has ever sounded bad and the terrific guitar opening from Richard on Paint it Black is certainly very memorable. For the most part the group is in top form but I'd still say this concert film falls well short of previous releases and a couple they did after this one. I think this is still a good show overall but if you want to show the Stones at their greatest then SHINE A LIGHT and LADIES AND GENTLEMEN THE ROLLING STONES are your best bets and not to mention GIMME SHELTER.
    8ccthemovieman-1

    Only The Amount Of Wrinkles Change For The Stones

    This veteran rock group is consistent: it almost always gives a dynamic show and it almost plays the same songs over and over. However, one doesn't seem to mind as the Stones always make their shows visually and audibly interesting no matter how many times you see and hear them.

    The main difference in the shows over the years are the props (in this case, huge inflatable dolls) or a more youthful appearance when you see them in something 10, 20 and 30 years ago. When I acquired the "Four Flicks" DVD in 2003 I thought I had seen them do about all their songs but not so. For instance, in this concert is a great version of "Sad, Sad, Sad," which isn't on that multi-disc 2003 compilation.

    After seeing the recent shows, you look at this and the "boys" look a heckuva lot younger.

    These guys are always entertaining and I'm lucky to have found this tape in January of 2005. At the time, and still now the VHS and DVD were both unavailable for regular purchase. You have to find sellers on websites (Amazon, e-bay) to get them. I never saw this on IMAX so I can't comment about that experience.
    10El Guapo-2

    Too cool for words

    If you love movies, you'll love this. If you love the Stones, you'll love this. If you love concert movies, you'll love this! It's just an awesome movie-going experience. This film is the 1989/1990 Steel Wheels/Urban Jungle world tour filmed in the IMAX format, when projected in 70 mm film on a screen 5 stories high, completely fills your field of vision. The sound is mixed in Dolby 6-track and is deafening!

    What keeps the movie going is Mick Jagger, front and center for most of the movie and his awesome energy as a performer will have you tappin' your foot along to the oldies but goodies like "Satisfaction" and "Ruby Tuesday", as well as the newer songs such as "Start Me Up" (the opening number) and "SadSad Sad".

    It was just an incredible experience and the tunes were in my head for weeks afterward, I don't know if it was because of the loudness, or the memorable impression I walked away with. 10 out of 10!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The impression given is that this film is of a live concert. That is not entirely true. Many scenes are filmed with no audience at all! These are mainly the set shots and close ups of the band and are easily spotted.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Curly Sue/House Party 2/The Butcher's Wife/The Rolling Stones at the Max/La Belle Noiseuse (1991)
    • Bandes originales
      Continental Drift
      Written by Mick Jagger and Keith Richards

      Performed by The Rolling Stones

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    Détails

    Modifier
    • Date de sortie
      • 16 juin 1992 (États-Unis)
    • Pays d’origine
      • Irlande
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Rolling Stones Live at the Max
    • Lieux de tournage
      • Berlin, Allemagne
    • Sociétés de production
      • IMAX
      • Promotour USA
      • The BCL Group
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 29 minutes
    • Couleur
      • Color
    • Mixage
      • IMAX 6-Track
      • Dolby Digital
    • Rapport de forme
      • 1.44 : 1

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    At the Max (1991)
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