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7,8/10
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Ajouter une intrigue dans votre langueAfter a young Canadian Aboriginal girl is murdered in 1971, it takes 20 years of inaction and prejudice before the police finally find the real killers. Meanwhile the killers have to live wi... Tout lireAfter a young Canadian Aboriginal girl is murdered in 1971, it takes 20 years of inaction and prejudice before the police finally find the real killers. Meanwhile the killers have to live with their own guilt and fear of being caught.After a young Canadian Aboriginal girl is murdered in 1971, it takes 20 years of inaction and prejudice before the police finally find the real killers. Meanwhile the killers have to live with their own guilt and fear of being caught.
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- 7 victoires et 1 nomination au total
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10jodynh
I have seen this movie many times over the years, and it is no less gut-wrenching today. Michael Mahonen won a Gemini award for his portrayal of Lee Colgan, a teenager who went out for a good time one night and ended up as an unwitting accomplice to a murder. The story is a complex tale in which the high school students who know what happened are threatened with violence if they go to the police and the older citizens don't want to see whites go prison over the death of a Cree.
The first half of the film takes place at the time of the murder, and the second half takes places roughly fifteen years later. Lee Colgan has become an alcoholic, while the other three boys who were in the car have gone on with their lives. Some of the young women who heard about the murder after the fact are still haunted by guilt at not having spoken up. There is also a sense of frustration on the part of the Mounties at knowing they're surrounded by people who know something but refuse to tell. I would like to add a personal observation here. Michael Mahonen's transformation from a carefree teenager to an alcoholic who is far older than his years was impressive to me when I first saw it. The performance became absolutely astounding to me when I learned that he made the film while he was working on the "Road to Avonlea" series. In the mornings, he was playing a teenager in the early 1900's with an Irish accent. In the afternoons, he was portraying a thirty-something alcoholic in the 1980's with a Canadian accent.
The first half of the film takes place at the time of the murder, and the second half takes places roughly fifteen years later. Lee Colgan has become an alcoholic, while the other three boys who were in the car have gone on with their lives. Some of the young women who heard about the murder after the fact are still haunted by guilt at not having spoken up. There is also a sense of frustration on the part of the Mounties at knowing they're surrounded by people who know something but refuse to tell. I would like to add a personal observation here. Michael Mahonen's transformation from a carefree teenager to an alcoholic who is far older than his years was impressive to me when I first saw it. The performance became absolutely astounding to me when I learned that he made the film while he was working on the "Road to Avonlea" series. In the mornings, he was playing a teenager in the early 1900's with an Irish accent. In the afternoons, he was portraying a thirty-something alcoholic in the 1980's with a Canadian accent.
The true story of a Native Canadian girl who was brutally murdered in November 1972 by four white Canadian teenagers. the four hour mini series is long enough to explain the town of The Pas' racism and reactions to the crime. One murderer even confesses to the crime. The character of Lee Colgan can become sympathetic to the audience. Since that night, he has become the second victim in a psychological sense. He himself has become unemployed, chronic alcoholic whose wife left him with their only son. In the small town, it becomes a well-known fact of Lee's repetitious confessions on his drinking binges. For fear of being killed, some girls remain silent but the town itself is fully haunted by the whole murder. They themselves become an ignorant accomplices to the crime with their silence. By protecting their own, they have cursed themselves into an real ugly image of racism. Still, the racism exists between the white Canadians and their Native Canadians. May Helen Betty Osburne rest in peace now. One painful scene in the movie is the last moment between Betty and her mother before Betty departs on a small plane to The Pas. While justice went undone for many years, it still haunts Manitoba.
Miniseries about the killing of an innocent Indian girl and the entire town that failed to bring the guilty to justice. Set in The Pas, Manitoba, about as far north as civilization goes. The girl leaves home to get an education, but on one night she gets picked up by a carload of rowdy white boys and gets killed and dumped out. Originally shown on the CBC in Canada. It has been shown on Lifetime in the U.S.A. Vintage cars and songs are featured in this. Hypnosis is used to make a cab driver recall a license plate number. Canadian Indians are typically called "wagon burners." Excellent study of crime and white narcissism. You feel sad for the Indian mother who lost her daughter.
There is a scene in "Midnight Cowboy" in which the newly arrived John Voight is flowing along a New York street with the rest of the pedestrians when, to his awe, the stream bifurcates in order to flow more smoothly around the spread-eagled body of a well-dressed man who had been carrying an attache case. This seems to be emblematic of our attitude toward the death of a stranger, or even an acquaintance, in our midst. Nobody cares. In "River's Edge," the teenagers look wonderingly at the naked dead body of a classmate, and then go about their business, other things, like making out, occupying their minds. Nobody cares. But the late Stanley Milgram's quasi-experiments at Yale suggest the real responses of witnesses are anything but apathetic. They're emotionally aroused when a stranger is in a life-threatening situation; but they don't know what to do. They feel that someone else, somewhere, must have the situation in hand. In "Conspiracy of Silence," Milgram's findings are illustrated in the social dynamics of a small and snow-bound Canadian town. The Cree belong to a different caste than the white people and move in slightly different circles, but everybody soon knows what happened, except the agents of social control whose job it is to see that justice is done. In this superior TV miniseries we see just how things can go wrong. I suspect that the racism may have been exaggerrated to provide an additional dimension to the story here, and that the murderers of a white girl might have taken almost as long to be brought to court. Not sixteen years, maybe, as happened in this case, but probably not overnight either. Canada has always had a pretty fair record with regard to its treatment of Indians. Still, there are too many forces at work in small communities that are inimical to our acting like the upright citizens we like to think we are. It would be relatively simple for the rest of us to make value judgments about the residents of this town, if the town were like the one Rod Steiger tries to ride herd on in "In The Heat of the Night." Even today, in some of the smaller towns in Texas, when a murder is reported, the sheriff is liable to ask, "Did he NEED killin'?" But these Canadians are confused and distraught, not at all complacent. This film is very well done for its kind. The brutality is mostly offscreen or in shadows but is horrifying. The performances are uniformly good. It would have been easy to turn this into a shoddy narrative of prejudice, and of good vs. evil. But everyone concerned with this production avoided the easy way and the effort pays off.
I really liked this film because it focused on the wrongful injustices that have been committed against North America's First Nations people. Helen Betty Osbourne along with Donald Marshall and JJ Harper are 3 examples of what they went through at the hands of Canada's so-called "justice system". "Conspiracy of Silence" was well made because it accurately depicted what went on from that incident late that night in 1971 to the actual convictions that were FINALLY made in 1986 when all 4 men involved in the murder were brought to trial. In the end, only 1 man (the guy who committed the actual murder) went to prison while the other 3 went free. Now although justice finally seemed to be served, it literally took 15 YEARS for the 4 men to be brought to trial!! That's what's so appalling about the whole situation! Helen Betty Osbourne had something in common with Donald Marshall and JJ Harper. All 3 victims were Native (Donald Marshall is the only one still alive). Helen was a Cree First Nations woman who was never viewed as a human being by the Canadian laws and governments. To them, she was only "an Indian" and because of that, it took a whopping 15 years for the offenders to brought to justice! Of course the 4 men who committed the crime were white so it didn't matter to the "justice system" that they killed an innocent person (especially if the dead person was Native). If I were the judge and jury of that case, ALL 4 men involved would have had a lengthy jail term because the law IS the law and it applies to EVERYONE in this country who commits a serious crime like that. There's no room for racism and its bogus policies in this so- called "justice system" of ours.
Well............ anyways........... this is why I gave this film an 8 out of 10.
Well............ anyways........... this is why I gave this film an 8 out of 10.
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- AnecdotesThough the movie was set in The Pas, Manitoba, it was actually filmed in Sturgeon Falls, Ontario.
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- How many seasons does Conspiracy of Silence have?Alimenté par Alexa
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