Ajouter une intrigue dans votre langueA woman is stalked by a psychopathic killer. She eventually kills him, only for the man to show up again, this time sane and without any knowledge of the attacks. The police don't believe he... Tout lireA woman is stalked by a psychopathic killer. She eventually kills him, only for the man to show up again, this time sane and without any knowledge of the attacks. The police don't believe her, but one detective agrees to look into it.A woman is stalked by a psychopathic killer. She eventually kills him, only for the man to show up again, this time sane and without any knowledge of the attacks. The police don't believe her, but one detective agrees to look into it.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Jean Leclerc
- Bruno
- (as Jean LeClerc)
Mark Camacho
- Morgue Assistant
- (as Mark Camancho)
Avis à la une
I haven't read the novel, nor anything else by Koontz. Therefore, I cannot comment on how accurate and adaptation this is. I can, however, point out that this really is pretty standard fare, and at times, not even quite that. Let's get the couple of positives out of the way... while the editing and cinematography are average, there are a few cool shots. The mystery is fairly unexpected, and the plot twists are rather surprising. Pacing isn't too bad, and the 90 minutes don't feel as much longer than they are as you'd think. The reasons why this still sucks are plentiful... let's start with the characters. Can someone point me to where Hilary has any personality? Seriously, we're given zero reason to care about her, other than that she's the lead. It seems like she's arrogant, but even that isn't seen that often here. Sarandon is basically playing the exact same role as he did in Child's Play, the cop who's not sure what to believe. His partner is a despicable, intolerable jerk who spends the entirety of his screen-time being a misogynist(seriously, I haven't seen that much hatred towards the gender since Saving Silverman). I'm not sure there's a single likable human being, or one that the audience can relate to, in this whole thing, and most stand out only by the negative(and on notable occasions, downright sick and disgusting) traits. The music is unimpressive and not memorable. That goes for the dialog, as well. Development of any kind is handled in a lazy and careless way. This doesn't really build suspense, though it does try to. The trailer, the only special feature on the DVD, gives exceedingly big hints of what happens, and should probably not be viewed until after watching the movie. This has nudity, for the guys, infrequent, strong language, and some violence and disturbing content. I recommend it only to those with indiscriminate taste, or huge fans of those who had anything to do with making it. 5/10
boring flick is lame and stupid all around with lame script poor execution and rotten acting did not help this lame flick it bounces unevenly between thriller and horror and does neither very well avoid * out of 5
The movie version of Whispers just does not do Dean Koontz' excellent novel justice, but it is still enjoyable and stuck fairly close to the original plotline created by Dean Koontz. The story is twisted and gruesome and has to do with a woman being stalked by a serial killer. Sounds simple, right? However the nasty, perverse elements of the story make this unique. This, again, was okay but if Koontz had scripted it would have been a lot better. The actress who played Hilary was about ten years too old for the part, had the wrong hair color (Hilary had long, black hair in the book) and I detected a faint British accent. Chris Sarandon was okay as Tony, nothing special, and the actor who played Bruno was very good, even though it wasn't how I imagined Bruno. I suggest that anyone who may be interested in seeing this, read the book first if you really want to. It's much better than the movie.
Given the incredible popularity of Dean Koontz's books, it amazes me that no-one has managed to turn any of his bestsellers into a hit movie; more than a handful have tried, but Koontz adaptations are, by and large, pretty lousy. Whispers is no exception.
I've read quite a few of Koontz's books (albeit, not this particular one), and the man spins a great yarn, so I doubt very much if he is to blame for this film's mediocrity. No... I blame director Douglas Jackson, who is clearly more at home working for the small screen, his film lacking in style or genuine thrills, and the film's star, Victoria Tennant, who is undeniably attractive, but isn't a great actress: she's been pretty terrible in everything that I have seen her in (even All Of Me, a film I adore).
Tennant is her usual wooden self, starring as author Hilary, who is terrorised by a psychotic man called Bruno Clavel (Jean LeClerc), who believes that the writer is his mother reincarnated. Chris Sarandon plays caring cop Tony who investigates and discovers the shocking truth behind Bruno's insanity (I don't want to give too much away: the perverse plot twists are the film's only redeeming features).
Delivering tepid scares, a smattering of nudity (brief side boob from Tennant, but mostly from her body double), and very little blood, Whispers is another dreary Dean Koontz dud.
I've read quite a few of Koontz's books (albeit, not this particular one), and the man spins a great yarn, so I doubt very much if he is to blame for this film's mediocrity. No... I blame director Douglas Jackson, who is clearly more at home working for the small screen, his film lacking in style or genuine thrills, and the film's star, Victoria Tennant, who is undeniably attractive, but isn't a great actress: she's been pretty terrible in everything that I have seen her in (even All Of Me, a film I adore).
Tennant is her usual wooden self, starring as author Hilary, who is terrorised by a psychotic man called Bruno Clavel (Jean LeClerc), who believes that the writer is his mother reincarnated. Chris Sarandon plays caring cop Tony who investigates and discovers the shocking truth behind Bruno's insanity (I don't want to give too much away: the perverse plot twists are the film's only redeeming features).
Delivering tepid scares, a smattering of nudity (brief side boob from Tennant, but mostly from her body double), and very little blood, Whispers is another dreary Dean Koontz dud.
Have now seen this tvice and would not agree with the very low ratings the movie have got. Not that great acting, not the best story (did enjoy the book better) but still a enjoyable watch. Some nice occult stuff and all fans of a swedish car will have som nice driving scenes.
Le saviez-vous
- AnecdotesIn the novel, the killer was named Bruno Frye, not Bruno Clavell.
- ConnexionsFeatured in Katarina's Nightmare Theater: Whispers (2011)
- Bandes originalesCan't Stop Now
by Stan Meissner
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- How long is Whispers?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 500 000 $US (estimé)
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