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Tante Julia et le scribouillard

Titre original : Tune in Tomorrow...
  • 1990
  • PG-13
  • 1h 47min
NOTE IMDb
6,1/10
2,1 k
MA NOTE
Tante Julia et le scribouillard (1990)
SatireComedyRomance

Ajouter une intrigue dans votre langueNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring... Tout lireNew Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.New Orleans, 1951: A law student, working at WXBU radio station, falls in love with his cute aunt, who's looking for a third husband. Then Pedro starts writing radio series at WXBU, stirring up things.

  • Réalisation
    • Jon Amiel
  • Scénario
    • Mario Vargas Llosa
    • William Boyd
  • Casting principal
    • Barbara Hershey
    • Keanu Reeves
    • Peter Falk
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    2,1 k
    MA NOTE
    • Réalisation
      • Jon Amiel
    • Scénario
      • Mario Vargas Llosa
      • William Boyd
    • Casting principal
      • Barbara Hershey
      • Keanu Reeves
      • Peter Falk
    • 21avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Photos13

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    + 6
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    Rôles principaux56

    Modifier
    Barbara Hershey
    Barbara Hershey
    • Aunt Julia
    Keanu Reeves
    Keanu Reeves
    • Martin Loader
    Peter Falk
    Peter Falk
    • Pedro Carmichael
    Bill McCutcheon
    Bill McCutcheon
    • Puddler
    Patricia Clarkson
    Patricia Clarkson
    • Aunt Olga
    Richard Portnow
    Richard Portnow
    • Uncle Luke
    Jerome Dempsey
    Jerome Dempsey
    • Sam & Sid
    Richard B. Shull
    Richard B. Shull
    • Leonard Pando
    Paul Austin
    • Donald Loader
    Joel Fabiani
    Joel Fabiani
    • Ted Orson
    Crystal Field
    Crystal Field
    • Josephine Sanders
    Jayne Haynes
    • Aunt Hortensia
    Mary Joy
    Mary Joy
    • Frances Loader
    Rob Kramer
    • Jamie
    Anna Thomson
    Anna Thomson
    • Faith Hope
    • (as Anna Levine Thomson)
    Peter Maloney
    Peter Maloney
    • Luther Aslinger
    Irving Metzman
    • Producer Detroit Radio
    Bill Moor
    • Duke Vermont
    • Réalisation
      • Jon Amiel
    • Scénario
      • Mario Vargas Llosa
      • William Boyd
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,12K
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    Avis à la une

    8bluepuppy

    Delightful

    I love this movie. I love everything about it.

    It's a screwball comedy and first-rate farce. It kids soap operas, white-bread 1950's suburbia, and even points up the absurdity of racism, while still being joyous, fun, and affectionately good-natured. The acting is superb all around with delightful chemistry between the three main characters played by Barbara Hershey, Keanu Reeves, and Peter Falk. I'm amazed that anyone could fault Reeves' performance in this film. He is perfect - sweet, hopeful, naive and romantic. The May-late autumn romance between Reeves and Barbara Hershey is completely believable. You want these two to make it.

    The secondary plot involves a playing-out of the radio soap opera as Peter Falk's character writes it. The acting is deliciously over-the-top as befits the absurd storyline. Extra kudos to Elizabeth McGovern. Who knew she could be so funny?

    Peter Falk is the glue that holds the whole thing together. He wickedly manipulates everyone who comes within his sphere of influence - but all in the name of art and love.

    As an added bonus, the music is wonderful, both as atmosphere and in and of itself. Wynton Marsalis wrote the score and his band plays the music. If you like jazz or even if you don't, the way it weaves in and out of and becomes part of the plot is a delight to the soul.
    10julien-19

    Hilarious to the core

    Why is a movie funny? The plot? The actors? The director? All of the above? I cannot answer but "Aunt Julia..." surely gathers all of them and must be one of the most hilarious movies I have ever seen. I cannot stop laughing when thinking of Peter Falk disguised as a fireman explaining why men have to hate other men. A truly special film.
    9Marie-62

    Barbara and Keanu are great but Peter steals the show

    This was my first Peter Falk movie and I certainly hope it won't be my last. I saw "Tune in Tomorrow" to see Barbara Hershey (a favorite actress of mine) but was completely taken with this funny, eccentric middle-aged man looking like either a French maid or a Jewish rabbi. The plotline was charming and the characters were cute...Simply that. Don't expect a whole lot out of "Tune in Tomorrow" because when you see it, it'll then blow you away. Keanu looked so young! Besides that, it was a very VERY funny movie with a lot of "Paris When it Sizzles" type fluff added to it. Very sweet. 9/10
    foxion

    Worth watching unless you're a sensitive Albanian

    "Tune In Tomorrow" is a near miss. It's a movie that is funny in moments but unfortunately these moments are few and far between. Peter Falk is enjoyable as is the story of the effects of a radio serial on those involved with its' creation. The movie just never clicks. Much of the blame has to go to Keanu Reeves. It is almost worth watching the movie to see how bad an actor can be. I don't know if he's just horribly miscast or maybe it was just a bad day at the office for him but he is awful. The funniest portions of the film have to do with the fictional radio serial Peter Falk's character has created. The insults against the Albanians are laugh-out-loud funny. With a little more work this could have been a very funny movie.
    10curaceau

    Life, Love, Laughter and New Orleans!

    Whenever I think of extremely underrated movies, Tune in Tomorrow always comes to mind. Barbara Hershey, Peter Falk and Keanu Reeves all shine in their leading roles. The luminous and hilarious supporting cast showcases Patricia Clarkson, Peter Gallagher, Elizabeth McGovern and John Larroquette like you've never seen them before. This ensemble is one of the best that I've encountered on screen and makes me wish they gave out awards for supporting casts.

    The movie might not be everyone's cup of sweet tea but it's a gem, nonetheless. Even if the story doesn't tickle your heart, the movie is definitely worth catching for the Wynton Marsalis score and the classic images of a pre-Katrina New Orleans.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Pedro Carmichael: Life is a shitstorm, and when it's raining shit the best umbrella is art.

    • Crédits fous
      The opening credits are read over the radio instead of being shown.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Silent Classics (1990)
    • Bandes originales
      Chewin' Fat
      Written by Wynton Marsalis

      Performed by Wynton Marsalis and His Band

      Featuring Johnny Adams

    Meilleurs choix

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    FAQ20

    • How long is Tune in Tomorrow...?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 décembre 1990 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tune in Tomorrow...
    • Lieux de tournage
      • Paris, France
    • Sociétés de production
      • Odyssey
      • Polar Entertainment Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 11 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 794 001 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 62 747 $US
      • 28 oct. 1990
    • Montant brut mondial
      • 1 794 001 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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