Thousand Pieces of Gold

One of the few movies i've seen where sex is not the bottom line or basis of the romance. It is tasteful and sweet in its depiction of an interracial relationship which develops around an actual friendship and ensues into a genuine emotional bond in the midst of semi-racially intolerant environment. The lead actor and actress produce an amazing performance of a romantic chemistry that is set in the bounds of respect, selfnessness, kindness, and deep affection.

I give it a thumbs up, way, waaaaaaaaaaaaaay up.

A gorgeous and very intelligent movie. Highly unusual to make a western from the Chinese point of view, also to make one from the woman's point of view.

These people do it without sentimentality; there's never a false note in it. Lalu has three strikes against her: an ethnic Mongol in China, a woman in a male culture, a Chinese in America. Yet she can draw on her warrior traditions forb a sense of pride inaccessible to most of her compatriots.

The relationships she gets into seem totally real; at the same time, there is no attempt to cover up the ugly reality of white racism (not that the Chinese men are much better than the Americans).

This is how the old west must have been, and this movie gives us an honest and dramatic portrayal. It deserves to be much better known.

OK, I will admit upfront that I am biased about this movie. "Thousand Pieces of Gold" had its world premiere in my city in Idaho in 1991 because it was the only sizeable town with a large old movie palace near the locations where these true-life events took place (but NOT where they were filmed, which was in Montana). (Lewiston even gets a shout-out in the subtitles near the beginning of the film.) During the several weeks that this movie played, I went to see it MANY times on the BIG SCREEN; watching it on TV screens just does not do the scenery justice, though we will perhaps never see it again in theaters. The story of Polly Bemis that the movie is based on is real, though the filmmakers do take some liberties with the facts. That does not bother most of us locals. We were all thrilled to see this story brought to life on film by many fine actors, capturing the flavor of what life was like in 19th Century Idaho mining towns--especially if you were not white. Rosalind Chao's performance is exceptional, and I have been told that this was the FIRST American movie made with a Asian-American actress in the lead role. Although the film seems to come to a rather abrupt end -- as though the filmmakers ran out of money -- it is still a fantastic film that deserves more attention than it has received, and certainly should be released on DVD. Make a point to see it, or own it on VHS, if you can.

Poverty and hunger in China in the late 19th century force a family to sell their young daughter. She "Lalu" (Rosalind Chao) is shipped to the USA where she ends up being bought by the landlord of a saloon who intends that she be an additional revenue source for him, and entertainment for his horny customers. She is determined not to become an whore, though, and so now her strength of character is throughly tested until the arrival of well-meaning Chris Cooper's "Bemis" who might just be able to offer her a way out with some dignity. It's a gloriously shot piece of cinema, this - and the love story bubbles along nicely in the latter part once we have established the characterisations. Cooper is adequate, I never found him to be anything more, really - and there is a thought-provoking narrative that shines a light on the habits of certain cultures of using children as little more than bartering chips (especially girls); and of using women as little more than toys as adults. That adds quite considerably to the potency of the theme, and Chao does a good job keeping us focussed on her struggles and defiance. It probably is not a film you will remember for long, but it is well worth a watch as a testimony to tougher times.

Gritty social realist story of Chinese woman Lalu who is sold into slavery in the late 19th century, and taken to a rough mining town in the American west. There she faces a series of humiliations, rejections and triumphs before finding at least a degree of happiness with a sympathetic saloon keeper. By turns both gloomy and sentimental (not necessarily a bad thing) issues of racism and feminism are very much to the fore.