Soldat cyborg

I love cheap creature feature or monster movies. I really do, no matter how cheap they are as long as they are entertaining.

"Syngenor" wasn't. It started out OK but as the movie went on I find myself paying less and less attention to the screen. Creature design is interesting and cool looking, but that's probably the most interesting about the movie.

I wouldn't complain too much about acting, because I didn't really expect some excellent performances in these kind of movie, but David Gale really went over-the-top even more then his usual self.

What I find really funny is monster concept itself. It's suppose to be indestructible bio-engineered super-soldier that's half machine, half organic, that can reproduce itself every 24h that would replace American soldiers on the battlefield. Yet, creature seems to easily goes down by shotgun-to-the-face and water!? I find that incredibly funny, because for a super-soldier it has two major weaknesses: firearms and water.

A semi-sequel to cult movie "Scared to Death" from early '80s, but you can watch it as stand alone movie.

"Synapse" released this on DVD (along with it's mother movie), which has some bonus features. So if it's your coup of tea, go for it, but I think "Syngenor" makes a better trailer then a movie.

scientist engineers a group of genetically engineered cyborgs for use as "supersoldiers" to fight U.S. wars in the Middle East. However, things get ugly when the cyborgs malfunction and turn on their creators, escaping from the abandoned lab and stalking the halls of the Cyberdyne (Wasn't that stolen from "The Terminator"?) building, eating people and reproducing every 24 hours A-sexually. The main Syngenor, the Lizard-like monster spends most of the time slobbering and slowly stalking his prey, while the other types of Syngenor walk around roaring like Elephants and killing the Company's army (The "Soldiers" were the goofiest-looking clothes you'll ever see) spend most of their time running threw hallsways, while the company's insane CEO, David Gale, kills his co-workers. "Syngenor" is a low-budget monster movie that, without the presence of David Gale or the nifty-looking monsters, would have failed misserably. The monsters look cool and original for their budget, and David Gale's performance is hysterical--in fact, I'd go as far as saying that this is his best roll EVER, even beating "Re-animator". Over-all, a fair attempt at horror film-making, see it if only for gale. My rating for "Syngenor"- 6/10.

At one point, they shoot one of the monsters in this so many times that he looks like he's dancing, waving his arms up and down. It almost looked like he was doing the "Robot". To add insult to injury, you could clearly see a thick root of cables coming from one of his feet that was obviously used to set off the bullet squibs. My God!

This is one of those movies that is so funny, you may not be able to watch it from lack of oxygen and blurred vision caused by tears. It is such a ripoff of Aliens that it's pretty awe inspiring. They stick a big cannon in this one poor monster's mouth and pull the trigger repeatedly, similar to when Hicks blasted an Alien to smithereens after jamming a shotgun in between it's drooling jaws and yelling, "Eat this!" There's even a scene set in airducts with the monsters chasing them. What I remember most about this was that the creatures posed almost no kind of threat. They walked around REALLY slowly and were really just there to get shot to pieces by the obligatory military hit squad. This is one bad movie that for some reason, gives me warm and fuzzy feelings. My interest was piqued by an ad I saw in Fangoria years ago for these really detailed rubber masks that they were selling. One of them was called "Syngenor" and looked really nice but it was a bit out of my price range. Then I found out that the mask was based on a character design from a movie and I decided that I had to see it! And then I did! And you know what? It was terrible! But funny also!

I sort of remember that water played a big part in this somewhere. And that in the movie, some researchers were designing these creatures to be the perfect soldiers or some other hoo-hah. It's bad alright but it's not that bad that it's unwatchable. I'm gonna go ahead and give this one big fat star and a half. Only out of sympathy and the fact that this movie has made me laugh to the point of getting internal damage do I spare it from a zero, which realistically, this chuck deserves.

RATING: * and a 1/2 out of *****

Total & utter trash, this moronic low budget Sci-Fi flick about a genetically engineered army robot that reproduces itself by laying eggs (!) and naturally turns against its creators before it's even properly finished. In some desperate attempts to thicken the unoriginal plot, there's the lame sub plot about a nosy journalist and his ugly girlfriend going undercover in the company and the awkward story about the Corporate Executive (David Gale from "Re-Animator" fame) who injects the veins in his neck with the same liquids as the robots need in able to function. "Syngenor" is nearly unendurable nonsense, made on a shoestring budget and featuring no redeeming elements whatsoever, apart from the over-the-top performance of David Gale. The supposedly extraordinary killer robots, meant to replace human soldiers to fight wars in the Middle East, are actually very deficient machines! They can't deal with fire or water, and they're pretty easy to kill if you just aim well or hit them over the head hard enough. On top of that, they only last 24 hours before incubating their own successors. And these faulty metal things are supposed to be the future of the US Army? He's dead now, but I'm sure Saddam Houssein wouldn't have been impressed. The first half is still remotely amusing, since the inept dialogs and cheesy massacres supply the film with a handful of chuckles, but then the whole thing gets too stupid to even smile at. The climax battles are exaggeratedly retarded, with a very Terminator-esquire sequence in which the leftover pieces of one of the robots melt together with human tissue, resulting in an ultra-hideous robot-woman creature. What the hell was that? My rating of 3 out of 10 is extremely generous, mainly just because David Gale was a cool dude who never got the good roles he deserved, apart from once in "Re-Animator".

Not completely a direct sequel to William Malone's 1981 "Scared to Death", but "Syngenor" sees the return of Malone's alien creation (this time there's even more and a new creation to boot as well). As a low-budget, late-night b-grade offering, "Syngenor" is actually very well pulled off. I was expecting it to look much cheaper. It remains trashy fun throughout, namely due to the spontaneously intense and ham-fisted performance of David Gale. You could never tire watching this guy perform! It might be his show, but the rest the performances do shape up rather nicely. A delightful Starr Andreeff and snappy Mitchell Laurance agreeably work off each other. Riva Spier is enticingly manipulative. Also showing up is Melanie Shatner (William's Daughter) and character actor Lewis Arquette.

Carter Brown is the CEO of Norton Cyberdyne, a corporation that deals with military defence technology. His latest creation under the project name "Dark Skies" is that of some genetically made super-soldiers known as Syngenor --- Synthesized Genetic Organism. However problems start occurring when one of them is released from its basement enclosure to leave a bloody aftermath, which involves the death of their original creator Dr. Valentine. Growing increasingly paranoid that somebody (within) is trying to knock him from his perch; Brown's sanity soon begins to spin out of control. Also he has to deal with a pesky news reporter and Valentine's daughter.

Pulpy hokum, which has many dumb and unintentionally humorous qualities… but in the end that's what makes it. Really it could have been more enjoyable than it was. The plot is nothing new (by starting off rather mild-mannered and then transcending into demented craziness) and the script is sub-standard, but bestowed a conceptual base of satirical barbs and tongue-in-cheek sparks. The tightly knitted execution at times was a bit shoddy (with some cheaply staged action --- like the onslaught in the basement involving an oddly dressed security squad), but the pacing keeps on the move and the optical / special effects (done by Robert and Dennis Skotak) and make-up stand up better than you would think. The Syngenor designs (a man in a suit with an amatronic head) look quite decent, as they're crafted with specific details. Although when they go after their prey, it can be rather laughable with their slow movements as they dawdle around waving their arms. Super-soldiers? Locked away in the basement? The feature was mainly filmed in the Ambassador Hotel, in Los Angeles which has an infamous history. Some moments have an atmospheric edge, while other sequences are truly devoid of it. Composers Steve Rucker and Thomas Chase provide a typically unhinged music score.

Slightly enjoyably low-end creature-feature oddity that's brought to life thanks to David Gale.