Soldat cyborg

scientist engineers a group of genetically engineered cyborgs for use as "supersoldiers" to fight U.S. wars in the Middle East. However, things get ugly when the cyborgs malfunction and turn on their creators, escaping from the abandoned lab and stalking the halls of the Cyberdyne (Wasn't that stolen from "The Terminator"?) building, eating people and reproducing every 24 hours A-sexually. The main Syngenor, the Lizard-like monster spends most of the time slobbering and slowly stalking his prey, while the other types of Syngenor walk around roaring like Elephants and killing the Company's army (The "Soldiers" were the goofiest-looking clothes you'll ever see) spend most of their time running threw hallsways, while the company's insane CEO, David Gale, kills his co-workers. "Syngenor" is a low-budget monster movie that, without the presence of David Gale or the nifty-looking monsters, would have failed misserably. The monsters look cool and original for their budget, and David Gale's performance is hysterical--in fact, I'd go as far as saying that this is his best roll EVER, even beating "Re-animator". Over-all, a fair attempt at horror film-making, see it if only for gale. My rating for "Syngenor"- 6/10.

My review was written in September 1990 after watching the movie on South Gate video cassette.

Serendipity is on the side of the horror film "Syngenor", a thriller about a robot warrior created to substitute for U. S. troops in fighting a Middle East war (how's that for topical?). VIdeo release should do well.

Though the picture is contemporary, it has the same central plot gimmick as the futuristic British film "Hardware". Syngenor (synthetic genetic organism) is the prototype cyborg created by Norton Cyberdyne Co. Because, as the firm's advertisement prophetically proclaims: "The next world war is predicted to be fought in the Middle East".

Like the metal monster in "Hardware", this shiny dude is designed to operate in a desert climate, and any '50s sci-fi fan will guess that water is the Achilles' heel of both beasties.

Starr Andreeff continues to impress as the feisty B-movie heroine, fighting to survive as her uncle's creation escapes from the lab to run amuck. The Syngenor is an interesting creation, a slimy black gill-man sort of moshntr that resembles the heavy in its creator Willaim Malone's "Alien-inspired film "Scared to Death" (1980).

Melanie Shatner (daughter of "Star Trek" Capt. Kirk) has a juicy role as the ditzy receptionist at the robot factory.

I love cheap creature feature or monster movies. I really do, no matter how cheap they are as long as they are entertaining.

"Syngenor" wasn't. It started out OK but as the movie went on I find myself paying less and less attention to the screen. Creature design is interesting and cool looking, but that's probably the most interesting about the movie.

I wouldn't complain too much about acting, because I didn't really expect some excellent performances in these kind of movie, but David Gale really went over-the-top even more then his usual self.

What I find really funny is monster concept itself. It's suppose to be indestructible bio-engineered super-soldier that's half machine, half organic, that can reproduce itself every 24h that would replace American soldiers on the battlefield. Yet, creature seems to easily goes down by shotgun-to-the-face and water!? I find that incredibly funny, because for a super-soldier it has two major weaknesses: firearms and water.

A semi-sequel to cult movie "Scared to Death" from early '80s, but you can watch it as stand alone movie.

"Synapse" released this on DVD (along with it's mother movie), which has some bonus features. So if it's your coup of tea, go for it, but I think "Syngenor" makes a better trailer then a movie.

For those who enjoyed David Gale in RE-ANIMATOR (and who didn't??) it would seem that SYNGENOR (that is SYNthesized GENetic ORganism) is required viewing. Hell, Gale even injects himself (IN THE NECK!!) with what appears to be a substance VERY SIMILAR to re-agent! In this sequel (?) to SCARED TO DEATH we have a corporation by the name of Norton Cyberdyne (rubbish logo by the way) who have created a series of "creatures" to act as "supersoldiers" in any upcoming conflict in "rain-free" (there's the catch...) environments, namely: The Middle East. Things go wrong (of course) resulting in a handful of Syngenors breaking free from their Cyberdyne basement confines to wreak havoc in true cheap-horror fashion. The creatures themselves (though obviously inspired by a certain Giger design) are the strong-point - I'd even go so far as to say that they're THE BEST low-bud monsters since INVASION OF THE SAUCER MEN, problem being there's too little running, blood & screaming to keep them occupied. When the "action" finally arrives we're treated - in one scene - to a selection of Cyberdyne guards - looking like they'd just fell out of an old (pre-flowerpot) DEVO promo - marching to the depths of the Cyberdyne 'scraper with such little conviction you'd swear the comedic angle was intentional. Perhaps this IS supposed to be funny: the "learned" screenwriters attempt to parody the perceived insanity of The Military Industrial Complex (TM) via both "Carter Brown" (Gale) & Cyberdyne's infommercial promo material. In the hands of an Italian director, SYNGENOR could have been a DEMONS style contender - as it stands, a reasonable stab at an SF/stalker/gore flick which attempts to recreate the intensity of a certain other film (yep, RE-ANIMATOR again) during in final minutes.

SYNGENOR concerns an eeevil corporation that is secretly building synthetic beings to be used as super-soldiers in the next big war. Shockingly, the deadly creatures are released to roam around the corporate building, tearing hapless victims to pieces.

This is all part of a plot to drive the corporation's head, Carter Brown (David Gale) insane. It works, causing Brown to lose his mind entirely. He proceeds to grimace, laugh hysterically, and continually ask people to hold him. As is common knowledge, Mr. Gale is a magnificent, USDA choice ham. He's also the best thing about this movie. His ultra-dynamic performance is pure platinum!

The monsters themselves, while not a total disgrace, aren't all that menacing either. The costumes are fairly cool, just not terrifying. That said, there is a cool scene toward the end involving a SYNGENOR in total meltdown mode.

Recommended for schlock lovers everywhere...