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5,2/10
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MA NOTE
Ajouter une intrigue dans votre langueA rape victim returns from the dead to seek vengeance on her rapists.A rape victim returns from the dead to seek vengeance on her rapists.A rape victim returns from the dead to seek vengeance on her rapists.
- Réalisation
- Scénario
- Casting principal
J. Cynthia Brooks
- Girl in T-Bird
- (as Cindy Brooks)
Avis à la une
I first saw this movie in 1991...pretty much the same time it was released to video store. It was a little too violent for me back then and made me a bit uncomfortable (I was just a kid). I just watched it again (I bought the tape through Amazon)...and I have to admit that it has stood up pretty well. It is a rather dark story but it has some rather interesting and creative kill scenes. Also watch for the forensic detective...he has some pretty funny comments about the murders. It is a pretty original movie...definitely B grade but worth a look.
7/10
7/10
Steel and Lace is a cool, inventive take on the revenge thriller/gore. Farino has directed a modern gore/thriller. I think this is the Pulp Fiction of its time. New concepts and turns of fate abound in this puzzling film.
A cute blonde lawyer is raped in an alley by a Wall Street Geico type character. He goes to trial and gets off from lack of evidence. He and his 4 buddies own a corporation that has a logo of a hand that is squeezing the world in a claw like grasp. (neat logo) Not being able to cope with the devastating news, the lawyer jumps off a building. Mysteriously, the Wall street crowd is then killed one by one in Ten Little Indians, style.
The director, Francio, really integrates a pastiche of film genres into an action/thriller/gory film that is way above other gore films. A lot of works are derivative to a fault, but this one integrates a lot of genres into a well crafted/shot/edited/music film.
I kept thinking, Death Wish, Gort, Hal, Spit on your Grave, Terminator and other films that were reverently depicted in this surprising film.
The actors and good and production values top notch...considering that this was probably a low budget film, this was an excellent example of good direction and control of the production. I like the way the robot gradually gains awareness about her actions.
Look for it in bargain bin, rental stores, and on cable TV. It is a neat discovery.
A cute blonde lawyer is raped in an alley by a Wall Street Geico type character. He goes to trial and gets off from lack of evidence. He and his 4 buddies own a corporation that has a logo of a hand that is squeezing the world in a claw like grasp. (neat logo) Not being able to cope with the devastating news, the lawyer jumps off a building. Mysteriously, the Wall street crowd is then killed one by one in Ten Little Indians, style.
The director, Francio, really integrates a pastiche of film genres into an action/thriller/gory film that is way above other gore films. A lot of works are derivative to a fault, but this one integrates a lot of genres into a well crafted/shot/edited/music film.
I kept thinking, Death Wish, Gort, Hal, Spit on your Grave, Terminator and other films that were reverently depicted in this surprising film.
The actors and good and production values top notch...considering that this was probably a low budget film, this was an excellent example of good direction and control of the production. I like the way the robot gradually gains awareness about her actions.
Look for it in bargain bin, rental stores, and on cable TV. It is a neat discovery.
Out of the all too numerous and all too familiar rape revenge films, "Steel and Lace" emerges as different and clever. This is no "Ms 45", but is definitely better than a lot of lesser exploitation movies. The acting is pretty good, with David Naughton and Bruce Davison best. The story is more than just blood letting, with the rape victim brought back as a cyborg and methodically terminating her tormentors. Her kill methods are somewhat creative, my favorite being decapitation by helicopter blade. Even though this was never intended as anything more than splatter, it has some welcome dark humor in the mix. "Steel and Lace" is a keeper. - MERK
I went into Steel and Lace (original title "Lady Lazarus" more creative if less of a good sell for VHS) expecting to make a hackneyed "well, how about that Promising Young Cyborg! Huyuck" line, and quickly realized that with Bruce Davison as really the one pulling much of the Sordid and Ultra-Violent Revenge strings this could actually be on a double feature with Ben (1971), which was his breakout role also out for payback (I saw that pretty recently so it's still on my mind). This would likely make the bottom half of the bill, however, as, aside from Davison being in too little of the movie to be we'll defined past basic lines, when the movie isn't having our hard cheekboned blonde badass Wren slaughtering these late 80s-cum-early 90s wannabe Patrick Bateman West coast jerks all but tearing them new a-holes (at least one of the effects sequences comes close to that), we have too much time with (sadly) dull Detective David Naughton not stopping the determined young former Courtroom sketch artist Alison (Haiduk) getting too close to the 5 years gone comeuppance crimes.
That part of the movie isn't entirely bad persay, but it feels draggy and the filmmakers don't do much to make us interested in these two and the very vague sense that they may have a relationship. The real meat of the movie is this vendetta with Davison as the brother of this woman who leaped to her death only to resurrect her and robo-Frankenstein a way for her to not only go in and completely and (believably) all too easily seduce these chodes to their gruesome ends, even as the how of Davison's character managing to... *do* all of this is meant to be explained away by "hey, five years," albeit a soggy exposition dump not being here is kind of nice. Who needs an explanation when good time can be spent with a this Femme Fatale model 001 dispensing justice?;
I think a slightly balsier movie would've had more moral wrangling with the court sketch woman, and Haiduk decent enough in the part she could probably do it. I don't think the director and writers are that interested in depth so much as moving things along so we can get from one set piece to another. In that sense it's also inevitable to compare this to I Spit on Your Grave, though thank God this is more exciting than that. It doesn't do a whole lot to distinguish itself as far as most technical scope aside from the special effects (though director Farino comes from that background), and even in a restored blu ray it looks fairly cheap and drab, but... look it - sometimes seeing a head coming bloodily off a body with what's left of the spine acting as a flailing decrepit member (intentionally? Not? I dunno my Freudian reading of it) is enough for me to give a solid recommendation.
That part of the movie isn't entirely bad persay, but it feels draggy and the filmmakers don't do much to make us interested in these two and the very vague sense that they may have a relationship. The real meat of the movie is this vendetta with Davison as the brother of this woman who leaped to her death only to resurrect her and robo-Frankenstein a way for her to not only go in and completely and (believably) all too easily seduce these chodes to their gruesome ends, even as the how of Davison's character managing to... *do* all of this is meant to be explained away by "hey, five years," albeit a soggy exposition dump not being here is kind of nice. Who needs an explanation when good time can be spent with a this Femme Fatale model 001 dispensing justice?;
I think a slightly balsier movie would've had more moral wrangling with the court sketch woman, and Haiduk decent enough in the part she could probably do it. I don't think the director and writers are that interested in depth so much as moving things along so we can get from one set piece to another. In that sense it's also inevitable to compare this to I Spit on Your Grave, though thank God this is more exciting than that. It doesn't do a whole lot to distinguish itself as far as most technical scope aside from the special effects (though director Farino comes from that background), and even in a restored blu ray it looks fairly cheap and drab, but... look it - sometimes seeing a head coming bloodily off a body with what's left of the spine acting as a flailing decrepit member (intentionally? Not? I dunno my Freudian reading of it) is enough for me to give a solid recommendation.
A bizarre mix of I spit on Your Grave, crossed with 80s splatter horror films, Terminator-esquire cyborg flicks and journalistic detective stories.
The horror element is made up of the gory deaths the rapists suffer. The deaths are some sick stuff - yet MGM showed it with a 16 rating! There is no way this was made in 1991. I guess this sat on the shelf for at least 5 years. This is pure early to mid 80s. All grey-flecked suits, rolled up sleeves, wide shoulder pads, permed mullets, grey marble, clashing pastels, and bright neon tube lighting. This was made in the 80s and sat on the shelf gathering dust, and no surprise.
There's the occasional laughable B movie dialogue which lifts the film, but the overall grimness of the film makes it hard to watch and stomach.
The horror element is made up of the gory deaths the rapists suffer. The deaths are some sick stuff - yet MGM showed it with a 16 rating! There is no way this was made in 1991. I guess this sat on the shelf for at least 5 years. This is pure early to mid 80s. All grey-flecked suits, rolled up sleeves, wide shoulder pads, permed mullets, grey marble, clashing pastels, and bright neon tube lighting. This was made in the 80s and sat on the shelf gathering dust, and no surprise.
There's the occasional laughable B movie dialogue which lifts the film, but the overall grimness of the film makes it hard to watch and stomach.
Le saviez-vous
- GaffesFilm crew reflected in sunglasses in helicopter scene.
- Citations
[told his best friend is dead]
Daniel Emerson: So is Elvis - what do you want me to do about it?
- ConnexionsFeatured in Iron, Carbon, Anger: The Elements of Steel and Lace (2021)
- Bandes originalesSonata No 14 In C-Sharp minor (Moonlight Sonata)
Written by Ludwig van Beethoven
Performed by Neil Posner
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- How long is Steel and Lace?Alimenté par Alexa
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