Le soleil même la nuit

Beautiful, spiritual and thought provoking film about a heart-broken man who decides to seclude himself in a mountain. I consider it the best by the directors. It might make you think of how the "miracle" is conceived in our mind from witnessing a super-human power of will, and how the legend of a saint may arise.

great film. it is based on Tolstoy's novel, but when I first saw it I did not know that. I just felt there was something from Russia, maybe the enthusiasm under silence. Sergio, a nobleman with strong self-respect and vanity, found his fiancée used to be a mistress of his duke, he felt deeply hurt and betrayed, and he became a friar. after many years, he was known as a sage, but all faded out when a innocent girl was taken to him. though a Italian film, but the directors express in the most appropriate way the thought of religion and life. They added details like the pear tree at the intersection, applied to the hero's feeling and very lyric. I also very appreciate the scene when Sergio knew the truth of his fiancée, nothing was told, the hero just saw her stood in dark. nothing need to be told.

(1990) Night Sun/ Il sole anche di notte (In Italian with English subtitles) PERIOD PIECE DRAMA/ SEMI AUTO BIOGRAPHY

Gorgeous country side with story adapted from the book "The Sun Also Shines at Night" by Leo Tolstory, written and directed by Paolo Taviani and Vittorio Taviani, centering on an ordinary soldier, Sergio Giuramondo (Julian Sands) to a life of monastery living as a hermit, and his effect on other people- almost like a semi-auto biography. Requires patient viewing with a subtle story line, and interesting historical Italian references, topping it off with gorgeous picturesque countryside.

This was a good film and I enjoyed watching it. However, I also understand that while I could sit through the film, many others would be bored by both its slow pacing and the lack of emotional range from the characters. Julian Sands portrays this emotionally limited man and he seemed to do a good job with it--but people wanting action and excitement in their films will probably have a hard time sticking with the film.

So on the plus side were the acting, cinematography and musical score. One the negative side was the ambiguous plot. The exact motivations for Sands' character and the point the author (Tolstoy) is trying to make seem a little vague.

Overall, a decent film and worth seeing, though there are of course some better Italian films.

PS--in the original Tolstoy version, does it REALLY take place in Italy or was the setting Russia? I am curious to know.

As I have tried to express my deep love for Taviani films before, I will not start that again. But boy is this film a marvel !!

Overwhelming photography, getting wider and wider where the protagonist tries to get further away from each and everyone. To find the temptation which will finally get him down from his pedestal (= his pride) in the renovated shack that was once his hermit cell.

The story is gripping and a true marvel, the pace elaborate (NOT slow, definitely not slow !!) and thoughtful.

And the actors ! What performances !! Where to start ? With Julian Sands of course, who is glorious even when he is not allowed to use his own voice. And the women in his life !! Just like that other bearded miracle worker, Father Sergio has 4. A mother and 3 ladies. (but then I'd forget his sister, and that would be very ungrateful...) Superb performances by all of them, and each and every other cast member.

Let's pray for another miracle: Let's sincerely hope Maestro Paolo and Maestro Vittorio make some dozen more of their sublime storytelling films...