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IMDbPro

La mort dans l'objectif

Titre original : Somebody Has to Shoot the Picture
  • Téléfilm
  • 1990
  • R
  • 1h 44min
NOTE IMDb
6,3/10
289
MA NOTE
Bonnie Bedelia and Roy Scheider in La mort dans l'objectif (1990)
Drame

Ajouter une intrigue dans votre langueRaymond Eames, a small-time drug dealer, has been sentenced to death for the shooting death of a policeman. After seven years of appeals are exhausted, the date of his execution arrives. His... Tout lireRaymond Eames, a small-time drug dealer, has been sentenced to death for the shooting death of a policeman. After seven years of appeals are exhausted, the date of his execution arrives. His last request is that his execution be photographed. Eames selects Paul Marish, a jaded Pu... Tout lireRaymond Eames, a small-time drug dealer, has been sentenced to death for the shooting death of a policeman. After seven years of appeals are exhausted, the date of his execution arrives. His last request is that his execution be photographed. Eames selects Paul Marish, a jaded Pulitzer Prize winning photographer, who is convinced by his agent to visit the small town i... Tout lire

  • Réalisation
    • Frank Pierson
  • Scénario
    • Doug Magee
  • Casting principal
    • Roy Scheider
    • Bonnie Bedelia
    • Robert Carradine
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    289
    MA NOTE
    • Réalisation
      • Frank Pierson
    • Scénario
      • Doug Magee
    • Casting principal
      • Roy Scheider
      • Bonnie Bedelia
      • Robert Carradine
    • 5avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos7

    Voir l'affiche
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    Rôles principaux38

    Modifier
    Roy Scheider
    Roy Scheider
    • Paul Marish
    Bonnie Bedelia
    Bonnie Bedelia
    • Hannah McGrath
    Robert Carradine
    Robert Carradine
    • Sgt. Jerry Brown
    Andre Braugher
    Andre Braugher
    • Dan Weston
    Arliss Howard
    Arliss Howard
    • Raymond Eames
    Marc Macaulay
    Marc Macaulay
    • Supt. Stanton
    Antoni Corone
    Antoni Corone
    • Mike Knighton
    Tom Nowicki
    Tom Nowicki
    • Steve March
    Tom Schuster
    • Jake Rusher
    Tom Kouchalakos
    • Burke
    Mark McCracken
    Mark McCracken
    • Nathanson
    Bob Barnes
    • Gov. Dean
    Ginger Burgett
    • Jean Watley
    Michael O'Smith
    • Police Chief
    Traber Burns
    • Ron Felders
    Kevin Quigley
    Kevin Quigley
    • Floyd Tatum
    Lou Walker
    Lou Walker
    • Blohm
    Danny Hanemann
    • Doug McGrath
    • (as Danny Haneman)
    • Réalisation
      • Frank Pierson
    • Scénario
      • Doug Magee
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5

    6,3289
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    Avis à la une

    6merklekranz

    Roy Scheider execution photographer .......

    When a death row inmate requests his execution be photographed, Roy Scheider as the chosen photo journalist uncovers incriminating photographs from the trial, that may prove the convicted man's innocence. The story line is somewhat confusing. This is probably due to the fact that most of the participants in the original crime are dead or missing. Thus a lot of the movie consists of speculation talking about characters that have zero development. There is also a totally unnecessary romance between Schneider and Bonnie Bedelia that slows things to a crawl on several occasions. As usual Schneider is very good, but the story lacks impact because of all the second hand talk regarding a seven years ago event. - MERK
    10cnrfbones

    A quirky yet death row down to the minute and haunting score

    A man on death row wants his electric chair execution filmed live, or by still photographer. He gets Roy Schieder, supposedly who shot Tina Turner's Private Dancer. A man from Time? Magazine comes down to tell the story---Roy knows nothing. It's a cop killing and Ray and a friend were at a plane on a drug deal gone wrong. When checking his pictures against the ones on the other cop who shot self, they were flipped in court and they are just seeing a pattern. There is new evidence at eleventh hour, after putting Ray thru several near missed, he knows nothing of what they know. With a haunting score by James Newton Howard, of Signs, this grabs you from start to finish. Roy Scheider is there for his job and zero hour is approaching. It's a race to see what happens in the end. Still, you can 't help but feel a bit changed. An absolute terrific film. It was an HBO production.
    9hidion

    Take a hard look

    There are clunky parts to this film, and the film is not flawless. This film obviously, in the vein of The Green Mile and Dead Man Walking, carries a staunch anti-death penalty political view. Those who agree with such a standpoint will rate it far higher than the sum of the parts. For the pro-death penalty crowd, this film undoubtedly is seen as left-leaning liberal crap. While fictitious, the story nonetheless resonates with too many real-life counterparts. The prevailing strength of this film is the social reality that resonate throughout. Undoubtedly, this film's ratings on IMDB will be hurt by political views alone. I invite - no, plead - with all of those like-minded individuals to see the unique possibilities that this film implies. This is one of the disturbing films, like the movie Kids, that should be seen at least once by us all.
    10jeffthompson98

    It made me think

    I had never thought of killing the wrong person in a death sentence. This film made me take a hard look at the justice system and the idea of capital punishment. I am still searching but the passion that was portrayed in this movie was great and the idea that an the guiltless could die in the name of justice still haunts me. Sometimes films are needed on a social level I believe this film is one of them.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      An HBO original, this film was part of the pay cable channel's effort to gain TV-movie credibility in the early 90's.
    • Gaffes
      [possibly done by filmmakers] Paul's photography of Eames and the other prisoners hands lighting the cigarette wouldn't be possible since Paul is inside the cell and he doesn't move his camera outside of the bars to get that perfect shot.
    • Citations

      Steve March (Eames trial prosecuting attorney: I believe that there are people in this world who are possessed by evil forces over which they have absolutely no control. I wish it were possible to separate the man from his evil impulses, that way we could execute the evil and set the man free. Until we can do that, I'm afraid the Eames' of this world just gonna have to die along with their murderous souls. I really, absolutely, believe that.

      Paul Marish, Photographer: I met Eames. You scared me a hell of a lot more than he does.

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    Détails

    Modifier
    • Date de sortie
      • 9 septembre 1990 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Somebody Has to Shoot the Picture
    • Lieux de tournage
      • Mount Dora, Floride, États-Unis
    • Sociétés de production
      • HBO Films
      • Alan Barnette Productions
      • MCA Television Entertainment (MTE)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 44min(104 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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