Ajouter une intrigue dans votre langueJason (David Naughton) moves into an abandoned train car where he resurrects the vicious ghost of his landlady's dead husband - The Mister. After some near-fatal encounters with the violent ... Tout lireJason (David Naughton) moves into an abandoned train car where he resurrects the vicious ghost of his landlady's dead husband - The Mister. After some near-fatal encounters with the violent specter he seeks local exorcist Vincent Tuttle (Kevin McCarthy).Jason (David Naughton) moves into an abandoned train car where he resurrects the vicious ghost of his landlady's dead husband - The Mister. After some near-fatal encounters with the violent specter he seeks local exorcist Vincent Tuttle (Kevin McCarthy).
- Réalisation
- Scénario
- Casting principal
Gary Brockette
- Ghost Mister
- (as Gary Brockett)
Billy Stevenson
- Kerry
- (as Bill Stevenson)
Tiffany Million
- 19-year-old Girl
- (as Sandra Margot)
Avis à la une
Perhaps I am being generous with this one, considering I just watched Suspiria, but I found this to be a very colourful, interesting looking movie, with a lot of atmospheric blue lighting contrasted against deep reds , bright yellows, and it has a couple of clever moments (including death by fold-up sofa, probably the most memorable) and it has a good look to it, overall, but.....
So much of the dialogue is poorly written, unfunny one-liners, the characters become annoying, and even at a brief 80-minutes, this tale of a man living in a converted train car, haunted by the spirit of John Karl Beuchler, seems padded, with its especially drawn out ending taking up nearly fifteen minutes of the run time.
Still, it isn't *terrible*, and might be worth a single watch, for fans of cheeseball 1980s horror, but anything more than that is asking too much from this one.
So much of the dialogue is poorly written, unfunny one-liners, the characters become annoying, and even at a brief 80-minutes, this tale of a man living in a converted train car, haunted by the spirit of John Karl Beuchler, seems padded, with its especially drawn out ending taking up nearly fifteen minutes of the run time.
Still, it isn't *terrible*, and might be worth a single watch, for fans of cheeseball 1980s horror, but anything more than that is asking too much from this one.
My review was written in March 1990 after watching the film on Vidmark video cassette.
"The Sleeping Car' is an above-average horror flick released theatrically Feb. 2 in regional markets such as Pittsburgh and Nashville ahead of it video debut in mid-May.
Effort by Vidmark aimed at theatrical audiences would probably have gotten a better shot several years ago before horror pics glutted the market.
It has a stronger plot and cast than usual in limning the familiar tale of haunting, in this case a railroad car that was the scene of sex and murder ten years earlier.
David Naughton is a little long in the tooth, but effective anyway, as the hero on the rebound from a failed marriage (with Dani Minnick) who goes back to school to study journalism with hip prof Jeff Conaway (a fun performance).
He rents the sleeping car as a cheap abode from goofy landlady Ernestinge Mercer and has '60s hippie leftover Kevin McCarthy as an even goofier neighbor. Thanks to interesting gore and makeup effects by John Carl Buechler (also doubling as actor in the ten-years-earlier segments), pic's depiction of poltergeist appearances has some novelty and drive.
Douglas Curtis pilots the picture with self-assurance, stumbling only in a series of false wakeup endings that are a direct lift from John Landis' "An American Werewolf in London", which also starred Naughton.
Greg O'Neill's flippant and unpretentious script is refreshing, giving Naughton plenty of tongue-in-cheek rejoinders to lighten up the film and establish a tone early on that's amplified by Conaway' "everything is everything" approach.
Judie Aronson, who made a nice impression in a small role in "Cool Blue", is an unusual looking beauty who is arresting as the sexually liberated romantic lead. Effects by Buechler and others are solid.
"The Sleeping Car' is an above-average horror flick released theatrically Feb. 2 in regional markets such as Pittsburgh and Nashville ahead of it video debut in mid-May.
Effort by Vidmark aimed at theatrical audiences would probably have gotten a better shot several years ago before horror pics glutted the market.
It has a stronger plot and cast than usual in limning the familiar tale of haunting, in this case a railroad car that was the scene of sex and murder ten years earlier.
David Naughton is a little long in the tooth, but effective anyway, as the hero on the rebound from a failed marriage (with Dani Minnick) who goes back to school to study journalism with hip prof Jeff Conaway (a fun performance).
He rents the sleeping car as a cheap abode from goofy landlady Ernestinge Mercer and has '60s hippie leftover Kevin McCarthy as an even goofier neighbor. Thanks to interesting gore and makeup effects by John Carl Buechler (also doubling as actor in the ten-years-earlier segments), pic's depiction of poltergeist appearances has some novelty and drive.
Douglas Curtis pilots the picture with self-assurance, stumbling only in a series of false wakeup endings that are a direct lift from John Landis' "An American Werewolf in London", which also starred Naughton.
Greg O'Neill's flippant and unpretentious script is refreshing, giving Naughton plenty of tongue-in-cheek rejoinders to lighten up the film and establish a tone early on that's amplified by Conaway' "everything is everything" approach.
Judie Aronson, who made a nice impression in a small role in "Cool Blue", is an unusual looking beauty who is arresting as the sexually liberated romantic lead. Effects by Buechler and others are solid.
This one would be just an average horror B-movie, reasonably well done from what I could judge from a pan&scanned video, but the characters makes up for the ludicrous premise : they are lively and fun. There are illogisms, as usual, but the overall fun atmosphere makes it worth viewing for genre fans. And there is a first : death by couch springs !
A new tenant Jason moves into the apartment-a railroad car converted into a house-he finds the place possessed by the ghost of the Mister,a conductor who blamed himself for a horrible train crash in the past.As the Mister comes back for revenge and starts killing the car's visitors and neighbors,Jason and his roommate try to exorcise the demons for good."The Sleeping Car" by Douglas Curtis is a mildly enjoyable horror comedy that has its share of gruesome moments.The makeup effects are pretty good and the death scenes are suitably gory.Unfortunately the film relies too much on juvenile humour.There is also a nice amount of nudity provided by Judie Aronson and Sandra Margot.So if you are into 80's horror give this one a chance.7 out of 10.
"The Sleeping Car" is a pretty insignificant and worthless horror film that is made endurable by a couple of nice special effects and a neat supporting role by Kevin McCarthy. The plot revolves on an over-aged journalism student Jason (David McNaughton from "American Werewolf in London) who rents an old, refurnished train carriage to live in. This carriage the sleeping car is possessed by the spirit of "the Mister", the landlady's late husband who was responsible for a huge train crash ten years earlier. The screenplay doesn't make that much sense, but you can hardly consider that an obstacle in early 90's horror movies. There's some nice murdering and the female lead Judie Aronson is yummy. What's really annoying about the "the Sleeping Car" are the constant witty remarks of protagonist Jason McCree. He uses a supposedly funny one-liner every time his character does or says something. Even in the climax, when he's fighting (?) the demon, he interrupts the action for a lousy remark...Very annoying.
Le saviez-vous
- Versions alternativesDVD version is severely edited to 83 minutes, VHS version is uncut at 93 minutes.
- ConnexionsReferenced in Camp Midnite: Show 123 (1989)
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- How long is The Sleeping Car?Alimenté par Alexa
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