Business oblige

This wasn't a bad movie overall and while I didn't full in love it I would revisit it again. The storyline was simple and easy to follow and that simpleness was put to shame by having Caine as the lead actor, putting on a performance that made the movie better, just as you would expect.

A charming black comedy. I first saw this on cable around 1991, (had never heard of it, even though it did apparently have a theatrical release) and that's when I really saw the acting genius of Michael Caine. He took a basically inconsequential film, in which he was arguably miscast (being a Brit), and turned it into a really good, enjoyable movie. You root for his character despite his wickedness. Honorable mention to the lovely Elizabeth McGovern. Check it out. Grade: B+

Little-noticed on release and little-seen thereafter, the annoying thing is that this has to rate as one of Caine's better films; yet trying to find a copy of/transmission of it (at least in the UK) can be quite difficult.

Caine's portrayal of the central character, Graham Marshall, an advertising executive sidelined and humiliated during a corporate restructuring, is deliciously wicked (even down to his devilish facial expressions), both in its comedy and thriller components. Elizabeth McGovern, playing the role of Stella, Marshall's PA, is sweetly convincing as the innocent dupe in Marshall's subsequent plotting.

Part of the (admittedly dark) fun with this film is that, thanks to the monumental unpleasantness of the characters which Marshall comes up against, you really want him to do terrible things and to get away with them. Enjoy!!

Who says Michael Caine is a so-so actor? He plays the perfect combination of a truly nice guy ground down by his shrewish wife, his slimy peer-then-boss, and corporate life, in general. Movies like this give us corporate slaves a little relief from the utter amoral depravity of the 'civilized' world we inhabit in these rabbit warrens, otherwise known as 'Cubical Hell'.

This man makes you completely sympathize with every one of his murders, all nicely planned to look like accidents. In fact, I am amazed that some lawyer hasn't pulled the 'Shock to the System' defense. Certainly, it has as much attraction for the frustrated as the films usually blamed. It's just more subtle, more high-brow and takes a little more finesse.

The detective is wonderfully nosy, but how he can walk up to Caine in the middle of New York City is quite amazing to me. A little too much dramatic license, too much coincidence to be believable but you tend to forget your logical approach to life.

Reality is easily suspended as Caine gets in his licks for all the humuliations we nice people have suffered in the corporate world, where the rapacious are rewarded by CEO salaries. The laughs are fast and furious, all delivered in that great understated British fashion.

Mr. Downtrodden gets his licks in and when the new boss talks about his Cessna, you've already fixed the engine. There are traces of 'The Ruling Class' in here, as Mr. Nice Guy becomes king of the mountain by firing everyone 'who is not a contributor', thus ingratiating himself with Mr. Cessna. McGovern gives her Basset hound, soulful looks all through the film, and you feel her conflict about turning this wonderful guy in. She is promoted out and away, and all is well, which is usual for corporate shenanigans. They just usually don't involve murder.

Buy it and love it. Forget the professional reviewers for once on this. It's not meant to be 'Hamlet'.

All that hard work, dreaming of that well-deserved promotion, by putting in everyday. Starting from scratch working your way to the top. Just one step to go. One step up that ladder. However sometimes dreams aren't meant to be, no matter the effort you put in and the confidence you bestow. Someone else comes in and snatches it right under your nose. You were that sure of yourself, focused right in, everyone talking you up, even your wife. It was yours. Eyes on the prize, but you didn't realize what was happening around you. There was unknown competition from within. Someone you trusted. Now that high hits rock bottom. Your pride is shot. Until you realise it's all clockwork in this dog eat dog world. No sitting back. Make it happen... by any means.

"A SHOCK TO THE SYSTEM" feeds off it, by presenting a dry, biting drama with a violent twist. Filled with dark understated humor, personal psychosis and merciless corporate satire a seasoned New York marketing executive turns to murder, after an incident in the subway to resolve those "difficulties". So he goes about setting up one fatal accident after another, in the process of making his life easier and to get that position... he deserved. But one little slip-up could see it all come crashing down.

Directed with style, cinematography showed elasticity and a score vigorously on key. However the thing that stood out was Michael Caine... pretty much doing his usual Michael Caine shtick. He's the life of the party here, pitch-perfect in delivery. His likable, laidback persona gets used, and downtrodden on. The anger is released with some venomous sprays. Knowing now, getting what he wants he needs to be coldly calculative, sly, string people along and thinking outside the box (possibly murder) to make it happen. His interactions with Swoosie Krutz (playing his materialistic wife) were some of the best moments. Sometimes the plot can be a little too elaborate in the consequences and suspicions (prying detective), but it did catch me off guard. I didn't expect the finale to go down the path it did. Fortune favors the brave in this heartless, controlled corporate world.