Shadowzone

The first thing you need to know about 'Shadowzone' is that it's a blatant rip-off of a dozen other films from the same sci-fi/horror genre. The first that comes to mind is 'Alien,' but there are elements of plenty others in there, too.

It doesn't have much of a budget, which is a shame because there is a decent idea buried somewhere in it. What lets it down is that there isn't enough invested in the characters. Every one is a total stereotype and you know who'll be monster-fodder and who's going to make it from the word go.

It's about an investigator who does to a top secret military base to investigate the death of a worker. Once there, he finds the scientists are dabbling in doorways to other dimensions (never a recipe for 'happily ever after'). Then, we have a monster who - remains relatively unseen - as it bumps them off, one by one.

The acting isn't great, the special effects are stretched and what tension is pretty much directly lifted from Alien (check out the 'motion tracker' type scene which is almost totally taken from the scene in Alien where Ripley observes Dallas while he treks through the vents, plus the music which sounds almost identical).

It's not the worst 'monster-munching' movie out there. There are some nice moments here and there, but the overall vibe of 'seen it all before' outweighs what little good is there.

My review was written in March 1990 after watching the movie on Paramount video cassette.

One of the better Charles Band fantasy pics in some time, "Shadowzone" is a suspenseful thriller that has better-than-average home video prospects in its Paramount video release.

The film had a bief theatrical run on 42nd Street in January from JGM Enterprises.

Pic unfolds in the nailbiter tradition of Robert Wise's "The Andromeda Strain". James Hong and Louise Fletcher are scientists in a secret lab underground. David Beecroft visits as a NASA investigator following a mysterious death there.

With assistants Shawn Weatherly and Miguel Nunez, the scientists are conducting deep sleep experiments. Things go haywire when a monster from another dimension is called up accidentally. It only wants to return home, but wreaks havoc anyway.

Helmer J. S. Cardone does a solid job of maintaining tension while paying homages to such film classics as "The Thing". Cast is very good, with Hong getting a non-stereotyped assignment (as Dr. Von Fleet0 with a Germanic accent, no less. As the nude experimental subject in a coma, Maureen Flaherty has minimal diaglo but makes quite an impression on screen.

Late night TV as a kid, I would stay up in the hopes of coming across something so outrageously fun, or trashy, and that's how I initially came across this Full Moon production. This and "CRASH AND BURN" seemed to be on a loop every couple of months, becoming a staple of my late-night TV habits. Actually it's been quite awhile since I've last watched "SHADOWZONE", maybe around 15 years. My memory was rather fuzzy, but watching this little b-film again, after all these years. It remained a diverting, down-pat viewing. Mainly it reminded me of those plethora cheap Alien rip-offs, and boy, this film lifts some set-ups from "ALIEN". I must admit, it wasn't as exciting as I remembered; nonetheless it was actually efficiently made by J.S Cardone, for such a limited looking production.

When it's not simply splashing blood against walls as the victims get attacked for most part off-screen, there are a few effective moments of suitably grotesque make-up FX and a touch of splatter. You can't fail with a head explosion. Even the creature design, and we do get a good look at it, provides solid enough practical effects despite the stiff movements. The script's theory behind its origin, structural metabolism and how it adapts to survive is rather creative, yet it's hodgepodge, as the science behind all of this commotion is nonsensical and poorly expanded on, sometimes even stalling and taking away from the simple-minded fun.

The mystery of what's going on in this underground facility slowly builds up to the danger that will unfold. Now that's when stupidity comes into play, to keep the story moving and to cause some deaths. Don't you just love it when our heroine needs something to destroy the computers, so he heads out the corridor to find an emergency axe in a glass case. Um, just wait a minute -- It's been there all this time, untouched, no one thought of using it when you got a hostile creature from a parallel dimension lurking about. Things don't start off that seriously though, with the script providing moments of morbid humor, but once the creature hits the scene, that changes and the cheap, tight surroundings gets claustrophobic trapping the occupants inside.

The turning point is when James Hong (who was appearing in nearly everything that was low-budget horror related in the late 80s to early 90s) decides to get himself knocked off. I was disappointed by that, but Louise Fletcher, Miguel A. Nunez Jr and Cardone regular Frederick Flynn do make something of their characters, even providing quirky shades, as our heroine played by David Beecroft, whose character is sent there by NASA to investigate the death of one the researchers' subjects, had all the personality of a wooden plank.

It's always a lot of fun to encounter a horror film with lousy production values and an overall shortage of talent, but simultaneously an incredibly ambitious plot to compensate for all that! "Shadowzone", for example, is a very cheesy and often ineptly accomplished B-horror movie, but you certainly wouldn't think so after reading the plot synopsis! J.S. Cardone, the weird guy who also made the early 80's video-nasty "The Slayer", thought up a complex premise with dream weaves, secret NASA-sponsored medical experiments and alternate dimensions … only to arrive eventually at a movie about a shape-shifting creature stalking and gruesomely killing people in an abandoned subterranean science lab. Dig this: our brain actually protects us when we sleep, because we naturally dream about horrific stuff during our nightly subconscious journey to a parallel dimension. The acclaimed Dr. Van Fleet is working hard to control and regulate this process by isolating the brain instructions. NASA is interested in the experiments, for their astronauts on future missions, but when of Dr. Van Fleet's guinea pigs dies under mysterious circumstances, Captain Hickock is sent in to investigate. When he requests to repeat the modus operandi on another living specimen, a murderous type of shape-shifting creature is unleashed and everyone is trapped down in the hermetically sealed of base. Once the monster is loose, all the pseudo-intelligent mumbo jumbo about alternate dimensions etcetera is thrown overboard and "Shadowzone" becomes an ordinary but nevertheless entertaining little horror flick. This is actually one of my first acquaintances with the works of Full Moon Studios. A friend of mine gradually intends to introduce me to this cheesy B-movie studio's greatest "classics", and I must admit he did a fairly good job starting off with "Shadowzone". The kills are inventive and the make-up effects are enjoyably nasty (there even is a delicious head-explosion). There's some welcome gratuitous nudity and wondrously hammy acting performances from washed-up cult veterans. James Hong stars as the fanatic scientist and Louise Fletcher, the unforgettable Nurse Ratched in "One Flew over the Cuckoo's Nest", is awesome as his assistant. The finale is kind of dumb, but hey who's complaining. Good trashy fun from Full Moon.

Experiments in sleep have unleashed a monster in an underground government laboratory. A good B-movie cast (Louise Fletcher, Shawn Weatherly, James Hong) and great special effects (for what they must have cost) allow the suspense that is built to sustain til the finish. Sci-fi & horror fans should not be disappointed. Fletcher is first-rate.