La maison Russie

Maybe I was just in the right mood, but I found this an effective romance. Michelle Pfieffer was even better than her usual terrific self, and the rest of the excellent cast was, well, excellent. It is pretty slow, but I think that this is essential to the conclusion, which I found quite moving. You have to give this movie a chance to grow on you, but if you are patient it is quite accessible. Not bleak at all, as you'd expect from Le Carre.

Lights Up the Screen. Much better after a 2nd or 5th time viewing ! Volume On High First Saw 30 years ago. Aging well The Movie Stars Shine

As a great admirer of John Le Carre, I watched this film with high expectations & although the story wasn't the usual Le Carre (such as 'The Spy Who Came In From The Cold'), I enjoyed it immensely. It is a combination of a good old-fashioned romance & a look at what happens when an ordinary man is brought into the world of espionage. Connery is very good as the boozy, world-weary publisher who considers personal relationships more important than Cold War one-upmanship. Michelle Pfeiffer, apart from being very pleasing to the eye as usual, was also pretty believable as the Russian trying to do the right thing. What's more, Klaus Maria Brandauer deserves an honourable mention as well. OK, the plot is complicated & sometimes hard to follow, as are most of Le Carre's works (& also, doubtless, the real world of espionage), but it is worth the effort. If you are seeking a simple good guy beats bad guy film, then don't watch this or any other realistic spy film. If, however, you want a story that manages to combine cynicism & romance, I recommend this one.

The Russia House is a superior spy romance movie which falls short of being great. Additionally a couple of factors have been unkind to it over time.

Connery and Pfeiffer are excellant; the large cast are almost uniformly outstanding (except perhaps Roy Scheider, who I usually like, but who seems a bit over the top in his role here); the Moscow scenery and end of the Cold War feel are great, and the main characters are easy to like, if difficult to outright love. On the down side the writing assumes too much in expecting the audience to stay on top of the espionage jargon and intrigue, added to the non-linear plot. Let your attention wander and you'll lose your way. If it had been a little easier to follow, it would have left more room for dramatic tension, which was adequate but seldom riveting.

When I said that time has been unkind to The Russia House, I meant two things: firstly that the unfortunate timing of the movie's release, a year before the collapse of the Soviet Union, ensured that it would be dated almost immediately. More significantly, a growing portion of the film's potential audience didn't live through the late Soviet Era, and the nuances of concepts like Glasnost, and why Perestroika makes it hard for Pfeiffer to do her shoe-shopping aren't going to mean a thing to anyone much under 30.

But that's not the movie's fault. Russia House is still a quality, enjoyable drama with a great cast, even if it's somewhat ponderous and slow-moving, and complex. And oh yes - it has James Fox. A film like this without James Fox would have been like a table with three legs.

7 out of 10

I have read a few John Le Carre books (although not The Russia House) and was not as impressed as most other people seemed to be. People say that the movie is slow and cerebral (and it is) but really that is how Le Carre's books read. Sean Connery never puts in a bad performance, and neither does Michelle Pfeiffer. And it never hurts that she is sooooo beautiful. Klaus Maria Brandauer is also always good and still is here. The problem is the script, which relates back to the source material. It is a little bit of a bore. Not badly, just a bit. It looks like the filmmakers were so proud to be filming in the USSR, that they went a little overboard. Not every place in Russia is St. Basil's and the Winter Palace. Overall the film is OK.