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7,2/10
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MA NOTE
La riche Sunny von Bülow est en état de mort cérébrale, son mari Claus coupable de tentative de meurtre, mais il affirme être innocent et engage l'avocat Alan Dershowitz pour prouver son inn... Tout lireLa riche Sunny von Bülow est en état de mort cérébrale, son mari Claus coupable de tentative de meurtre, mais il affirme être innocent et engage l'avocat Alan Dershowitz pour prouver son innocence.La riche Sunny von Bülow est en état de mort cérébrale, son mari Claus coupable de tentative de meurtre, mais il affirme être innocent et engage l'avocat Alan Dershowitz pour prouver son innocence.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 13 victoires et 16 nominations au total
Avis à la une
The spooky yet amusing performance turned in by Jeremy Irons is worth watching all by itself. As an added bonus, the film is quite good as well. "Reversal of Fortune" thrives on its deft pacing, which keeps its relatively action-free plot interesting until the end. To the film's credit, the mystery is never fully solved; the viewer must ultimately decide the truth for himself. A treat for any thoughtful filmgoer.
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This one is a big winner! Based on the true story of the trial of Claus von Buelow and conviction of murdering his socialite wife and rich heiress, and famed attorney Alan Dershowitz's handling of his appeal.
This movie takes a fascinating topic, a fine book and terrific acting, mixes them all together and bakes a winner. But it is the acting that is supreme.
Another wonderful performance by Glenn Close (is there nothing she can't play) but an absolute smasher by Jeremy Irons as von Buelow. I've seen this movie several times (and read the book) and I still can't make a judgment on whether von Buelow did it. Irons' portrayal of von Buelow is that good.
This movie takes a fascinating topic, a fine book and terrific acting, mixes them all together and bakes a winner. But it is the acting that is supreme.
Another wonderful performance by Glenn Close (is there nothing she can't play) but an absolute smasher by Jeremy Irons as von Buelow. I've seen this movie several times (and read the book) and I still can't make a judgment on whether von Buelow did it. Irons' portrayal of von Buelow is that good.
Barbet Schroeder's darkly comic murder mystery 'Reversal of Fortune' was actually better than I thought it would be. It surrounds a social climber Claus Von Bulow (Jeremy Irons - Lolita) who is Charged and convicted with the double counts of attempted murder on his obnoxious and drunken wife Sunny Von Bulow (Glenn Close - Fatal Attraction) with insulin. Claus needs a lawyer to appeal so he contacts a stereo-typical Jewish lawyer, Alan Dershowitz, played incredibly by Ron Silver. Alan takes on Claus' case even though he believes him to be guilty and Alan and his team try to prove him innocent. Glenn Close gives a small but engrossing performance in this as the not so sympathetic victim while Jeremy Irons steals the entire film with his creepy and neurotic yet brilliant and amazing performances as the could-be murderer Claus. The screenplay is really solid and although kind of predictable offers nice thrills and very dark humor. 'Reversal of Fortune' rightfully won Jeremy Irons the Oscar for Best Actor in a Leading Role. If you want something kind of out-there be sure to rent 'Reversal of Fortune' one of these days. Grade: B
Striking, if sometimes creepy, performances by Glenn Close and Jeremy Irons highlight this unevenly directed take on the Claus Von Bulow story of the degenerate rich adapted from the book by Harvard Law School Professor Alan Dershowitz. Dershowitz, who loves being in the limelight almost as much as he loves the law, took on the task of saving Claus Von Bulow from prison for the attempted murder of his rich wife initially as a means of raising money to help him in his pro bono cases. The rather heavy-handed manner in which we are advised of this should not detract from Dershowitz's work. The irony is that as the case developed Dershowitz became persuaded that Claus was innocent.
Whether Dershowitz convinced himself of Von Bulow's innocence to assuage a possibly guilty conscience is a good question. Remember Dershowitz is the guy who said after the O.J. Simpson trial (he was one of Simpson's lawyers) that he didn't know whether Simpson was guilty or not. While that may be a good stance for a defense attorney, it is an insincere one for the public figure that Dershowitz has become.
Starring as Dershowitz is Ron Silver in an uneven performance that at times made me think of Gabe Kaplan doing a young and uncomedic Groucho Marx. I wonder if Dershowitz was entirely flattered.
Director Barbet Schroeder (Barfly 1987; Single White Female 1992) uses several points of view to tell the story, including a voice-over from Glenn Close's Sunny Von Bulow as she lies comatose, but also from recollections by Jeremy Irons' Claus Von Bulow. We see some scenes twice, colored by the differing points of view. This technique is entirely appropriate since what really happened is far from clear to this day. It is Claus Von Bulow's fortune that was reversed. Whether the first two juries or the third were right is something Schroeder leaves for the audience to determine.
But make no mistake about it: the heart of the movie is Jeremy Irons' Oscar-winning performance. His subtle artistry based on a deep conception (true to life or not) of the aristocratic and Germanic Claus allowed him to create a persona that is cold and aloft, yet somehow sympathetic. The contrast with Silver's Brooklyn-born hyper-energetic Dershowitz made for some good cinematic chemistry, although sometimes it came across like nice Jewish boy defends a vampire.
Glenn Close's flawless rendition of the idle, drug-befouled Sunny reminds us once again that she is a great actress. Unfortunately I don't think Schroeder spent as much time and energy as he should have with the people who played Dershowitz's law students. They seemed amateurish and unconvincing in just about every scene. And there were too many of them--law students, that is. Some distillation of intent, and more directorial guidance might have helped.
Nicholas Kazan's script has a number of good lines in it, not the least of which is this: Dershowitz: "You are a very strange man." Claus Von Bulow: "You have no idea." Also nice was Von Bulow's observation after they are seated in the restaurant and after the waiter has called him "Doctor" Von Bulow: "When I was married to Sunny, we never got this table. Now, two injections of insulin and I'm a doctor." Indeed it is partly Kazan's snappy, comedic and self-revelatory lines that humanize Claus Von Bulow's character and persuade us that he could very well be innocent.
While I like Dershowitz's self-serving style and his confidence, what I admire most about the man is his realistic conception of the defense attorney's role in our society and his idea of what makes a good lawyer; that is, a good lawyer is one who recognizes not only that every person deserves the best defense their resources allow, but that he himself deserves to defend those with the best resources.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
Whether Dershowitz convinced himself of Von Bulow's innocence to assuage a possibly guilty conscience is a good question. Remember Dershowitz is the guy who said after the O.J. Simpson trial (he was one of Simpson's lawyers) that he didn't know whether Simpson was guilty or not. While that may be a good stance for a defense attorney, it is an insincere one for the public figure that Dershowitz has become.
Starring as Dershowitz is Ron Silver in an uneven performance that at times made me think of Gabe Kaplan doing a young and uncomedic Groucho Marx. I wonder if Dershowitz was entirely flattered.
Director Barbet Schroeder (Barfly 1987; Single White Female 1992) uses several points of view to tell the story, including a voice-over from Glenn Close's Sunny Von Bulow as she lies comatose, but also from recollections by Jeremy Irons' Claus Von Bulow. We see some scenes twice, colored by the differing points of view. This technique is entirely appropriate since what really happened is far from clear to this day. It is Claus Von Bulow's fortune that was reversed. Whether the first two juries or the third were right is something Schroeder leaves for the audience to determine.
But make no mistake about it: the heart of the movie is Jeremy Irons' Oscar-winning performance. His subtle artistry based on a deep conception (true to life or not) of the aristocratic and Germanic Claus allowed him to create a persona that is cold and aloft, yet somehow sympathetic. The contrast with Silver's Brooklyn-born hyper-energetic Dershowitz made for some good cinematic chemistry, although sometimes it came across like nice Jewish boy defends a vampire.
Glenn Close's flawless rendition of the idle, drug-befouled Sunny reminds us once again that she is a great actress. Unfortunately I don't think Schroeder spent as much time and energy as he should have with the people who played Dershowitz's law students. They seemed amateurish and unconvincing in just about every scene. And there were too many of them--law students, that is. Some distillation of intent, and more directorial guidance might have helped.
Nicholas Kazan's script has a number of good lines in it, not the least of which is this: Dershowitz: "You are a very strange man." Claus Von Bulow: "You have no idea." Also nice was Von Bulow's observation after they are seated in the restaurant and after the waiter has called him "Doctor" Von Bulow: "When I was married to Sunny, we never got this table. Now, two injections of insulin and I'm a doctor." Indeed it is partly Kazan's snappy, comedic and self-revelatory lines that humanize Claus Von Bulow's character and persuade us that he could very well be innocent.
While I like Dershowitz's self-serving style and his confidence, what I admire most about the man is his realistic conception of the defense attorney's role in our society and his idea of what makes a good lawyer; that is, a good lawyer is one who recognizes not only that every person deserves the best defense their resources allow, but that he himself deserves to defend those with the best resources.
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
I really enjoyed "Reversal of Fortune." It was a wonderful, satiric (take your pick: black comedy/crime drama/mystery). The acting was tremendous. Jeremy Irons was fantastic and his performance was definitely Oscar-worthy. The movie itself pushed the lines between arguing the truth and arguing the facts. Although the movie was never clear on whether Claus was in fact guilty or not, the movie was actually more enjoyable because of its ambiguity. The tactics used by Dershowitz were very convincing and plausible. One thing I must complain about was the addition of Sarah's relationship with Alan into the film, which wasn't very well done. Otherwise, fun for the whole family, if your family is a sardonic, evil, emotionless wreck.
Le saviez-vous
- AnecdotesJeremy Irons met the real Claus von Bülow three years after the release of the film. Irons commented, "he didn't tell me anything I didn't already know." Irons recalled that von Bülow asked him if he was aware that the real Alan Dershowitz was (at the time) representing Leona Helmsley and Mike Tyson. Irons replied that he was aware of that, to which von Bülow quipped: "I don't suppose you've been asked to play either of them, have you?"
- GaffesWhen the intern wants to quit the project and heads for the door, the shot is flopped. Her books and purse change arms between shots.
- Citations
Alan Dershowitz: You are a very strange man.
Claus von Bülow: You have no idea.
- Bandes originalesTristan und Isolde
Performed by Éva Marton with the London Philharmonic Orchestra (as the London Philharmonic)
Written by Richard Wagner (as Wagner)
Arranged by Arpád Joó (conductor)
Courtesy of Sefel Records
Division of Phoenix Entertainment Inc.
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- How long is Reversal of Fortune?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Reversal of Fortune
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 15 445 131 $US
- Week-end de sortie aux États-Unis et au Canada
- 176 985 $US
- 21 oct. 1990
- Montant brut mondial
- 15 445 131 $US
- Durée
- 1h 51min(111 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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