Bernard et Bianca au pays des kangourous
- 1990
- Tous publics
- 1h 17min
Bernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce... Tout lireBernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce voyage pour demander la main de Bianca mais il devra se confronter à un local, un rat-kan... Tout lireBernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce voyage pour demander la main de Bianca mais il devra se confronter à un local, un rat-kangourou.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires au total
- Bernard
- (voix)
- Miss Bianca
- (voix)
- Wilbur
- (voix)
- Jake
- (voix)
- McLeach
- (voix)
- Frank
- (voix)
- Krebbs
- (voix)
- Joanna
- (voix)
- Chairman
- (voix)
- …
- Red
- (voix)
- Baitmouse
- (voix)
- Francois
- (voix)
- Faloo
- (voix)
- …
- Nurse Mouse
- (voix)
- Mother Koala
- (non crédité)
Avis à la une
My wish came true, The Rescuers Down Under was a high powered animated action flick with intense drama and heart-pounding emotion. Severely different from the original, which was about two little mice sent out on a mission to save a little girl held captive by a vile woman in search for a priceless diamond. This time, a young boy named Cody was kidnapped by a poacher named McLeach, who desperately wants to enormous eagle that was just saved from captivity. Despite the dangers, these two little mice named Bernard and Miss Bianca head out on probably the most daring rescue ever assigned to the R.A.S. (Rescue Aid Society). Without a moment to lose, they hop aboard the big bird named Wilbur to a nonstop flight to Australia. From then on its just keeps getting better, and the filmmakers weren't afraid how far they strayed from the kinder hearted tone of the original. That's a good thing.
This was easily put in my top animated films, behind Beauty and the Beast and the Prince of Egypt of course. It was a little shorter than I would have liked, which doesn't make this brilliant film absolutely spotless. None the less I recommend this to anyone looking for menacing fun.
Trust me, this is a brilliant film that may be a little too intense for the younglings, but still a family film which I think will be loved by adults and kids alike.
****/**** stars
The Rescuers Down Under (1990): Rated PG for intense moments
This movie opens with a breathtaking, opening shot where the camera swoops over the Australian outback, which is alone worth the watch. One could think the movie would fail from there on, but fortunately it never does. After the prologue the movie offers a high paced action, adventure and humor that will get the kids amused - or a least it amused me when I saw this film at theaters as a child.
The character animation is great and the movie's visual look is beautiful and certainly realistic. I loved the layout and the epic scale. And Bruce Broughtons score is majestic as well.
While the story is quite simple, the characters portrays good personalities. My favorites are Wilbur, Jake, Frank, and Joanna. The fact that the latter character didn't speak made her more amusing. McLeach is a effective villain and Bernard and Bianca are two likable protagonists. And Marahute provides great majesty.
I remember seeing this film for the first time as a 7-year old in theaters - it was an amusing and spectacular experience. Several years have passed and I'm still enjoying it. Although the film's ingredients are enough to please the kids, I still think the action and excitement of would fit to the adults too. It's a film that nobody should miss and deserves to be everyone's childhood memory (or in a adult's memory, for that matter).
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
Le saviez-vous
- AnecdotesThe producers wanted to have all the voice actors from Les Aventures de Bernard et Bianca (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.
- GaffesWhen the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.
- Crédits fousThis movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."
- Versions alternativesIn the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.
- ConnexionsEdited into Zenimation: Flight (2020)
- Bandes originalesMain Title
Composed by Bruce Broughton
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bernardo y Bianca en Cangurolandia
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 931 461 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 499 819 $US
- 18 nov. 1990
- Montant brut mondial
- 27 931 461 $US
- Durée1 heure 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1