Bernard et Bianca au pays des kangourous
- 1990
- Tous publics
- 1h 17min
Bernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce... Tout lireBernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce voyage pour demander la main de Bianca mais il devra se confronter à un local, un rat-kan... Tout lireBernard et Bianca doivent se rendre en Australie pour délivrer le jeune Cody, tombé aux mains d'un braconnier alors même qu'il tentait de sauver un aigle royal. Bernard espère profiter de ce voyage pour demander la main de Bianca mais il devra se confronter à un local, un rat-kangourou.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires au total
- Bernard
- (voix)
- Miss Bianca
- (voix)
- Wilbur
- (voix)
- Jake
- (voix)
- McLeach
- (voix)
- Frank
- (voix)
- Krebbs
- (voix)
- Joanna
- (voix)
- Chairman
- (voix)
- …
- Red
- (voix)
- Baitmouse
- (voix)
- Francois
- (voix)
- Faloo
- (voix)
- …
- Nurse Mouse
- (voix)
- Mother Koala
- (non crédité)
Avis à la une
In the Australian Outback, a young boy named Cody (voice of Adam Reyen) rescues and befriends a rare golden eagle. Later, the boy is captured in a trap by wanted local poacher McLeach (voice of George C. Scott). When McLeach finds one of the eagle's feathers in the boy's backpack he is instantly overcome with excitement, for he knows that to capture such a grandiose bird would make him filthy rich! McLeach kidnaps the boy and attempts to force out of him the whereabouts of the rare eagle. Meanwhile, a message is sent to New York, home of the Rescue Aid Society.... a bunch of dare-devil mice who specialise in saving the lives of endangered children. Once again, mice agents Bernard (voice of Bob Newhart) and Bianca (voice of Eva Gabor) find themselves up to their neck in adventure as they try to rescue young Cody from his abductor's lair.
The animation in this 1990 release is absolutely excellent and seems to mark a significant step forward in terms of the technology available to animators. The story is exciting and fast-paced, with just a sprinkling of humour to offer a little relief from the action from time to time. On the whole, the voice acting is very good, most notably Newhart and Gabor as the heroes, with solid support from John Candy's comical albatross and Scott's seriously unpleasant villain. Purists might be surprised and disappointed by the lack of the usual catchy Disney songs (there are none in this one, not even a theme song over the credits), but in most departments this is a first-rate animated movie that should enthral kids and adults alike.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
Plot-wise, there are a few faults. Some scenes just seemed to be there for the sake of it and the plot is considerably weaker than the original. But there are enough jokes and enough suspense to keep the film going so there's never a dull moment. Some might say that the story is a rehash of the original and that is partly true. That's the only real major flaw I find in Down Under.
Benard and Bianca stay wonderfully in character and the new characters, such as Jake the Kangaroo Rat are very memorable too. Penny may have had Teddy for a friend but Cody has Marahute - a mighty Golden Eagle. Her movements are true to that of a real bird of prey, and yet she has a distinct humanoid quality. Whenever you look into her eyes, you know exactly what she's thinking. Jim Jordan (the voice of Orville) is sadly dead. (God rest his soul). But instead of replacing the voice actor, we have a new albatross - Orville's brother Wilbur. He is a worthy replacement. He provides plenty of comic relief, especially during his nightmarish time in hospital. Joanna the villain's sidekick is like Madame Medusa as a lizard. She looks like she came straight out of the original. McLeach, the evil poacher is a very intimidating villain. He's not as funny as Madame Medusa but he's not meant to be. He's not the sort of person you'd like to run into in the wilderness.
If there's one aspect of this film that's superior to the first, it's the animation. The computer generated shots are spectacular. Sure, they might be dated today, but I think that the hand-drawn animation melds nicely with the CGI. Whilst the jungle in Tarzan looked like plastic, the rocks and cliffs in The Rescuers Down Under look realistic and full of texture. We have a lot of 'high-flying in the clouds' scenes which are a lot of fun and would be brilliant on the IMAX screen. Also, putting a tiny mouse against a vast landscape gives the movie an epic feel. Like the first Rescuers, the backgrounds are beautiful and pave the way for the beautiful scenery seen in The Lion King.
However, Down Under does have its little flaws. One example is that Cody is Australian yet he speaks with an American accent. Also, how on earth did he climb up that huge cliff? There are other little inconsistencies too but they are easily overlooked.
The sequel connects nicely with the original. A lot of the RAS mice from the original are seen again. Also, a lot of character designs are true to the first as well. Benard has hardly changed at all. Only Bianca looks somewhat different.
In conclusion, The Rescuers Down Under is inferior to the original Rescuers, but it's still high-flying fun. This is definitely one of the better Disney sequels. So sit back and enjoy. Remember, you *could* be watching Pocahontas II.
The intrepid mouse explorers Bernard and Bianca (voices of Bob Newhart and Eva Gabor) from the original film return in "The Rescuers Down Under," when they hear word that a small boy in Australia has been kidnapped by a poacher named McLeach (voiced by the creepy George C. Scott). McLeach has also captured a large eagle, and the kidnapped boy, Cody, has a bond with the large beast.
The Rescuers fly Down Under by hitching a ride on the hilarious, never over-the-top albatross Wilbur (voiced by John Candy). Once there, they pick up a local Aussie "kangaroo mouse" named Jake, who indeed resembles a miniature kangaroo. There are also some other delightful new characters, including Frank, a numbskull lizard, and Joanna the goanna lizard, the sidekick of McLeach. The key to this film is that they know how to make great characters - Joanna is just as fun to watch as Frank, and Jake is just as fun to watch as Bernard and Bianca. You never feel any hate towards any characters. My personal favorite was Wilbur, the albatross. He appears at various points in the film, caught in a mouse hospital, caught watching over eagle eggs, and caught hatching eagle eggs. He awaits the return of Bernard and Bianca, and he's too good-natured to just fly away and forget about them. And John Candy's voice talents are priceless.
A lot of the amazing animation on this film takes place in the air, on the back of a soaring eagle. The animation in the original was raspy, dark and creepy. It wasn't nearly as breathtaking, or even enjoyable to watch. There also aren't any musical numbers in this film - at least not that I remember - and that also helps it out a bit. (I hated the original and its songs.) Maybe it's just me, but sometimes musical numbers don't fit into 'toons - and this is one of those.
"The Rescuers Down Under" is one of the best Disney films I have ever seen. The Disney animation of the 1970s, such as "The Rescuers," was the low-point of Disney. The high-point was films like "Pinnochio." And in all honesty, this film is more interesting than both combined. It's got great animation, an intriguing and fun story, and excellent, well-developed characters. Only one thing entered my head when the credits started to roll: Can this possibly be a cartoon?
4.5/5 stars -
John Ulmer
This movie opens with a breathtaking, opening shot where the camera swoops over the Australian outback, which is alone worth the watch. One could think the movie would fail from there on, but fortunately it never does. After the prologue the movie offers a high paced action, adventure and humor that will get the kids amused - or a least it amused me when I saw this film at theaters as a child.
The character animation is great and the movie's visual look is beautiful and certainly realistic. I loved the layout and the epic scale. And Bruce Broughtons score is majestic as well.
While the story is quite simple, the characters portrays good personalities. My favorites are Wilbur, Jake, Frank, and Joanna. The fact that the latter character didn't speak made her more amusing. McLeach is a effective villain and Bernard and Bianca are two likable protagonists. And Marahute provides great majesty.
I remember seeing this film for the first time as a 7-year old in theaters - it was an amusing and spectacular experience. Several years have passed and I'm still enjoying it. Although the film's ingredients are enough to please the kids, I still think the action and excitement of would fit to the adults too. It's a film that nobody should miss and deserves to be everyone's childhood memory (or in a adult's memory, for that matter).
Le saviez-vous
- AnecdotesThe producers wanted to have all the voice actors from Les Aventures de Bernard et Bianca (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.
- GaffesWhen the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.
- Crédits fousThis movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."
- Versions alternativesIn the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.
- ConnexionsEdited into Zenimation: Flight (2020)
- Bandes originalesMain Title
Composed by Bruce Broughton
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bernardo y Bianca en Cangurolandia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 931 461 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 499 819 $US
- 18 nov. 1990
- Montant brut mondial
- 27 931 461 $US
- Durée
- 1h 17min(77 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1