Contre-enquête

Based on a novel by New York judge Edwin Torres', 'Q & A' is A Great Film, that ranks amongst Sidney Lumet's Best Films. The Late Legendary Filmmaker handles this gritty, violent & disturbing film, with top-notch creativity. Also, the performances, are fabulous!

'Q & A' Synopsis: A young district attorney seeking to prove a case against a corrupt police detective, encounters a former lover and her new protector, a crime boss who refuse to help him.

'Q & A' is gritty, violent, disturbing & yet captivating. The Drama unfolds with flourish & holds your attention efficiently. Sidney Lumet's Direction is Top-Notch. His handling of this difficult film, truly deserves distinction marks. It's amongst his best works as a storyteller!

Performance-Wise: Nick Nolte stands out. The Legendary Actor delivers a fantastic performance as the filthy mouthed, corrupt cop. Timothy Hutton is first-rate. Armand Assante is terrific. He too plays a bad-guy and he's menacing as well. Patrick O'Neal is superb. Jenny Lumet leaves a mark.

On the whole, 'Q & A' is a must see film.

Exellent police thriller, about corrupt cop Nolte, who finally meets someone, Hutton, who's determined to bring him to justice! Film is good all the way, with Assante in good supporting role. Why this actor hasn't had greater sucses, is a mystery to me. Calderon is also good as transvestite! But Nolte, is absolutely brilliant as the arrogant, super corrupt Mike Brennan! Is one of my favourite police thrillers from the 90'ies. The only downpoint is the silly song used for the end credits, "don't betray the ones you love", of course you don't!

Peter Piessens

I liked this film, a lot. It had some uneven moments in it, mostly Sidney Lumet's daughter's attempt at acting. However, Nolte and Assante are GREAT! This is gritty and realistic movie making. One sympathizes with the somewhat idealistic assistant district attorney (Timothy Hutton) as he tries to do the right thing, with so many thing in his way. The language of the movie is raw, with many memorable quotes. However, after viewing the movie you will find yourself remembering the roles of Nolte (Frank Brennan) and Armand Assante (Bobby Texador). Nolte is a cross between John Wayne and Ted Bundy. He is the first cop through the door and the first to pull out his weapon. He gets the job done, but he also breaks the law whenever he sees fit. Hutton, like many, admire Nolte, but the more they find out about the guy, the more they see that he might be the real threat to society. Bobby Tex is the very charismatic drug dealer that honestly wants to get out of the business alive. It is rare that the character that you root for the most is a drug dealer, but this movie maybe the one exception. He is better than the murdering cop. Hutton plays the straight guy in between these two forces of nature. Hutton has personal demons and real demons standing in way of doing the right thing. Good, solid story that you will enjoy. No Hollywood ending here. This movie is RAW!

The one thing Q & A has going for it the entire time is in the form of its atmosphere; it's utterly, utterly effective atmosphere that is very much present due to one thing: we know exactly what the character of Brennan (Nolte) has done but Reilly (Hutton), who is supposed to find out exactly what the situation is, doesn't. This is an interesting idea and a bit of a spin to put on the pretty bog-standard situation of your standard, 1980s to early 1990s internal affairs cop thriller. What works is that we, the audience, have a position of power that the characters in the film do not; thus the hero (Reilly) has to work things out but we don't, however we will be with him all the way to see if he is able to crack it. Alternatively, what the audience do know is exactly what Brennan knows which perhaps lures the audience into false identification.

I think director Lumet, who is certainly well accomplished; most definitely by the time this was made, wanted to make a bit of a noir out of this idea. He shoots the film in such a way that has the hero go on his own personal quest of discovery, even if that discovery is one he might not even want to discover given the truth behind it; Lumet also injects several different types of characters into the story: the hard bodied cop in Brennan who is harder than the hero himself (an interesting spin on things); a South American drug baron and his bodyguards; an old flame who is somehow connected to the baron; a homosexual singer/performer and some allies to the upstanding hero, two of whom are 'Chappie' Chapman (Dutton) and Luis Valentin (Guzmán). Q & A works as a noir-come-internal affairs crime story because it combines things we're familiar with but injects them with, arguably, an auteur's own personal approach. Reilly as a hero seems venerable but smart given his history with the female character now connected with the drug baron and the script consistently pumps out quality one-liners, the majority of which are spouted by Brennan.

Adding to the noir pointers, it rains a lot in the film but it's significant as to when it rains. Reilly's reunification in the car with his old flame happens after the baron has threatened him to stay away from her thus creating tension; he has done something he shouldn't have after someone of a superior rank has told him not to. But the meeting in the car, although very well placed given the inclusion of the rain, allows us to see deeper into the past of said couple's relationship. It turns out the flame mistook (or perhaps she didn't) a look Reilly gave her father upon seeing he was black, something that obviously points to bigotry. But then again, the film is racist without ever really demeaning any race, religion or ethnic group. Certainly, the level of racism in the dialogue is rather high but when one of Reilly's friend's is in the bar telling him how much of a 'great man' the chief of homicide is, the element of hate is built up through the script and our opinions of a character alternate without him even being on screen. It's also worth saying that when you have a film which contains a character both black and homosexual, one of which is also physically weak the majority of people will have a field day going up in arms over it; but I felt the film steered away from any sort of stereotyping and thus does its best to create a realistic character without any aim to offend. It's worth saying here that director Lumet directed 12 Angry Men, a film that was all about fighting for what's right whether black, Spanish-American or whatever.

So Q & A is a courtroom drama set outside the court; a noir that it in colour and made in the 1990s; your not so average, everyday cop thriller from the 1980s-90s and your entertaining, compelling detective novel stretched across 130 minutes complete with colourful characters, hate, love, regret and humorous one-liners and insults. Brennon is perhaps the star but given the audience know exactly what he knows throughout several of the scenes, it's almost as if he's the star. Yes, he's mean and spiteful; yes, he intimidates and goes below the belt but if anything, I read people saying: 'watch it for Nolte'. Good call, he's almost the hero given what we know and Reilly doesn't but that's the apparent genius of Q & A: you have your detective cordon, your love cordon and your hard bodied bully cordon. I could recommend Q & A for a number of things, including a re-watch just to clarify a few things but do not let a complicated plot at all put you off seeing it.

Whats not to like about this movie? Well, the violent and the dark, at times manic context which prevails in a good share of the scenes, together with the perversity thats being thrown at you in the most unsubtle way. Nick Nolte's Brennan must be the most foul,intimidating and maniacal cop figure ever portrayed since Orson Welles' Captain Quinlan in "Touch of evil". He pulls off a great performance, although not very pleasant to watch (nor listen, for that matter).

Whats there to like about this movie? For one thing, there is Armand Assante and what most likely is the role of his career, even if its a supporting one and he gets only a couple scene stealers. He demonstrates how great he can be if given the right part. And his role is very interesting, an archcriminal with feelings, brought out by a woman who may not even love him.

Jenny Lumet was also good in her role, although I missed more interaction between her and Assante's character. Timothy Hutton, although overshadowed by Nolte and Assante in turns (inevitable really), proves again that he is a solid actor.His performance is not spectacular(as the role doesn't allow it), but its worthwhile. Another great presence by Patrick O'Neal as the sly and cunning district attorney with a criminal past and ties to Bobby Texador(Assante).

Sidney Lumet is the master of socio-political drama/comedy/thriller. Here he mixes all three into an enjoyable, intriguing and satisfactory work. This film deserves more attention than I believe it got. But again, looking at its "walk on the wild side" perspective, it really couldn't have become a blockbuster hit an average person chooses to watch on video or DVD on a Saturday night.