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Contre-enquête

Titre original : Q & A
  • 1990
  • R
  • 2h 12min
NOTE IMDb
6,6/10
7,6 k
MA NOTE
Timothy Hutton, Nick Nolte, and Armand Assante in Contre-enquête (1990)
Home Video Trailer from HBO Home Video
Lire trailer1:38
1 Video
38 photos
CriminalitéDrameThriller

Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.

  • Réalisation
    • Sidney Lumet
  • Scénario
    • Edwin Torres
    • Sidney Lumet
    • Alan Smithee
  • Casting principal
    • Nick Nolte
    • Timothy Hutton
    • Armand Assante
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    7,6 k
    MA NOTE
    • Réalisation
      • Sidney Lumet
    • Scénario
      • Edwin Torres
      • Sidney Lumet
      • Alan Smithee
    • Casting principal
      • Nick Nolte
      • Timothy Hutton
      • Armand Assante
    • 59avis d'utilisateurs
    • 29avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Q & A
    Trailer 1:38
    Q & A

    Photos38

    Voir l'affiche
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    + 31
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    Rôles principaux54

    Modifier
    Nick Nolte
    Nick Nolte
    • Mike Brennan
    Timothy Hutton
    Timothy Hutton
    • Al Reilly
    Armand Assante
    Armand Assante
    • Bobby Texador
    Patrick O'Neal
    Patrick O'Neal
    • Kevin Quinn
    Lee Richardson
    Lee Richardson
    • Leo Bloomenfeld
    Luis Guzmán
    Luis Guzmán
    • Luis Valentin
    • (as Luis Guzman)
    Charles S. Dutton
    Charles S. Dutton
    • Sam Chapman
    • (as Charles Dutton)
    Jenny Lumet
    Jenny Lumet
    • Nancy Bosch
    Paul Calderon
    Paul Calderon
    • Roger Montalvo
    International Chrysis
    • Jose Malpica
    Dominic Chianese
    Dominic Chianese
    • Larry Pesch
    • (as Dominick Chianese)
    Leonardo Cimino
    Leonardo Cimino
    • Nick Petrone
    Fyvush Finkel
    Fyvush Finkel
    • Preston Pearlstein
    Gustavo Brens
    • Alfonse Segal
    Martin E. Brens
    • Armand Segal
    Maurice Schell
    • Detective Zucker
    Thomas Mikal Ford
    Thomas Mikal Ford
    • Lubin
    • (as Tommy A. Ford)
    John Capodice
    John Capodice
    • Hank Mastroangelo
    • Réalisation
      • Sidney Lumet
    • Scénario
      • Edwin Torres
      • Sidney Lumet
      • Alan Smithee
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs59

    6,67.5K
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    10

    Avis à la une

    9markguszak

    Very Strong Performances

    I liked this film, a lot. It had some uneven moments in it, mostly Sidney Lumet's daughter's attempt at acting. However, Nolte and Assante are GREAT! This is gritty and realistic movie making. One sympathizes with the somewhat idealistic assistant district attorney (Timothy Hutton) as he tries to do the right thing, with so many thing in his way. The language of the movie is raw, with many memorable quotes. However, after viewing the movie you will find yourself remembering the roles of Nolte (Frank Brennan) and Armand Assante (Bobby Texador). Nolte is a cross between John Wayne and Ted Bundy. He is the first cop through the door and the first to pull out his weapon. He gets the job done, but he also breaks the law whenever he sees fit. Hutton, like many, admire Nolte, but the more they find out about the guy, the more they see that he might be the real threat to society. Bobby Tex is the very charismatic drug dealer that honestly wants to get out of the business alive. It is rare that the character that you root for the most is a drug dealer, but this movie maybe the one exception. He is better than the murdering cop. Hutton plays the straight guy in between these two forces of nature. Hutton has personal demons and real demons standing in way of doing the right thing. Good, solid story that you will enjoy. No Hollywood ending here. This movie is RAW!
    crucialp

    Nick Nolte is brilliant!

    Exellent police thriller, about corrupt cop Nolte, who finally meets someone, Hutton, who's determined to bring him to justice! Film is good all the way, with Assante in good supporting role. Why this actor hasn't had greater sucses, is a mystery to me. Calderon is also good as transvestite! But Nolte, is absolutely brilliant as the arrogant, super corrupt Mike Brennan! Is one of my favourite police thrillers from the 90'ies. The only downpoint is the silly song used for the end credits, "don't betray the ones you love", of course you don't!

    Peter Piessens
    Gary-161

    "Hey, Sidney!"

    "Yeah, what?" - "Who are we getting to chew up the scenery as Mike Brennan?" - "You kiddin' me? You specialising in bustin' my b**ls? Send for Nick Nolte!" - "Nick (choke) Nolte? Are you talking to me? I've just been on the phone to the mayor and the D.A. is crawlin' up my ass. You're a dinosaur, Lumet. Your ideas don't fit today. I want your director's guild ID on this desk now. People have a nasty habit of gettin' DEAD around you!"

    This is one of Lumet's three hour and always worthy examinations of police corruption and compromised idealism. This is similiar to his 'Prince of the city' although it's not let down by an actor like Treat Williams who was not up to the job. Q&A suffers from some over-ripe, stagey and over played performances that are allowed to run on longer than the scene's necessity. It also has such ugliness and perversion that you wonder whether the film really needed to be made as we have been down this road before. Hutton has the best scene whereby his heart is broken by a loyal old mentor who always warned him that it was inevitable.

    The main problem I have with this film is the susposed racism of the Reilly character. I'm not sure about the point of the subplot and why would a man who has a coloured girlfriend be shocked that her father is black? Surely it was on the cards.
    8ProfessorFate

    In Defense of Jenny Lumet

    Many reviews here have trashed Jenny Lumet's acting in this film and I want to go on record saying that I thought she gave an above average performance. I know, she's the director's daughter, but I think she more than holds her own opposite the likes of Timothy Hutton and Armand Assante (she doesn't have any scenes with Nolte).

    Lumet plays a girlfriend from Reilly's (Hutton) past. Reilly dated her when he was a beat cop and has since risen to Assistant DA. When the film begins it has been 6 years since their break-up and she strolls into a tense interview session on the arm of notorious drug czar Bobby Texador (Armand Assante). Obviously shaken by her involvement in the case, Reilly attempts to talk with her about their past. I think Lumet is quite convincing in her scenes with Hutton: wrenched emotionally as she kicks him out of her mother's apartment and touching as she discusses their failed relationship. She's no Meryl Streep, but she effectively conveys the anguish of a young woman forced to re-visit her painful past.

    Nolte is incredibly powerful as rogue cop Mike Brennan, a brooding, unstoppable evil force unlike any other character Nolte has played. His Mike Brennan is a distant cousin to Denzel Washington's Oscar-winning performance in "Training Day". Assante is nearly perfect as the menacing-yet-philosophical drug lord Bobby Texador. One of my favorite aspects of this script is the multi-faceted nature of Assante's character. Audiences aren't usually asked to identify with drug dealers, but Lumet's script and Assante's performance make Texador into more than just a one note crook. Both he and Nolte were Oscar-worthy, yet neither was even nominated (Jeremy Irons and Joe Pesci took home the male acting Oscars in 1990).

    My only criticism of the film is the way racial and ethnic stereotypes are forced into almost every scene: the hard-drinking Irish cop, the Italian mobsters, the shyster Jewish lawyer, the street-brawling Puerto Rican gang members. Maybe Lumet had a point to make by concentrating so obsessively on his characters' ethnic origins, but it seems like over-kill. Despite this flaw, Q&A is still an absorbing and powerful film.
    9namashi_1

    A Great Film!

    Based on a novel by New York judge Edwin Torres', 'Q & A' is A Great Film, that ranks amongst Sidney Lumet's Best Films. The Late Legendary Filmmaker handles this gritty, violent & disturbing film, with top-notch creativity. Also, the performances, are fabulous!

    'Q & A' Synopsis: A young district attorney seeking to prove a case against a corrupt police detective, encounters a former lover and her new protector, a crime boss who refuse to help him.

    'Q & A' is gritty, violent, disturbing & yet captivating. The Drama unfolds with flourish & holds your attention efficiently. Sidney Lumet's Direction is Top-Notch. His handling of this difficult film, truly deserves distinction marks. It's amongst his best works as a storyteller!

    Performance-Wise: Nick Nolte stands out. The Legendary Actor delivers a fantastic performance as the filthy mouthed, corrupt cop. Timothy Hutton is first-rate. Armand Assante is terrific. He too plays a bad-guy and he's menacing as well. Patrick O'Neal is superb. Jenny Lumet leaves a mark.

    On the whole, 'Q & A' is a must see film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sidney Lumet: the director was unhappy with the way this movie was edited for television so he had his name removed and replaced with the pseudonym "Alan Smithee" for the television broadcast version.
    • Gaffes
      Chief Quinn Patrick O'Neal asks ADA Reilly Timothy Hutton why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians.
    • Citations

      Leo Bloomenfeld: [telling Al Reilly about Kevin Quinn] He's a prick. He's a racist and an anti-Semite and a prick. He wants to be Tom Dewey, and he will be. He married for politics and all he can see is way clear to God knows how high up. Years ago, when we still had executions in the state, he used to volunteer as a witness. Yeah, his first murder case, uhh he was a young A.D.A. then and I'm talking years ago... The case was shaky, circumstantial and he wanted a recommended death penalty from the jury. Before he was finished, he had them believing that poor black kid raped their mothers. He goes up to Sing-Sing for the electrocution. And the next day, we're sitting around, drinking coffee and he walks in with this grin on his face and someone says "Hey, how did it go?", he says, casually, "He fried!" and then he says, "I sure hope he was guilty!" and he laughs! Fuck him! Now and forever!

    • Connexions
      Edited into À la rencontre de Forrester (2000)
    • Bandes originales
      Don't Double-Cross the Ones You Love
      Song by Rubén Blades.

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    FAQ19

    • How long is Q&A?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 juillet 1990 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Q & A
    • Lieux de tournage
      • CBGB's - 315 Bowery, Manhattan, Ville de New York, New York, États-Unis(Hutton and Nolte interior bar, Exterior is shown briefly, with no CBGB's awning, next door to the Palace Hotel)
    • Sociétés de production
      • Regency International Pictures
      • Odyssey Distributors
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 11 207 891 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 816 605 $US
      • 29 avr. 1990
    • Montant brut mondial
      • 11 207 891 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 12min(132 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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