Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.Nouveau juge d'instruction, Al Reilly est chargé par son ambitieux supérieur d'instruire l'affaire de la mort d'un gangster, abattu par le lieutenant Mike Brennan en légitime défense.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Luis Valentin
- (as Luis Guzman)
- Sam Chapman
- (as Charles Dutton)
- Larry Pesch
- (as Dominick Chianese)
- Lubin
- (as Tommy A. Ford)
Avis à la une
Peter Piessens
This is one of Lumet's three hour and always worthy examinations of police corruption and compromised idealism. This is similiar to his 'Prince of the city' although it's not let down by an actor like Treat Williams who was not up to the job. Q&A suffers from some over-ripe, stagey and over played performances that are allowed to run on longer than the scene's necessity. It also has such ugliness and perversion that you wonder whether the film really needed to be made as we have been down this road before. Hutton has the best scene whereby his heart is broken by a loyal old mentor who always warned him that it was inevitable.
The main problem I have with this film is the susposed racism of the Reilly character. I'm not sure about the point of the subplot and why would a man who has a coloured girlfriend be shocked that her father is black? Surely it was on the cards.
Lumet plays a girlfriend from Reilly's (Hutton) past. Reilly dated her when he was a beat cop and has since risen to Assistant DA. When the film begins it has been 6 years since their break-up and she strolls into a tense interview session on the arm of notorious drug czar Bobby Texador (Armand Assante). Obviously shaken by her involvement in the case, Reilly attempts to talk with her about their past. I think Lumet is quite convincing in her scenes with Hutton: wrenched emotionally as she kicks him out of her mother's apartment and touching as she discusses their failed relationship. She's no Meryl Streep, but she effectively conveys the anguish of a young woman forced to re-visit her painful past.
Nolte is incredibly powerful as rogue cop Mike Brennan, a brooding, unstoppable evil force unlike any other character Nolte has played. His Mike Brennan is a distant cousin to Denzel Washington's Oscar-winning performance in "Training Day". Assante is nearly perfect as the menacing-yet-philosophical drug lord Bobby Texador. One of my favorite aspects of this script is the multi-faceted nature of Assante's character. Audiences aren't usually asked to identify with drug dealers, but Lumet's script and Assante's performance make Texador into more than just a one note crook. Both he and Nolte were Oscar-worthy, yet neither was even nominated (Jeremy Irons and Joe Pesci took home the male acting Oscars in 1990).
My only criticism of the film is the way racial and ethnic stereotypes are forced into almost every scene: the hard-drinking Irish cop, the Italian mobsters, the shyster Jewish lawyer, the street-brawling Puerto Rican gang members. Maybe Lumet had a point to make by concentrating so obsessively on his characters' ethnic origins, but it seems like over-kill. Despite this flaw, Q&A is still an absorbing and powerful film.
'Q & A' Synopsis: A young district attorney seeking to prove a case against a corrupt police detective, encounters a former lover and her new protector, a crime boss who refuse to help him.
'Q & A' is gritty, violent, disturbing & yet captivating. The Drama unfolds with flourish & holds your attention efficiently. Sidney Lumet's Direction is Top-Notch. His handling of this difficult film, truly deserves distinction marks. It's amongst his best works as a storyteller!
Performance-Wise: Nick Nolte stands out. The Legendary Actor delivers a fantastic performance as the filthy mouthed, corrupt cop. Timothy Hutton is first-rate. Armand Assante is terrific. He too plays a bad-guy and he's menacing as well. Patrick O'Neal is superb. Jenny Lumet leaves a mark.
On the whole, 'Q & A' is a must see film.
Le saviez-vous
- AnecdotesSidney Lumet: the director was unhappy with the way this movie was edited for television so he had his name removed and replaced with the pseudonym "Alan Smithee" for the television broadcast version.
- GaffesChief Quinn Patrick O'Neal asks ADA Reilly Timothy Hutton why he did not attend St. John's Law School. Hutton says his father didn't like the Jesuits. St. John's University is not a Jesuit institution. It is conducted by the Vincentians.
- Citations
Leo Bloomenfeld: [telling Al Reilly about Kevin Quinn] He's a prick. He's a racist and an anti-Semite and a prick. He wants to be Tom Dewey, and he will be. He married for politics and all he can see is way clear to God knows how high up. Years ago, when we still had executions in the state, he used to volunteer as a witness. Yeah, his first murder case, uhh he was a young A.D.A. then and I'm talking years ago... The case was shaky, circumstantial and he wanted a recommended death penalty from the jury. Before he was finished, he had them believing that poor black kid raped their mothers. He goes up to Sing-Sing for the electrocution. And the next day, we're sitting around, drinking coffee and he walks in with this grin on his face and someone says "Hey, how did it go?", he says, casually, "He fried!" and then he says, "I sure hope he was guilty!" and he laughs! Fuck him! Now and forever!
- ConnexionsEdited into À la rencontre de Forrester (2000)
- Bandes originalesDon't Double-Cross the Ones You Love
Song by Rubén Blades.
Meilleurs choix
- How long is Q&A?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Q & A
- Lieux de tournage
- CBGB's - 315 Bowery, Manhattan, Ville de New York, New York, États-Unis(Hutton and Nolte interior bar, Exterior is shown briefly, with no CBGB's awning, next door to the Palace Hotel)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 11 207 891 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 816 605 $US
- 29 avr. 1990
- Montant brut mondial
- 11 207 891 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1