La putain du roi

In all FAIRNESS, more than likely, Mr. Dalton accepted this project because it started out as an interesting character study of a King with an Obsessive/Compulsive Disorder. And how said disorder can lead a person into becoming a stalker, peeping-tom, and lusting after a woman who refuses to have anything to do with him other than "friendship". However, he does become a more nurturing care-giver than Florence Nightingale, and Sister Kenny combined AFTER the object of affection/obsession contracts SMALLPOX!

I truly believe that this flick was supposed to be a real bodice ripper. Y'know, sexcapades in Period Costume, but, then, somehow, it took a diversionary track to "make a statement" about devotion and how "we" are used by those we love and how "we" use those who love us.

Waffling between "historical mock-u-drama" and bodice ripper, loaded down with a female lead that gives no more emotionally than a 2x4 plank of lumber, it's no wonder that Mr. Dalton started chewing on the scenery! Mr. Dalton's talent is too good to be wasted in this dreck!

In summary, if you love Mr. Dalton's work, you'll find SOMETHING redeemable in this film, (I did even though I'll never get the time I spent watching it back!). Otherwise, rent JANE EYRE, or A LION IN WINTER.

I'm anxious to see Timothy Dalton in anything he does, but this movie was not worth my time. I hung in there until the end more out of optimism that it would improve than enjoyment. Basically the king is a controlling dog and Jeanne is a, well, you know. This movie is going into the "waste of my time" category. If you want to see Timothy Dalton at his finest, rent the BBC production of Jane Eyre--now THAT is a film.

I have no idea how on earth I missed this film. It threatens to become a new favourite Timothy Dalton appearance. Simply put, this 1990 gem is one of the best movies I've seen about the power of true love. What an epic example of acting magnificence from Timothy Dalton! With another 7 years of acting under his belt after Jane Eyre, his portrayal of the King is authentic, magnetic, deep, raw, with hints of Jane's Eyre's Rochester only more powerful. He makes no mis-steps in this piece, plus he has a sword and oh boy can he use it! So if you're a fan of Timothy Dalton, find this film and enjoy the treat. And if you're not a fan, you are about to discover a top performance by one of the finest actors of our time. You're welcome.

This is an outstanding, breathtaking history which astonished me. I recorded this film when it was emited on TV and I watch it 4 days a week. I know it could be strange to you, but I love this story. It is so moving. It's a masterpiece. The actors, the screenplay, th dialogues! Valeria Golino and Timothy Dalton are gorgeous. It doesn't matter who and what tells about this film - I love it!

I enjoyed this movie but it did fall short of the great film that it should have been. Main strengths were the stunning visual aspects and Timothy Dalton's mesmerising performance. Surely he has to be the most underrated actors of our time. His portrayal of psychological complexity in his characters in unmatched. Weak points are the jumpy plot, erratic editing (apparently a lot of scenes were cut) and lack of bodice ripping scenes. There is plenty of emotion but the steaminess is mostly implied. Still worth seeing, particularly for Dalton fans or for lovers of historical costume drama.