Hold-up à New York

This one is absolutely chocked full of accomplished writing, unforgettably comic performances, unexpectedly clever situations, and hilarious slapstick comedy.

It only slows when the script turns to unnecessary melodrama. Otherwise it's combination of witty dialog, drool understated delivery by Murray and fast pacing keep this a fascinating wild farce that surprises in almost every scene. Check out Philip Bosco as the anal retentive bus driver, Tony Shalhoub as the whacked out cab driver who because he cant speak a word of English must communicate in wild pantomime. There are so many fine comic performances that I tend to lose track of them.

Too bad it did not do better at the box office. Maybe it was ahead of it's time. Were it released today it might have had a better chance..

Don't debate, rent it on DVD and watch it over and over!

This is a clever and entertaining comedy that has some dramatic and romantic touches as well. It's almost two movies-in-one: a dramatic holdup and a comic getaway. The holdup scene does has comedy but is more dramatic. It reminded me of the '70s classic "Dog Day Afternoon" in which the hostages are kept by a couple of robbers and the crooks demand the normal assortment of getaway vehicles. Except in here, ringleader Bill Murray wants a "monster truck" along with everything else. You know with Murray you are going to get outrageous humor and satire.

Anyway, the bulk of the film concerns what happens after the trio - Murray, Randy Quaid and Geena Davis - after they successfully escape the holdup. The bottom line is that they just can't get out of New York City. One disaster after another keeps happening, and it's all kind funny (and frustrating!). The ending I won't spoil.

Murray plays his normal wise-guy role and Quaid is good as the emotional slapstick-type buffoon. For some reason, the scene in which Quaid runs full-tilt into a newspaper stand and knocks himself out almost had me in tears laughing. Davis complements the two with her coolness and eye candy for the male audience. Veteran Jason Robards plays the chief detective on the case, and shows comedic touches of his own.

What also is fun to watch nowadays is Tony Shalhoub. When this film came out, hardly anyone knew him. Now he's famous as "Monk" on the television series of the same name. In this film, he plays an Arabic cab driver and you have to see this performance to believe it! A couple of other familiar faces also show up in here, including Bob Elliot from the old radio duo of "Bob and Ray."

There is no sex, no bloodshed, just a lot of jokes but the "R" rating ought to tell you something about the language in here. The jokes and story were good enough on their own and didn't need all the profanity.

Bill Murray stars as a bank robber with a unique plan - he'll rob the bank dressed as a clown, but carry out the money taped to his body - and those of his two accomplices - "hostages" who have been released as a sign of good faith as certain potential getaway vehicles (2 helicopters, a motorcycle, a city bus, and a monster truck) are provided. The plan works perfectly as the gang makes their escape from the bank in plain sight.

Then things go wrong.

The movie contrasts the perfect execution of a difficult task - robbing a bank, and then getting out and past the police, with the terrible execution of a simple task - getting to the airport in time to catch a flight. In both stages, Murray provides the kind of humor associated with him, taking nothing seriously even in the tightest of situations.

Jason Robbards provides an excellent contrast, as a chief of police who refuses to be outwitted by a smart-mouthed bank robber in a clown suit, who escaped from right under his nose.

Not many people I've talked to have seen "Quick Change". It wasn't really a hit, which is what makes it such a nice surprise when you see a film like this which is very funny. Maybe that's partially why I enjoyed the film so much, as it makes me feel a little bit like a pirate who's discovered lost treasure, or like an explorer who's conquered uncharted territory.

It may not be Bill Murray's best, but it's pretty good. But make no mistake, this is a Bill Murray movie, he even co-directed it, and if you don't like him in general, then this film isn't likely to make a convert out of you. I've always been a fan, and try to forgive certain transgressions like "Larger Than Life" or "The Man Who Knew Too Little" which are the kinds of films I avoid completely for fear that it will taint my high regard for Mr. Murray. They might be good, but I'm not taking any chances without some seriously reliable source that assures me they aren't merely "paycheques" for those involved. But in case some of you think the man has lost it, never to recapture any of his past glory, probably you should check out "Rushmore," and see a true master at work.

"Quick Change" has a story that is fun and the lines are executed with razor sharp comic timing. So what if some of the characters are one-dimensional? It gets the job done and sets up the bits and not in a low-brow kind of way.

I'd be interested to hear what New York residents think of this film, as its story revolves around three people who just want to escape New York forever and find that robbing a bank is easier than making it to the airport.

So if you consider yourself a member of the Bill Murray fan club, check this one out and you'll probably enjoy it. He's got plenty of support from some talented comedic actors including Tony Shalhoub, Stanley Tucci, Phil Hartman, Jason Robards and of course Randy Quaid and Geena Davis.

Funny remake starring Bill Murray, Geena Davis and Randy Quaid as down-on-their-luck thieves who rob a bank and then have a hard time getting out of NYC. Funny from beginning to end. Well, almost. The last twenty minutes or so seem to drag a bit. But I loved the first 3/4, and the opening sequence is tremendous!

Bill Murray is very funny and Randy Quaid is a likable goofball. Geena Davis manages to impress but the real star is Murray, as always. All in all a pleasant way to spend an evening and certainly a memorable comedy--if a slightly uneven one.

4/5 stars.

• John Ulmer