Pump Up the Volume
- 1990
- Tous publics
- 1h 42min
NOTE IMDb
7,2/10
33 k
MA NOTE
Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Anthony Luke Lucero
- Malcolm Kaiser
- (as Anthony Lucero)
Alexander Enberg
- Alex
- (as Alex Enberg)
Avis à la une
I first saw this film around 1996, when I was 13 and just going into that 'I hate the world and everything about it' phase that most teenagers go through. I fell in love with it there and then and over the years I've owned 5 separate copies.
Not just because of the unbelievably brilliant soundtrack, not just because of the real and relate-able characters, not just because of the engaging and original plot, but because I still feel now, what I first felt when I saw the film. Sometimes everyone feels that they're alone and it takes another voice, one coming from a someone you might not even ever have met reminding you that everyone feels that crushing loneliness and only you can change that.
Even now that I'm nearing my mid-twenties and every time I watch this film I want to 'Rise up in the cafeteria' and 'stab my teachers with a plastic fork.' Being a teenager sucks, its probably the most free time of your life, but everything from parents, to homework, to hormones prevents most from truly enjoying the experience.
I want every teenager to watch this film, I want every person who looks back on their teen years with regret to watch this film, I want every person who's forgotten what its like to be a teenager to watch this film. I think there's room in just about everyone's heart for it.
Not just because of the unbelievably brilliant soundtrack, not just because of the real and relate-able characters, not just because of the engaging and original plot, but because I still feel now, what I first felt when I saw the film. Sometimes everyone feels that they're alone and it takes another voice, one coming from a someone you might not even ever have met reminding you that everyone feels that crushing loneliness and only you can change that.
Even now that I'm nearing my mid-twenties and every time I watch this film I want to 'Rise up in the cafeteria' and 'stab my teachers with a plastic fork.' Being a teenager sucks, its probably the most free time of your life, but everything from parents, to homework, to hormones prevents most from truly enjoying the experience.
I want every teenager to watch this film, I want every person who looks back on their teen years with regret to watch this film, I want every person who's forgotten what its like to be a teenager to watch this film. I think there's room in just about everyone's heart for it.
Christian Slater plays Mark Hunter, a disaffected teen that secretly runs a pirate radio station, which in the early nineties was a big deal. He does this for mostly therapeutic reasons, but soon gains a rabid fan base among his fellow high school students. Soon he begins to realize that his words are having an impact and when one student calls in for help and finding none takes their own life, things become very real for Mark. Nora Diniro, played by the underrated Samantha Mathis, figures out Mark is the voice behind the radio persona, and helps Mark as he tries to elude the FCC and get a final message out.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
When "Pump Up The Volume" came out in 1990, I wanted to BE Christian Slater. Now that it's already been twelve years since it was released, I still can't believe how well it's held up. Aside from a couple of things that make it dated (I'm referring mainly to the opening credit sequence and the way some of the characters dress...mulletts WERE acceptable back then), the message remains the same and I think that's what has made this movie stand the test of time. Along with "Heathers", this is some of Christian Slater's best work ever. His performance alone is enough to reccommend this one, but that combined with the message, make it a cult classic. They don't make movies like this anymore.
For me, it's one of the movies I saw once nearly 30 years ago and yet I well remember heaps of scenes and details and even facial expressions of minor characters.
It's a good movie and the soundtrack is extremely good.
Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.
There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.
It's a good movie and the soundtrack is extremely good.
Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.
There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.
This movie really captured not only the disillusionment and pain of adolescence but also the general malaise of our postmodern society. Also brought out the tension between media "for the people" and free speech vs. media polluting the people and issues of censorship. While the film clearly made the latter out to be the "bad guy," a mature person might look beyond the pointed message and see the important issues on both sides --> Does media come from culture and speak truth, having the responsibility to honestly represent "reality," or does media influence culture and thus should it responsibly rise above mediocrity, challenging people to something higher in life? Tough issues in media studies. How to bring the two concerns together is the challenge, in a completely corporate-driven media culture that really stands for neither.
ummmm.... Christian Slater was also great in the lead performance.
ummmm.... Christian Slater was also great in the lead performance.
Le saviez-vous
- AnecdotesThe onscreen chemistry between Christian Slater and Samantha Mathis was genuine. They were in the midst of a year-long relationship while filming this movie.
- GaffesAt the beginning of the movie, Hard Harry plays Leonard Cohen's "Everybody Knows" from a record with a Motown label, but all of Cohen's studio albums to date have been released by Columbia. Also, though he is shown playing the first track on the record, "Everybody Knows" is actually the third track on the album 'I'm Your Man' on which the song originally appears.
- Citations
Mark Hunter: Eat your cereal with a fork and do your homework in the dark.
- Bandes originalesEverybody Knows
Written & Arranged by Leonard Cohen
Performed by Leonard Cohen
Published by Stranger Music (BMI)/Geffen & Robinhill Music c/o WB Music (ASCAP)
Courtesy of CBS Records, Music Licensing Department
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- How long is Pump Up the Volume?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Suban el volumen
- Lieux de tournage
- Saugus High School, Saugus, Californie, États-Unis(Hubert H Humphrey High School)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 11 541 758 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 601 489 $US
- 26 août 1990
- Montant brut mondial
- 11 541 758 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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