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IMDbPro

Pump Up the Volume

  • 1990
  • Tous publics
  • 1h 42min
NOTE IMDb
7,2/10
33 k
MA NOTE
Christian Slater and Samantha Mathis in Pump Up the Volume (1990)
Home Video Trailer from New Line Home Entertainment
Lire trailer2:00
1 Video
99+ photos
ComédieDrameMusiqueComédie pour adolescents

Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.Mark fait tourner une station de radio pirate, il provoque un véritable tumulte lorsqu'il dit ce qu'il pense et fascine les autres adolescents.

  • Réalisation
    • Allan Moyle
  • Scénario
    • Allan Moyle
  • Casting principal
    • Christian Slater
    • Samantha Mathis
    • Anthony Luke Lucero
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    33 k
    MA NOTE
    • Réalisation
      • Allan Moyle
    • Scénario
      • Allan Moyle
    • Casting principal
      • Christian Slater
      • Samantha Mathis
      • Anthony Luke Lucero
    • 143avis d'utilisateurs
    • 54avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 5 nominations au total

    Vidéos1

    Pump Up the Volume
    Trailer 2:00
    Pump Up the Volume

    Photos103

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    Rôles principaux64

    Modifier
    Christian Slater
    Christian Slater
    • Mark Hunter
    Samantha Mathis
    Samantha Mathis
    • Nora Diniro
    Anthony Luke Lucero
    Anthony Luke Lucero
    • Malcolm Kaiser
    • (as Anthony Lucero)
    Andy Romano
    Andy Romano
    • Murdock
    Keith Stuart Thayer
    • Luis Chavez
    Cheryl Pollak
    Cheryl Pollak
    • Paige
    Jeff Chamberlain
    Jeff Chamberlain
    • Mr. Woodward
    Billy Morrissette
    Billy Morrissette
    • Mazz Mazzilli
    Lala Sloatman
    Lala Sloatman
    • Janie
    Holly Sampson
    Holly Sampson
    • Cheryl Biggs
    Annie Ross
    Annie Ross
    • Loretta Creswood
    Annie Rusoff
    • Annie
    Jonathan Mazer
    • Jonathan
    Alexander Enberg
    Alexander Enberg
    • Alex
    • (as Alex Enberg)
    Ahmet Zappa
    Ahmet Zappa
    • Jamie
    Seth Green
    Seth Green
    • Joey
    Mimi Kennedy
    Mimi Kennedy
    • Marla Hunter
    Scott Paulin
    Scott Paulin
    • Brian Hunter
    • Réalisation
      • Allan Moyle
    • Scénario
      • Allan Moyle
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs143

    7,232.5K
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    Avis à la une

    10saarvardi

    Teen rebellion + freedom of speech + talented young stars = all-time cult classic for me!

    Pump up the Volume (1990) is perhaps one of the most inspiring films that ever found their way to the celluloid forum. Upon viewing the film for the first time as a ten-years-old kid back when it was released in cinemas, I remember feeling profoundly moved by the main lead and the events his character sets in motion. This genuine masterpiece doesn't only teach us about leadership and the ability of one individual to make a difference in the world; it is also a triumph of the human spirit in general and of the youth over decadent grown-up ideas specifically.

    The story presents us Mark Hunter (a then young and extremely talented Christian Slater), a teenage high school student that moves with his parents from the big city to the suburbs, when his father gets a new job as an educational consultant for a middle-America region. The days are the early nineties, when internet was probably considered radical science fiction at best, and Mark finds himself all of a sudden pretty lonely in the new school. Luckily, his parents buy him a ham radio in order to keep connected with his friends back east, and Mark finds a unique way of passing time by transmitting his thoughts about the suburbs and the lousy life of 1990 teenagers, using his ham radio as a local broadcast device. Upon gaining fame and listeners, Hunter adopts a pseudonym, one "Happy Harry Hard On" which brings messages of freedom of speech and thought to his fellow classmates at school. When stumbling upon information concerning illegal steps his school has taken regarding problematic students, things start to get out of control. As Mark, he tries to keep a low profile and doesn't blend in with the ongoing events, but as Harry he feels he must take a stand and speak up his thoughts and ideas. But can a voice be heard without its owner taking responsibility to its actions?

    The notions and ideas which arise upon viewing Pump up the Volume are intriguing and fresh until this very day, 16 years after its initial release. For the younger ones, it teaches how to stand up for what you believe in and try to right society's wrongs. For grown-ups, it serves an interesting conflict about the bounders of democracy and the part the media plays in each and every one of our lives. Look out for Samantha Mathis's powerful role as Nora DeNiro, Hunter's female admirer, and one of the only people around him that know he's behind the controversial broadcasts. Also look out for a very very young Seth Green (Austin Powers, Without a Paddle) as one of the students that helps spread Harry's tapes across the school.

    On a personal note, I have to say that I hold credit to this movie for a lot of who I am in my grown-up life. The film taught me I could use my words to make a difference, and for the past ten years I've been doing just that as a journalist and newspaper editor here in central Israel. For that I will always be thankful to the makers of Pump up the Volume, and I suspect it'll stay my all-time favorite for years and years to come! Naturally, I rank this one a must-see film, with a 10 out of 10 rating.
    102cents

    Slaters teen master class . . .

    I loved this film

    When I was 17 I first saw the second half of this movie on TV, the next day I scoured my local video shops to buy the film so that I could watch the first half.

    I know that sounds a little sad but I really felt that at the time this film was spot on. Parents do seem to hate you, it is incredibly hard to talk to a girl that you want to ask out and school is the last place you ever want to be. This film had the emotions just about right.

    I now see its faults but I still feel that it is an excellent movie to its targeted age group, everyone who ever wanted to "rise up in the cafeteria and stab them (teachers) with your plastic fork".

    I could fill this review with quotes, the speech on why teen suicide is a bad idea is up there with the "Am I funny?" scene in goodfella's.

    Christian Slater is excellent, apparently it's his favourite movie and you can see that he enjoyed making it. He does dark-teen like no one else, this is Nicholson at 16! In my humble opinion this film is at the top of the teen-flick chart alongside Heathers.

    Samantha Mathis makes an intriguing leading lady, she really gets her character spot on. Miss Mathis also provides one of the best sexual tension scenes ever in this genre. (it's all in the music)

    A young Seth Green also makes an appearance that I am sure he would rather forget, his acting is fine it's how he looks thats the problem !!

    This film is dark, funny and brutaly honest. If you are under 20 and still hate the world this will kill a couple of those boring 'too old to play to young to drink' hours.

    Highly recommended.
    8acedj

    Just as powerful today as it was thirty years ago.

    Christian Slater plays Mark Hunter, a disaffected teen that secretly runs a pirate radio station, which in the early nineties was a big deal. He does this for mostly therapeutic reasons, but soon gains a rabid fan base among his fellow high school students. Soon he begins to realize that his words are having an impact and when one student calls in for help and finding none takes their own life, things become very real for Mark. Nora Diniro, played by the underrated Samantha Mathis, figures out Mark is the voice behind the radio persona, and helps Mark as he tries to elude the FCC and get a final message out.

    This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
    9FilmLabRat

    great portrayal of postmodern angst & media issues

    This movie really captured not only the disillusionment and pain of adolescence but also the general malaise of our postmodern society. Also brought out the tension between media "for the people" and free speech vs. media polluting the people and issues of censorship. While the film clearly made the latter out to be the "bad guy," a mature person might look beyond the pointed message and see the important issues on both sides --> Does media come from culture and speak truth, having the responsibility to honestly represent "reality," or does media influence culture and thus should it responsibly rise above mediocrity, challenging people to something higher in life? Tough issues in media studies. How to bring the two concerns together is the challenge, in a completely corporate-driven media culture that really stands for neither.

    ummmm.... Christian Slater was also great in the lead performance.
    chih_wei

    Great chemistry between Slater and Mathis

    This is a good movie let down by uneven direction and 1-dimensional characters (besides the 2 leads). I would probably love this movie a lot, had I seen it when it came out in 1990. Now, the teenage angst (Slater's rants) thing is getting tiresome and whiny to me. Nevertheless, I want to point out how wonderful the scenes between Slater and Mathis are, in particular the scene where they kind of tangoed around each other and the scene where they had their first kiss. These scenes are full of playfulness, seduction, anticipation and uneasy charms. I hope there are more good movie roles to come for both of them.

    Lastly, I think the DVD release could really use some special features, like audio commentary by the director, Slater and Mathis. Since this is Slater's personal favorite, it'd be great to hear his perspective.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The onscreen chemistry between Christian Slater and Samantha Mathis was genuine. They were in the midst of a year-long relationship while filming this movie.
    • Gaffes
      At the beginning of the movie, Hard Harry plays Leonard Cohen's "Everybody Knows" from a record with a Motown label, but all of Cohen's studio albums to date have been released by Columbia. Also, though he is shown playing the first track on the record, "Everybody Knows" is actually the third track on the album 'I'm Your Man' on which the song originally appears.
    • Citations

      Mark Hunter: Eat your cereal with a fork and do your homework in the dark.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Darkman/Wild at Heart/Pump Up the Volume/My Blue Heaven/The Witches (1990)
    • Bandes originales
      Everybody Knows
      Written & Arranged by Leonard Cohen

      Performed by Leonard Cohen

      Published by Stranger Music (BMI)/Geffen & Robinhill Music c/o WB Music (ASCAP)

      Courtesy of CBS Records, Music Licensing Department

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    FAQ

    • How long is Pump Up the Volume?Alimenté par Alexa
    • Will there soon be a Bluray release?

    Détails

    Modifier
    • Date de sortie
      • 5 décembre 1990 (France)
    • Pays d’origine
      • États-Unis
      • Canada
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Suban el volumen
    • Lieux de tournage
      • Saugus High School, Saugus, Californie, États-Unis(Hubert H Humphrey High School)
    • Sociétés de production
      • New Line Cinema
      • SC Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 11 541 758 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 601 489 $US
      • 26 août 1990
    • Montant brut mondial
      • 11 541 758 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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