Le Puits et le Pendule

The Roman Catholic Church has begun to turn away from the Inquisition, finding its methods and motives more than just a little bit suspect. But the Grand Inquisitor of Spain (Lance Henriksen) has other plans... he is his own authority, allegedly guided by God Himself. A baker and his wife end up on the wrong side of the law -- his law -- when they protest an execution and she is accused of witchcraft.

Lance Henriksen has a bad habit of appearing in many low budget horror films, so much so that any credibility he gained as Bishop from "Aliens" or Frank Black from "Millenium" is overshadowed by his constant self-degradation. Did we really need so many Pumpkinhead films? But "Pit and the Pendulum" is one of those rare films that is both lower budget and yet still good, today maybe even carrying on well as a timeless classic.

Unlike other Full Moon films, this one has a steady plot and interesting characters -- and a decent cast. Mark Margolis shows up and Jeffrey Combs has a relatively small, but crucial, role to play. (Combs, like Henriksen, has sold out in recent years.... but his very presence makes a film better.) There is excessive -- but not gratuitous -- nudity, bloody torture devices (but not to the point of exploitation like "Saw", just for entertainment). This is a fun film in the vein of, say, the original "Troll" (but not "Troll 2").

Stuart Gordon is best known for "Re-Animator" and "From Beyond", but if there is a third third of his that deserves recognition, this is it. Gordon (and writer Dennis Paoli) found a way to work within the budget of Full Moon and still make things worth watching rather than poor excuses for "movies".

Now out on Blu-ray, the film looks better than ever (as much as it can). There is no audio commentary for some inexplicable reason, but there is a very short making-of featurette. Somehow Tom Towles got his name spelled wrong on the credits (a true disgrace). Blu-ray.com notes that the "transfer isn't masterful, but it's certainly more than capable" and gives the disc 3 of 5 stars. But if the price is right this film is worth getting.

This movie has everything that a growing boy (and girl) needs: Jeffrey Combs as a hilariously anachronistic inquisitor, Lance Henriksen as a wonderfully creepy grand inquisitor, nudity, bloodshed, and an exploding witch.

As far as horror movies go, it is not especially frightening. It does fairly well as a suspense thriller. But its main strength lies in its cast, the art direction, and the behind the scenes footage.

Even if you happen to be expecting a straight Edgar Allen Poe adaptation, this movie won't disappoint. Even though it has a pit and a bladed pendulum, the similarities are few and far between. The ending IS kind of weird, but as they say, getting there is half the fun. Well worth renting or buying. (3.7 out of 5)

When his wife Maria (Rona De Ricci) is accused of being a witch by Torquemada, the Grand Inquisitor (Lance Henriksen), distraught Antonio attempts a daring rescue mission, breaking into the Inquisition's headquarters. Soon enough, he too finds himself a prisoner, and faces Torquemada's latest torture device: The Pendulum.

I have a lot of time for director Stuart Gordon, but I do feel like he fumbled the ball slightly with The Pit and the Pendulum. When dealing with weighty historical subjects such as witch trials, torture and the Spanish Inquisition, I feel like gritty realism is the best approach; comedy should not be allowed to dilute the horror (unless, of course, you're Monty Python). Gordon, however, imbues his adaptation of Edgar Allen Poe's short story with a degree of levity that is completely at odds with the horrifying topic at hand. At best, it's mildly distracting; at worst, it's bloody silly (the worst example being when baker Antonio is sat on a metal chair over a fire and makes a quip about 'burning his buns').

It's not all bad news though: the film open with an inspired scene that effectively illustrates the sheer lunacy of the Inquisition, with the posthumous flogging of a crumbling corpse; Henriksen is wonderfully evil throughout, relishing every bonkers moment; Gordon regular Jeffrey Combs has a memorable supporting role as Torquemada's assistant; Ollie Reed knocks back some booze before being walled up alive; and De Ricci is delicious, the lovely lady baring all for her art. There's also one wonderfully OTT scene that is hard not to enjoy, no matter how daft it is: Esmerelda, a real witch, swallows gunpowder on the way to the stake, exploding when she is set alight, her bones impaling those in the crowd.

OK, sorry, I couldn't resist. Though this is a pretty grim movie at times, I can't hear the phrase "Spanish Inquisition" without going through the Monty Python routine. Once the movie starts, however, I am always so engrossed I forget about the sketch.

This movie had me hooked from the first scene the first time I saw it, but it has that rare quality of actually getting better with every viewing. As many have said, this is without a doubt Full Moon's all-time best. I'm a diehard Stuart Gordon fan, and if it wasn't for Re-Animator, I might say it was Gordon's best, too. By the way, the first scene is very grisly and cold-blooded, and you *know* it's gonna be a great movie when that happens even before the opening credits.

I'm really saddened that this movie didn't get more of a chance for wide release. I remember it being in the theater for maybe one week and then going to video, and the only reason I even knew it existed was from reading Fangoria. Look at the cast- while they aren't all considered "A-list", they are favs among horror and cult fans- Lance Henriksen (Millennium, Aliens) Tom Towles (Henry, Portrait of a Serial Killer), Jeffrey Combs (Re-Animator, From Beyond), Frances Bay (Blue Velvet), Oliver Reed... I think the other strike it has against it is that people see the title (maybe that's why it was changed in some versions, including the R-rated DVD that I rented, to The Inquisitor) and figure it's a travesty to even try to remake. Some friends wouldn't even give the movie a chance (to the point where they didn't even want to look at the box, they were so scornful) until I had to beg them to watch it- they thanked me after the first few scenes.

Don't get me wrong, the original is wonderful, and Vincent Price is, well, Vincent Price and in a class by himself. However, this movie has very little in common with Corman's other than the title, the fact that both movies are based on Poe's work, and that there's a scene towards the end where some unlucky b*stard tries to get free before the pendulum slices him in half. The similarities end there, however, and I don't think it's fair or accurate to call it a remake.

This version is actually set back in Spain during 1492, the REAL inquisition. Lance Henriksen, who can make his voice sound so quietly evil that Hopkins as Hannibal Lecter sounds harmless by comparison, stars as Torquemada. With the assistance of his underlings, he wants to rid the world of witchcraft and heresy, figuring the best way to do this is to torture and kill what seems like 99% of the population (historically, he was said to be responsible of over 100,000 executions). During one ugly public display involving Gordon's wife Carolyn Purdy-Gordon -other than Re-animator, she always seems to come to a horrible end in his movies) the young baker Antonio and his lovely wife Maria make the mistake of trying to intervene, so they assume she's a witch and toss her in the dungeon. In her cell, she's befriended by kindly Esmeralda. In one of the most clever twists, her cellmate turns out to be the one out of the tens of thousands accused who actually IS a witch. Maria's husband tries to save her and of course is immediately arrested as well. Unfortunately for Maria, ole Torq is horrified to find himself secretly attracted to her (he's a monk, and as Henriksen explains in the feauturette, has 'probably never gotten any in his life') and doesn't know how to deal with it. At first it seems like Maria might be able to use this to her advantage, but since Torq is so psychotically religious that he thinks any human emotions are the work of Satan, things just get more complicated and intense from there.

There are several references other than the Pendulum to Poe's work -clever ones, that fit in with the plot and are not just tossed in for the hell of it. Someone is walled up, even quoting the notorious line "For the love of God!" "Yes...for the love of God" is the grim reply. A cask of wine is revealed to be Amontillado. There's also subtle references to "The Premature Burial" and probably more I missed.

One of the elements that is actually kind of amusing in a horrible way is that you have absolutely NO chance against the evil forces in this movie, to the point where it is ludicrous. You're reasonably attractive? You're obviously trying to tempt men and must be a witch. You're ugly? That's also a sign of being a witch. You look normal? You're a witch disguised as a normal person! You try to fight back when they tear your clothes off to 'examine' you? You're not co-operating, you're a witch! You give up and co-operate? You're an evil whore! You have a mole or freckle anywhere on your body? That's the mark of the devil and you're a witch. Oh, you don't have any? Someone will pinch you and make a mark. Oh, the mark is starting to fade? You're using your evil powers to make it fade! You're just completely screwed no matter what. Also, if they haven't tortured you yet and you confess first to get it over with? Sorry, no such luck! You might just be trying to avoid torture, so confession doesn't officially count until you've been tortured for days-that is, if you don't die under torture ("Not another one!" a torturer complains in exasperation at one point).

The cast is amazing. There's not even near enough room to list all the great acting in this movie. Standouts are Henriksen, who not only portrays total evil all too convincingly but the inner struggle against his lust for Maria VS his 'holy duty'. Oliver Reed has less than 10 minutes of screen time as a heavy-drinking Cardinal who comes to visit Torquemada and try to get him to ease up on the mass killing a little, but trust me, you'll remember his scene long after the movie is over. Jeffrey Combs, as the scribe with the prince Valiant haircut and huge horn-rimmed Harry Potter glasses who seems to be the only one involved who is "just doing his job" and not getting off on it like all of Torquemada's other flunkies, steals every scene he's in. A less talented actor would have been forgettable in what could have been a boring part, but he makes the most of every second of his screen time. He also gets the some of the best and funniest lines ("How can they confess if they DON'T HAVE TONGUES??"), including the best in the movie along with the actress playing Esmeralda. She's wonderful, and one of the best and most memorable scenes of this, or any horror movie for that matter, involves her show-stopping revenge when she's burned at the stake. As she's being dragged up, Comb's character actually tells her apologetically: "I'm sorry that you weren't properly able to confess. There just wasn't enough time to torture you". Esmeralda: "Thanks anyway".

Not only am I running out of room to rave about how much I loved this movie, but I don't want to talk it up so much that I ruin it. Just watch, enjoy, and get the bejeezus scared out of you. Make sure you are not going to be interrupted for 90 minutes, because it is so riveting you do NOT want to have to turn it off even for a minute. Watch, and prepare to be impressed. Caution: this is NOT a movie for kids, or easily upset adults. The movie pulls NO punches in the graphic portrayal of extremely nasty tortures and executions. The movie is scary and disturbing enough; I try not to dwell to long on the fact that it is based on historical events. In the words of a character during a climactic moment that you won't forget for a long time..."Welcome to Hell!"

This is a true horror movie , it is immaculately staged , confidently made and full of gory scenes . Gothic horror freely based on Edgar Allan Poe story depicting the brutal events of a monk named Torquemada (Lance Henriksen) , Grand Inquisitor of the Spanish Inquisition. It is the time of the Spanish Inquisition. Maria (Rona De Ricci) lives with her husband ,the town baker Antonio , she not like what is going on during a "Auto De Fe" in which a condemned witch is burnt by the executioner (Benito Stefanelli) . When she speaks out, she is detained , accused of being a witch and imprisoned at a storm-surrounded stronghold inhabited by Torquemada (Lance Henriksen) . In the castle Torquemada has a torture chamber . There are various torture instruments , such as : ¨Iron Maiden¨ and a pendulum . But the sadomasochist Torquemada has plans for he, as he orders to be tortured, and her tongue to be cut out . Her husband (Jonathan Fuller) attempts to find out exactly what happened to her . As he attempts to free her but things go wrong , as he's arrested as well . Until now no one has dared to film this ...... the most diabolical classic of all time! .The Greatest Terror Tale Ever Told! .Edgar Allan Poe's diabolic movie . She was enslaved by evil in a terror haunted castle. Betrayal cuts both ways!

Bizarre picture set in 1492 Toledo, Spain , an entertaining as well as thrilling terror film produced by Empire Pictures/Full Moon Entertainment from Albert Band/Charles Band with a monumental team of horror . It results to be a remake to The Pit and the Pendulum (1961) produced by American International , James H. Nicholson-Samuel Z. Arkoff , directed by Roger Corman with Vincent Price , Barbara Steele , John Kerr . In 1991 Stuart Gordon made a new adaptation , as he directed the remake and more graphic version . Twisted and surprising script from Stuart Gordon himself , which he co-wrote with long-time writing partner Dennis Paoli .A stylish and grim film with eye-popping images and slick direction , confidently realized , plenty of creepy moments , but really masochist and gory . The picture packs usual Stuart Gordon's striking scenarios including lugubrious castle , shrieks come from gloomy coffins , and vague shapes move behind the dismal mansions gone to the bad . Nice cast with special mention for Lance Henriksen chewing the scenario on a loopy screenplay . Along with other notorious secondaries such as : Mark Margolis as a torturer , Jeffrey Combs as a priest and Oliver Reed as Cardinal , among others.

It displays frightening and rousing musical score by Richard Band. As well as colorful and evocative cinematography by Adolfo Bartoli. The motion picture was professionally directed by Stuart Gordon , being stylishly realized , though it's hindered by excessive truculent scenes and various disagreeable situations . Stuart Gordon joined with Brian Yuzna and Charles Band's Empire Pictures to create the company's first major hit, Re-Animator (1985), based on the story by H. P. Lovecraft, which won a Critics' Prize at the Cannes Film Festival. Gordon then helmed another Lovecraft adaptation Re-Sonator (From Beyond) (1986) and tackled the murderous Dolls (1986) followed by Robot Jox (1989). Other works include The Fortress (1992), and the screenplay for The Dentist (1996) and Body Snatchers (1993). In 2001, Gordon returned to the H. P. Lovecraft territory with Dagon (2001), and in 2003, directed King of the Ants (2003) about a housepainter-turned-hit man, and brought the David Mamet play Edmond (2005) to the screen. He contributed to the horror anthology series Masters of Horror (2005) with the episode Masters of Horror: Dreams in the Witch-House (2005), based on a short story by H. P. Lovecraft. He returned to the series in 2007 with the episode Masters of Horror: The Black Cat (2007), based on Edgar Allan Poe's story. And in 2008, he directed a Terror film Eater (2008). Rating : 6/10 , acceptable and passable.