Panique sur la ville

B-movies typically come in two categories: Unwatchable Garbage and Entertaining Garbage. This one falls in the latter category. It's got the goods: Over-the-top action and violence, snappy corny dialogue, fun performances, and a darkly humorous tone. Aside from a couple of scenes that drag on a little too long, It's quickly paced. Once things get going, they keep going, so it never really feels boring.

I saw this movie when it first came out, . Enjoyed the characters, first thought this was spin off of Death . Wish movie, do to name & background of the Bo Hopkins character . (is explained in part during the café fighting scene) . With it's low budget, they did fairly good with the movie . Imagine what could have been if they had double the money . Only real scary part (do to today's terrorists activities, is the .idea of poisoning the water supply) . This age of remakes, maybe someone should dust-off the script . and with a bigger budget, might make a decent movie.

.It's B-Movie sci-fi & western, no more, nothing less.

This is possibly one of the worst films I have ever seen in my life. I could talk about everything from the bad acting to the non-sensical plot, but it'd be a waste of time. You only need to watch the first half-hour of the film to know it really sucks. It doesn't even have any camp value to it! This film was so bad, it hurt my feelings!

B movie god Wings Hauser and the always amusing Bo Hopkins are the heroes in this follow-up, of sorts, to the 1984 infection-horror flick "Mutant" (a.k.a. "Night Shadows"). A creepy albino villain (the great screen heavy Brion James) is conducting an insidious experiment on a remote Southwestern town called Canyonlands, contaminating the water supply and turning the citizens into maniacs who attack others and spew green acid instead of blood. Wings is a big city entertainment lawyer who teams up with loner Bo, local sheriff George Kennedy, and Kennedy's hottie daughter / deputy Kimberly Ross to save the day.

Co-written and directed by celebrated cult filmmaker Nico Mastorakis, "Nightmare at Noon" is less of an outright horror film than its predecessor, concentrating mainly on action. And it delivers action in spades: gunfire, explosions, human torches, vehicle stunts, you name it. Overall, it's pretty derivative, but it's also pretty damn entertaining for this sort of low budget fare. It's filmed using gorgeous Utah scenery, has some enjoyably nasty violence, and its story moves along more than adequately. Future "name" composer Hans Zimmer contributes to the score, along with Stanley Myers, and it's good stuff. The final helicopter chase does go on for an absurdly long time, though.

Wings plays a guy who is rather insufferable at first, but he becomes more engaging as he moves into heroic mode. Bo is as watchable as he's ever been. Ever-likable Kennedy, the adorable Ross, "Friday the 13th: The Final Chapter" final girl Kimberly Beck gets to chew up some scenery as Wings' victimized wife, and Neal Wheeler is a hoot as local old codger Charley, one of the first on-screen victims of the infection who goes psycho in a diner. James, who never has to utter a word, is a true sight to behold, especially when the albino and his henchmen go on horseback towards the end of the story.

A fun movie with a strong Western influence, "Nightmare at Noon" shows B flick enthusiasts a fairly rousing time.

Seven out of 10.

On the surface, a very bad action adventure film. But, if not taken too seriously, it's a lot of fun. When a mad scientist poisons the water supply of a small Utah town, it's up to a drifter, a celebrity lawyer and two local cops to bring order to a town where the the citizens are now possessed by rage and violence. The last half hour reveals the film for what it truly is: a modern day western, as the good guys mount up to trail the bad guys for a showdown. Filmed with style on a small budget, featuring a score by Hans Zimmer of all people, the story only fails in the last ten minutes where the director just seemed to run out of story.