NOTE IMDb
6,8/10
48 k
MA NOTE
Les morts reviennent à la vie et partent à la recherche de victimes humaines.Les morts reviennent à la vie et partent à la recherche de victimes humaines.Les morts reviennent à la vie et partent à la recherche de victimes humaines.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Bill Moseley
- Johnnie
- (as Bill Mosley)
David W. Butler
- Hondo
- (as David Butler)
Bill Cardille
- T.V. Interviewer
- (as Bill 'Chilly Billy' Cardille)
Résumé
Reviewers say 'Night of the Living Dead' remake is lauded for enhanced acting, especially Tony Todd and Patricia Tallman, and better special effects. Barbara's stronger role is a noted improvement. However, critics argue it lacks the original's atmosphere and tension, with a less impactful ending. The color cinematography, though realistic, is sometimes faulted for losing the original's eerie feel. Some view the remake's close adherence to the original plot as redundant.
Avis à la une
"This is pure hell on earth." Actually, what Tony Todd meant to say was "This is one hell of a movie." Tom Savini and George A. Romero have succeeded in recreated a classic (which is quite hard to do). Night of the Living Dead '90 is faithful to the original, but still manages to scare and surprise you by throwing in a few unexpected twists. Director Savini creates a great atmosphere. This is one of my favorite claustrophobic films. It has the feel of an old, secluded farmhouse, and thankfully lacks that Hollywood gloss. The characters feel real as well. The cast is perfect. Tony Todd, William Butler, and Tom Towles are the re-incarnations of the original Ben, Tommy, and Harry Cooper. And longtime Romero collaborator, Patricia Tallman, revamps her character Barbara for the nineties. And you gotta love Bill Moseley ("They're coming to get you Barbara. They're horny Barbara."). All of the classic elements (the feud between Ben and Cooper, the claustrophobia) and a few new ones (a smarter female lead, new ending) make this one unforgettable.
You can't help but feel a tingle of deja vu while watching the color remake of Night of the Living Dead. It is essential for full enjoyment to have seen the original since the remake takes the same story and twists and tweaks it to bring it into the 90's. People are divided into two camps on this film. They either absolutely hate it or they have been enraptured by the change-up's that it pitches at you. I am of the later camp. At least Barbara (played by the beautiful Patricia Tallman) has enough of her wits about her to point out how irrational everybody else is being instead of being the catatonic victim like the first time around. "They're so slow. We can just walk right by them." She remarks to Ben (Tony Todd) who is adamant about staying in the house. Perhaps this version isn't socially relevant like the first, but it's nice to see that Romero can add a twist ending that can stand on it's own merits, but really is amusing in light of the former movie.
I'm usually opposed to remakes of classic movies. While the remake did not have the groundbreaking impact of the original, The Night Of The Living Dead 90' is a damn good film for the genre and one of the 1st zombie movies I saw( along with Dawn Of The Dead and Return Of The Living Dead) on cable as a teenager. Tom Savini does a fine job in his directorial debut and was overseen by George Romero as writer and producer. This is not the gorefest that fans have come to expect as a lot of it was left on the cutting room floor by the MPAA to get an R rating. Even without it, it's a good horror film with great atmosphere and score and tension. Patricia Tallman was excellent as the leading lady Barbara and was approached differently than the Barbara in the original film. Also impressive was Tony Todd as Ben in a pre Candyman role. The support cast was very good as well with horror icons Tom Toyles and Bill Mosely giving memorable performances as well. This was a good remake that introduced Romero zombies to a generation (my generation). Night Of The Living Dead 90' is a nice companion piece to the original black and white film and is much better than a lot of less effective zombie horror that recieves more fanfare.
Night Of The Living Dead is a 1990 horror film about a group of strangers who are forced to take refuge in an old farmhouse after the dead come back to life and attempt to eat them.
I know most horror fans will definitely prefer George A. Romero's 1968 original Night of the Living Dead, but I feel like Tom Savini's remake deserves more love than it gets. Being the special makeup effects genius that he is there was no shortage in the gore department, and the cast did a great job with all their performances. Although I think the original is good and a remake was probably not necessary, I personally always liked this one better.
If you're a fan of Romero, Savini, or zombies in general and haven't seen this one or the original, I would definitely recommend checking them out.
I know most horror fans will definitely prefer George A. Romero's 1968 original Night of the Living Dead, but I feel like Tom Savini's remake deserves more love than it gets. Being the special makeup effects genius that he is there was no shortage in the gore department, and the cast did a great job with all their performances. Although I think the original is good and a remake was probably not necessary, I personally always liked this one better.
If you're a fan of Romero, Savini, or zombies in general and haven't seen this one or the original, I would definitely recommend checking them out.
This remake doesn't get enough respect. George A. Romeo didn't get his original film copyrighted, so he ended up not making any money off the film because it wound up in the public domain. With this 1990 remake, he scripted a remake of his original film that's quite loyal to the original story and vision, but this time it's in color and amped up with plenty of gory and very realistic special effects. Of all the zombie movies ever made (and that's quite a few after the zombie film comeback following 28 DAYS LATER and THE WALKING DEAD), this film is the only one I can think of where the zombies really look like corpses (though the zombies on THE WALKING DEAD are quite good too). Romeo turned the directing reigns over to special effects maestro Tom Savini who does a fine job behind the camera. The special effects in the film are top-notch, AND even if Savini wasn't credited for the special effects or makeup on the film, his influence on capturing realistic corpses come to life cannot be denied. Tony "Candyman" Todd takes on the role of Ben, Patricia Tallman is Barbara, Tom Towles is a nicely obnoxious Mr. Cooper, and Bill Moseley is great as the short-lived Johnny. What's most fun about this film is how the story stays so loyal to the original film, outside of thankfully making Barbara a less helpless character, but that when the film deviates from the original for the last 25 minutes, it's kind of a mindblower for anyone who grew up repeatedly viewing the original film. It's like Romero added another half-hour of the story taking place after the events of the original film! On the downside, the film does feel rather stiff and even corny at times, but it's still one of the best zombie siege films out there.
Le saviez-vous
- AnecdotesTom Savini originally wanted to start the film in black-and-white, then slowly add color.
- Gaffes(at around 12 mins) After Ben shoves a body out the kitchen door, you can see a cameraman's reflection in the door window.
- Versions alternativesThere are at least two known versions of the end credits montage: one in black and white, the other in black and orange.
- ConnexionsEdited into Cent une tueries de zombies (2012)
- Bandes originalesLiving Monstrosity
Written by Chuck Schuldiner
Performed by Death
Courtesy of Combat Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La noche de los muertos vivientes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 835 247 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 884 679 $US
- 21 oct. 1990
- Montant brut mondial
- 5 835 258 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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