Ajouter une intrigue dans votre langueWhen a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Marcos Woinsky
- Big Thug
- (as Marcos Woinski)
Avis à la une
I can see why many people dislike this film. Some of the scenes in it are more suggestions of reality than reality itself. I personally liked it. The settings were superb. The dancing wonderful. Cholo, melting the girl's heart just by fancy footwork is amazing.
Argentinian Tango musicians will tell you that they have witnessed many couples copulating while they dance the tango, hence the blindfolded trio makes this suggestion. (Since writing that I have been informed that tango musicians WERE sometimes blindfolded in real life.)
The costumes and especially the lighting are terrific.
The relationship between the two central characters is complex: less talk more S & M.
Argentinian Tango musicians will tell you that they have witnessed many couples copulating while they dance the tango, hence the blindfolded trio makes this suggestion. (Since writing that I have been informed that tango musicians WERE sometimes blindfolded in real life.)
The costumes and especially the lighting are terrific.
The relationship between the two central characters is complex: less talk more S & M.
Vincent D'Onofrio is beyond gorgeous in this pretentious little ditty. It's a gorgeous film, very "foreign" and decadent and moody, but what of sense? It's silly - I get it, the tango is sensuous. Yeah, I got that. Wow, she's naked and he's cruel and hot. Wow, he's good in bed and it took a lot to get him to do it. He's not a whore, but she was forced to be! Tell me, isn't this film reminiscent of a "Kids in the Hall" episode with Francessca Foray (a Scott Thompson character, "International B - Movie Star") and everyone was speaking in movie metaphors? Yeah, it is. It's overwrought but I enjoyed this movie. Dumb yes, but it was fun and glorious to look at, from the bondage - bed scenes to Vincent all lean and dressed to the nines. Good Lord that man 's a typhoon of hottness (how's that phrase for you?)
Amazing. What struck me right from the start was the intense use of rich colour and brooding shade. The camera seems to leer through a fish-like, distorted lens at times. The story itself is very dynamic, with frequent turns and revolutions in the plot. The creators have used an ingenious blend of futuristic, and what seems to me to be late nineteenth/early twentieth century set and costume, so we are left wondering exactly when and where this story is set. By turns bloody, beautiful, outrageous, mysterious, dark and passionate, this is a very stirring film. The tension and attraction between the protagonists is so palpable it seems to tear up the screen! The final showdown in the abattoir is a cinematic crescendo, putting it politely. I rate this film most highly because it is a classic example of what a director can do when they really let their imagination run wild.
First of all I have to say, that NAKED TANGO made me fall in love with tango 9 years ago...Now I've seen it once again, the 6th time! I must say that dance scenes are stunningly beautiful, enchanting!
I was complaining about too few good tango scenes, but I wasn't correct because in this movie there are plenty of them. However they are not seen clear, I mean, you can not see all body of the dancers in motion, to fix the steps. But it's not important now. Because I've understood why. Dancers are covered by twilight, shadow, by secret. The main thing there is the soul, not steps. It's the style of the movie.
The one thing I don't love, it's murdering and violence. Yes, I know, the world is cruel, the tango is cruel. It's true. But is it really the only end to finish our passionate creations, seekings, our love in the death?
Although I myself have been dancing Argentine tango just a year, but I found in this various emotions, such as tenderness, longing, grief, sadness, melancholy, even weakness.
In this movie there is one tango scene, at the end, there Cholo and Alba are dancing in her house. Slow, very slow and smooth, with music full of tenseness, presentation of disaster and tenderness at the same time. I love this.
I was complaining about too few good tango scenes, but I wasn't correct because in this movie there are plenty of them. However they are not seen clear, I mean, you can not see all body of the dancers in motion, to fix the steps. But it's not important now. Because I've understood why. Dancers are covered by twilight, shadow, by secret. The main thing there is the soul, not steps. It's the style of the movie.
The one thing I don't love, it's murdering and violence. Yes, I know, the world is cruel, the tango is cruel. It's true. But is it really the only end to finish our passionate creations, seekings, our love in the death?
Although I myself have been dancing Argentine tango just a year, but I found in this various emotions, such as tenderness, longing, grief, sadness, melancholy, even weakness.
In this movie there is one tango scene, at the end, there Cholo and Alba are dancing in her house. Slow, very slow and smooth, with music full of tenseness, presentation of disaster and tenderness at the same time. I love this.
Almost 10 years ago, it happened one night that I got into the theater ( a kind of B-movie theater of double feature ) in the back street of Seoul in Korea. I didn't even know the title of this film when I bought the ticket. Now I am studying film in Art School in San Francisco and still remember the powerful imagery and storytelling of the film. This film shaked my fundamental concept of the film itself and it still gives me the energetic interaction of the very unique aesthetics and visual ecstacy. I could not forget the night of watching this film still now. I think Hector Babenco should adore this film.
Le saviez-vous
- AnecdotesWilliam Hurt was considered for the role of Cholo, but pulled out, and Esai Morales was in line for the role before being cast as Zico.
- Versions alternativesAlternate Ending: In the European version of the film, Cholo shoots the lights out before being fatally shot by the police.
- ConnexionsFeatured in Serdtse: Gospodin Nikto (2015)
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- How long is Naked Tango?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 81 777 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 283 $US
- 25 août 1991
- Montant brut mondial
- 81 777 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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