Ajouter une intrigue dans votre langueIn post-apocalyptic 2037, Judy rebels against the AI-ruled utopia where people live in a happy VR simulation. She's exiled to a post-nuclear wasteland where she meets drifter Stover. Mutated... Tout lireIn post-apocalyptic 2037, Judy rebels against the AI-ruled utopia where people live in a happy VR simulation. She's exiled to a post-nuclear wasteland where she meets drifter Stover. Mutated cannibals capture them for their leader Seer.In post-apocalyptic 2037, Judy rebels against the AI-ruled utopia where people live in a happy VR simulation. She's exiled to a post-nuclear wasteland where she meets drifter Stover. Mutated cannibals capture them for their leader Seer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Judy
- (as Marta Alicia)
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The movie does elicit good performances from Bruce Campbell, who has made a successful career fighting heavily made up extra's in movies and Rami's Herc/Xena series. Campbell knows the score and delivers the deadpan hero mode needed to make these pictures bearable. Surprisingly good back up work by supporting actors Angus Scrimm and Elizabeth Kent, doing something with very little in the dialogue department, also add to the film. The one big problem is the female lead, Marta Alicia, who has obviously forgotten that she is no longer in Grade 10 drama, and delivers her lines in a one note (ie. - whiny) tone. Forgetting that her major role is to scream, look frightened, and lose most of her clothing at strategic intervals, Alicia instead appears to be trying to ACT, mainly by looking annoyed and whining a lot.
Overall, the flic ain't bad. The writing is better than expected, with several plot twists at the end and even a hint of an Electra complex (shades of Freud) along the way. The special effects aren't, and the budget was obviously stretched in the makeup department, as most of the 'mutants' look like trick or treaters wearing Holloween masks from Walmart.
I rented this at Blockbuster for 99 cents. That's about the right price.
Like eXistenZ and The Matrix, the main character, 'dreamer' Judy (Marta Martin), plugs into a virtual world which is impossible to distinguish from real life. Like eXistenZ and The Matrix, the body requires a 'port'-an interface with which to connect the human mind to the digital realm. And like The Matrix, the real world seems a lot less appealing than the computerised alternative, where you can live out your fantasies.
Unfortunately, Judy's electronic existence comes to an end when she is granted her wish to experience reality and is exiled to a post-apocalyptic world where cannibals roam the wastelands. It's not long before flesh-eating mutants have Judy trussed up ready for slaughter, but help comes in the form of passing good samaritan Stover (Bruce Campbell), who saves her from a grisly fate and takes her to his home. From this point the film becomes rather repetitive as Judy and Stover are captured by the cannibals and taken underground, where they escape, get captured, escape again, and get captured again.
There's a fair bit of gore to liven up proceedings, and horror icon Angus Scrimm turns up as the leader of the cannibals, who has created a form of religion to keep the mutants in hand, but it does get pretty tedious. The film rounds things off with a not-totally-unexpected twist ending.
5.5/10, rounded up to 6 for iMDb. Better than Alien Apocalypse, but not by much.
To be fair, the movie makes for a fine piece of pulply schlock sci-fi, the likes of which could make for a great comic strip in the Heavy Metal magazine, or a short story in some anthology. As a film, it has some promise; the bulk of it takes place in a nightmarish post-apocalyptic wasteland, full of bloodthirsty cannibals, parasitic fish, and sick cults. This hard-edged adventure is book-ended by a really slick bit of utopic cyberpunk, for even though the world has been nuked, a number of inhabitants spend their time in a virtual dream-world. Sound familiar? It makes me wonder if Mindwarp could have been an influence on the Watchowskis when writing The Matrix saga...
The film is neat, and its story is inherently sound. What makes it work are its characters; it is interesting to watch the main heroine get a serious dose of reality when she's expelled from her utopic home and forced to confront the harsh realities of a nuclear wasteland. Things come in full circle by the end, thanks to a neat little plot twist, but the overall message never felt right to me (almost an antithesis to The Matrix, which was all about liberation). That's really the only problem I see with the plot: a certain lack of refinement, for despite the key themes of reality and fantasy, and the coming of age, the film seems really small in scale and it seems like some things could have been better.
The film is as I remember: gaudy and ugly. It's filmed with adequate photography and editing, but most of the settings, props, and locales appear cheap, drab, and somewhat ugly. Even the futuristic scenes in the utopic city are rather ugly-looking. Acting and writing are rather weak all around; Bruce Campbell is a pretty standard hero guy here. Despite a few iffy lines, I was rather fond of Marta Martin. Angus Scrimm steals the show throughout. Music for this film is rather gaudy too.
To me, this film has always been the pure definition of a B-movie: cheap, ugly, gory, strangely hard-to-find, and strangely somewhat hard to forget. For those who have an interest in such low-grade cinema, or are a fan of the actors, or just want a good piece of trashy pulp sci-fi, Mindwarp should be worth a look, if you can find it.
3/5 (Entertainment: Pretty Good | Story: Average | Film: Poor)
It has everything, Bruce Campbell, Angus Scrimm, blood, loads and loads of well done gore, a decent story, and for once a movie that dosen't slow down you never know what is comming next.
Anyway this is great, check it out you will not be dissapointed. i'm off to watch it again.
Le saviez-vous
- AnecdotesBruce Campbell met his wife Ida Gearon in the set of this film. According to his auto-biography, Campbell approached her with the excuse of wanting to learn how to sew, which is what his character would do in the movie.
- Citations
Infinisynth Announcer: [atomic explosion] Stupidity, chaos, cruelty, pain. Reality, a failure worse than any nightmare. There was no fixing it. Nothing to be done, except... escape. Infinisynth: more fantastic than fantasy, more real than reality. The ultimate experience is Infinisynth. It's all been remade for you and it's anything you want it to be. It's your reality. Let your dreams come true in your very own world. Hook into the happiness system. Relax, imagine, enjoy. Hook in.
Judy: Bullshit.
- Versions alternativesThe MPPA released a cut version of the film, which a few seconds of the film's graphic violence and nastiest moments was removed.
- ConnexionsFeatured in Obscurus Lupa Presents: Mindwarp (2011)
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Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1