NOTE IMDb
6,6/10
2,9 k
MA NOTE
Jessica Lange joue le rôle de Beth dans cette fable chaleureuse et drôle sur le fait de rester ensemble quand tout s'écroule.Jessica Lange joue le rôle de Beth dans cette fable chaleureuse et drôle sur le fait de rester ensemble quand tout s'écroule.Jessica Lange joue le rôle de Beth dans cette fable chaleureuse et drôle sur le fait de rester ensemble quand tout s'écroule.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
This film is certainly an exception. A remake from the French version "Hot Air Balloon", this film has many noteworthy aspects to it, including the excellent cast of Arliss Howard, Jessica Lange, Kathy Bates and Lange's troubled son Chris O'Donnell.
Primarily Lange is a widower who has to sell her house and start over. She moves to a small apartment in Baltimore with her two children, who are not happy about it. She eventually finds work (there are some amusing scenes) for a catering company, owned by Kathy Bates (always a memorable character, in this case the tyrannical boss).
Joan Cusack also adds humor to the latter half, having met O'Donnell, she starts dating him, Lange at first over-protective, then gradually becomes friends with Cusack. Cusack, as a therapeutic gesture, takes her on a hot air balloon. A seemingly silly gesture, but a metaphor for starting over. Well-done and never depressing, an excellent film worth viewing. 9/10.
Primarily Lange is a widower who has to sell her house and start over. She moves to a small apartment in Baltimore with her two children, who are not happy about it. She eventually finds work (there are some amusing scenes) for a catering company, owned by Kathy Bates (always a memorable character, in this case the tyrannical boss).
Joan Cusack also adds humor to the latter half, having met O'Donnell, she starts dating him, Lange at first over-protective, then gradually becomes friends with Cusack. Cusack, as a therapeutic gesture, takes her on a hot air balloon. A seemingly silly gesture, but a metaphor for starting over. Well-done and never depressing, an excellent film worth viewing. 9/10.
It usually takes me two viewings of a film to decide whether I think it is a great film. The second that "Men Don't Leave" ended I knew it was a great film. It tells the story of a middle aged woman (Jessica Lange) who moves her two sons to Baltimore following the death of her husband. There she meets a quirky musician (Arliss Howard) and her older son starts dating an equally quirky x-ray technician (Joan Cusack). This film is by turns joyful and heartbreakingly sad and features sure-handed direction by Paul Brickman and a beautiful score by Thomas Newman who also scored "American Beauty". The performances are wonderful, most notably Jessica Lange's and Joan Cusack's. If you're looking for a wonderful family drama with comedic moments then "Men Don't Leave" is for you. One of the best films of the 1990's.
Lange is her usual extraordinary self, especially in that part of the film depicting--quite aptly--the onset of acute depression. Cusack deserves her oscar nomination--manages expertly one of the most appealing characters you will ever see on screen. Comedy, romance, and everyday tragedy put together
in an affecting script that has few weak moments. If you are drawn to small films centered on human relationships that draw sniffles and chuckles of recognition and a welcome sigh of relief when it all turns out at the end, you will love this film.
in an affecting script that has few weak moments. If you are drawn to small films centered on human relationships that draw sniffles and chuckles of recognition and a welcome sigh of relief when it all turns out at the end, you will love this film.
Widow with two growing sons must become her family's breadwinner, keeping everyone's spirits up while dating again for the first time in many years. It doesn't surprise me that people have to see this picture twice or more to get into the movie's grooves. The handling is very focused, the writing gets us from A to Z smoothly enough, but the tone of "Men Don't Leave" is quirky, to say the least. Sometimes I wasn't sure whether to laugh or not. At times it seems to go overboard, other times it hits a perfect note yet doesn't follow through. Still, the overall effect of this movie is genuinely pleasurable. It's not a big, chancy movie with issues, it's quiet and small and heartfelt. There are little scenes of emotion that well up into big hurts (and disappointments like the lottery family that just KILL us), and all the acting is so wonderful, particularly Jessica Lange (a shaky tower of strength). I loved it when the German woman gets Jessica to dance, or when she gets a nosebleed while kissing Arliss Howard for the first time, or throwing all her muffins out the window while feigning basketball moves. And what about Kathy Bates as the boss from Hell? It's an erratic film (with a puzzling title), yet I admired it greatly, and it has stuck with me over all these years. ***1/2 from ****
I am a longtime fan of Jessica Lange's, and a newfound fan of Arliss Howard's after viewing Men Don't Leave. A really good performance also by Chris O'Donnell and Joan Cusak. This is a true-to-life type of movie. It's Wow Factor isn't measured by action shots or stunts or explosions, but rather by the satisfaction and peace each character reaches by story's end.
It's your favorite shirt: not flashy, but comfortable and proven to make you feel good. Watch Men Don't Leave - it's a good little movie.
It's your favorite shirt: not flashy, but comfortable and proven to make you feel good. Watch Men Don't Leave - it's a good little movie.
Le saviez-vous
- AnecdotesChris O'Donnell, Kathy Bates, producer Jon Avnet and composer Thomas Newman re-teamed in the following year this film was made to join forces in Beignets de tomates vertes (1991).
- Citations
Jody: Would you like a Pelegrino?
Chris Macauley: Is that beer?
Jody: No, it's bottled mineral water.
Chris Macauley: Oh, yeah. Yeah, sure. Those are really good.
Jody: You're really sweet. I'll get you a juice.
- Bandes originalesSociety Ball
Written by Ib Glindemann (as Dan Kirsten)
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- How long is Men Don't Leave?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 6 070 725 $US
- Week-end de sortie aux États-Unis et au Canada
- 62 419 $US
- 4 févr. 1990
- Montant brut mondial
- 6 070 725 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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