Ajouter une intrigue dans votre langueModelling themselves after an idyllic cookie-cutter suburban 1950s family, a colony of insects move from South America into the United States with the intent of getting access to the nation'... Tout lireModelling themselves after an idyllic cookie-cutter suburban 1950s family, a colony of insects move from South America into the United States with the intent of getting access to the nation's nuclear resources.Modelling themselves after an idyllic cookie-cutter suburban 1950s family, a colony of insects move from South America into the United States with the intent of getting access to the nation's nuclear resources.
- Réalisation
- Scénario
- Casting principal
- Sally Applegate
- (as Cami Cooper)
- Dottie
- (as Savannah Smith Bouchér)
Avis à la une
This has to be the oddest film in New World catalog post-Corman sale in 1983. Lehmann obviously must have been a big fan of Beetlejuice (1988) as this is totally trying to copy that Tim Burton style here. It must have worked in some regard as after this Burton teamed up with this film's producer, Denise Di Novi, for the next decade. This is actually pretty fun once it gets going as each family member has to hide their foul ups by cocooning people. Kevin Yagher's team provides some impressive big bug FX, but the filmmakers goof in the action climax as all the bugs look the same so you can't tell who is who as they fight the bad bug (played by Dabney Coleman in human form). The fact New World funneled money from successes like Hellraiser (1987) into something like this won't leave you shocked to learn the company was in financial trouble by the time this was wrapping up and delayed the release for several years.
Despite being a little too gory for my tastes, this comedy is actually quite sharp in it's main satire on American life. The main joke for me was the way the family of bugs are sucked into the lifestyle of American mores the mother gives in to commercialism, the son to drugs, the daughter to teenage sex and the father to adultery. It's comical to watch their descent and works pretty well. Where's it's all going is less clear and the message is not so clear in regards whether becoming `normal' is for the best or not. What is clear is the eco message which pokes fun at those who would make war on nature (whether bug or human) without respect for other life forms.
For a 90 minute film it all works pretty well and is actually quite imaginative. The gore put me off a little, in the gore of the eggs and bugs generally and I would have preferred if they had just had the bugs without all the slime and stuff. The cast do a good job carrying the material their performances generally help keep up the mood of weirdness! Begley Jnr and Channing are both good in the leads each giving in to their human environment. The kids are OK but the best performance is an outrageous performance from Coleman as the queen of the species complete with full drag and moustache!
Overall this never quite delivers as many laughs as it's clever and funny pitch but it is still worth a watch. It has a surreal picture book image of `normal' America that it slowly explodes. For me, you could take or leave the eco message and still enjoy the film. Not great but different enough to be worth a try.
Le saviez-vous
- AnecdotesFilmed in 1988/1989, but remained unreleased in the U.S. until early 1991, due to the financial woes of New World Pictures.
- Citations
Aunt Bea: [to a passing construction worker who has grabbed her behind] You Homo sapien scum!
Richard P. Applegate: Excuse me?
Aunt Bea: Nah, nothing nothing, it's just uh, some asshole tried to rape me.
- Versions alternativesThe Image Entertainment LaserDisc release of the film is cut, missing one final scene at the end wherein it is revealed that Aunt Bea is still very much alive (albeit injured) and still optimistic about crushing the human scum by planning on infiltrating NORAD. Instead, the Image LD cut of the film cuts straight to the credits after the final jungle scene, missing the final Aunt Bea scene in its entirety (this scene is present in the TV cut of the film shown on Showtime Flix).
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 485 772 $US
- Week-end de sortie aux États-Unis et au Canada
- 274 815 $US
- 3 févr. 1991
- Montant brut mondial
- 485 772 $US