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5,9/10
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MA NOTE
Ajouter une intrigue dans votre langueA flirtatious teenager with an eye for older men gets more than she bargained for when the handsome stranger she's pursuing turns out to be a serial killer.A flirtatious teenager with an eye for older men gets more than she bargained for when the handsome stranger she's pursuing turns out to be a serial killer.A flirtatious teenager with an eye for older men gets more than she bargained for when the handsome stranger she's pursuing turns out to be a serial killer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Frankie Lou Thorn
- Judy
- (as Frankie Thorn)
Avis à la une
This was a beautifully crafted suspense thriller about an overprotected 14-year-old girl named Lisa (played by Staci Keanan) who, in her innocent attempts to have some involvement with the opposite sex, becomes tied up in conversing by phone with a handsome guy, who unknown to her is the crazed serial killer responsible for several murders of young single women in the area where she and her single mom live.
Staci Keanan and Cheryl Ladd made a wonderful mother-daughter team. There are many suspenseful moments involving Lisa and the killer, yet the whole time she has no clue just how dangerous this handsome young man she stalks really is. It would make any teen think twice before trying to pick up a handsome stranger. I was thirteen when this film was first released in 1990. "Lisa" sure scared the hell out of me when I first saw it.
Staci Keanan and Cheryl Ladd made a wonderful mother-daughter team. There are many suspenseful moments involving Lisa and the killer, yet the whole time she has no clue just how dangerous this handsome young man she stalks really is. It would make any teen think twice before trying to pick up a handsome stranger. I was thirteen when this film was first released in 1990. "Lisa" sure scared the hell out of me when I first saw it.
i was pleasantly surprised by this movie.i thought it was terrific.it's got loads of suspense and tension.i also liked the atmosphere over the movie overall.it's well acted.i found the interaction between the mother and her teenage daughter to be very authentic.the movie is not boring at all.in fact,it movies along at a very nice clip.there is one great ironic scene,which i thought was brilliant.it may not have been original,but it works in this case,regardless.the general premise isn't wholly original,but i like what they did with the material.to me,this movie is quite above average for the suspense/thriller genre.i caught this movie on cable,so it didn't cost me anything(other than my monthly cable bill,of course).i think it's well worth the two hours or so spent watching.for me,Lisa,AKA The Candle Light Killer is an 8/10
A 14 years-old girl (Staci Keanan) inadvertently strikes up a secret relationship with a distinguished restauranteur in Hollywood (DW Moffett). Unfortunately, he might also be the notorious Candlelight Killer, which would put her and her mother in danger (Cheryl Ladd).
"Lisa" (1990) is a coming-of-age drama meshed with PG-13 slasher. Writer/director Gary Sherman knows how to make atmospheric horror in view of his well-done "Dead & Buried" (1981). I happened to see Brian De Palma's "Dressed to Kill" (1980) the night prior and it was thoroughly artistic and well-written with genuine surprises. This film, by comparison, strikes me as by-the-numbers, which no doubt had to do with the modest budget.
Nevertheless, "Lisa" is a perfectly serviceable film in which the mother & daughter are successfully fleshed out and you find yourself caring for them and their outcome. Staci was only 14 during shooting while Cheryl was 38. If you're a fan of either, this is certainly worth checking out, even though it's not exactly high art.
The movie runs 1 hour, 35 minutes, and was shot in Hollywood (the apartment, flower shop and school) and Muse restaurant on Beverly Boulevard in Los Angeles.
GRADE: B-
"Lisa" (1990) is a coming-of-age drama meshed with PG-13 slasher. Writer/director Gary Sherman knows how to make atmospheric horror in view of his well-done "Dead & Buried" (1981). I happened to see Brian De Palma's "Dressed to Kill" (1980) the night prior and it was thoroughly artistic and well-written with genuine surprises. This film, by comparison, strikes me as by-the-numbers, which no doubt had to do with the modest budget.
Nevertheless, "Lisa" is a perfectly serviceable film in which the mother & daughter are successfully fleshed out and you find yourself caring for them and their outcome. Staci was only 14 during shooting while Cheryl was 38. If you're a fan of either, this is certainly worth checking out, even though it's not exactly high art.
The movie runs 1 hour, 35 minutes, and was shot in Hollywood (the apartment, flower shop and school) and Muse restaurant on Beverly Boulevard in Los Angeles.
GRADE: B-
Lisa is a lesser-known seductive thriller that toys with the perils of connecting with a stranger over the phone (back then, a landline) in the late 80s. When 14-year-old Lisa (a cute Staci Keanan) falls for the much older, outwardly charming Richard (D.W Moffett), she stalks him and connects with him virtually over phonecalls. This is particularly fueled by the fact that Lisa's (single) mom Katherine (the lovely Cheryl Ladd) doesn't want her to date until she's 16, while her bestie Wendy is allowed by her parents to do so. Little does she know that Richard is a serial killer targeting young women, and he gives chase to Lisa, thinking she's her mother.
The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.
What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.
The film hasn't exactly aged well and is filled with questionable logic but it delivers pretty solidly as a cat-and-mouse thriller. The horror is minimal - if you think a killer leaving recorded messages and jumping out of the shadows leaving a trail of violence in his wake is good enough, it does alright. But in terms of building an atmosphere, it's pretty far behind. We're introduced to Richard's antics early on, and by the time the second kill happens, we already know his pattern and it really doesn't build any further layers of mystery. And the way the character has been written too is quite ordinary.
What works in the film are the following: the uneasy mother-daughter chemistry between Keanan and Ladd, the charming 80s Los Angeles setting, the pulpy elements (like Lisa getting unexpectedly stuck in Richard's car), and the blood-soaked finale.
This film begins with a young teenager by the name of "Lisa Holland" (Staci Keanan) who enjoys playing flirtatious pranks on slightly older men. As it so happens, one night while returning from a nearby grocery store, she happens to bump into a man by the name of "Richard" (D. W. Moffett) and she immediately becomes mesmerized by his good looks. Determined to know more about him she secretly follows him and upon learning his name decides to tease him in her usual manner. What she doesn't realize, however, is Richard is a psychopath who the newspapers have dubbed "The Candlelight Killer" who has recently raped and killed 8 other women-and he now wants to find out more about Lisa in the worst sort of way. Now, rather than reveal any more, this film had a bit more suspense than I initially expected and for that reason it left me pleasantly surprised overall. Likewise, having a beautiful actress like Cheryl Ladd (as Lisa's mother "Katherine Holland") certainly didn't hurt in any way either. Be that as it may, while this film may not be a blockbuster by any means, it was certainly good enough for the time spent and I have rated it accordingly. Slightly above average.
Le saviez-vous
- AnecdotesThe movie was originally supposed to go straight to video. However, director Gary Sherman felt that the movie was good and strong enough to go into a general theater release. MGM was more interested in putting the film direct to video on account of the lucrative profits it stood to make from it. Nevertheless, MGM allowed the movie to go into a limited theater release of about 200 theaters over a weekend. The movie made four million dollars in that one weekend prompting Sherman to push for a wider release. However, MGM eventually declined and put the movie straight to video and on HBO from which they made a substantial amount of money.
- GaffesKatherine's business is called "Designs by Katherine" as stated by her, her employees, and on the back door of her store, but when Richard looks at the credit card imprint, it is written as "Flowers by Katherine."
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- How long is Lisa?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Meurtre sur répondeur
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 347 648 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 119 895 $US
- 22 avr. 1990
- Montant brut mondial
- 4 347 648 $US
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