Fresh

Fresh is one of those movies that you never see coming. From the opening credits until the end, it provides you with this deep, gritty, yet utterly realistic portrayal of a youth's mind on the streets. While our normal society will shrug a struggling African American living in the ghetto as someone without the intelligence to go forward in life. It is a sad reality in which we live, but it is a thought that goes through suburbia's minds. This film proves the age-old saying that you should never judge a book by its cover. What begins as a normal urban drama quickly unfolds into this tightly woven crime story where we have this unexpected hero that arrives from nowhere to pull of this incredible feat. With perfect acting, the right combination of drama and action coupled with suspense, and a story that literally keeps you glued to your seat until the very end, it surprises me that more people haven't discovered this cinematic gem and attached themselves to it.

To begin, Sean Nelson is brilliant. I have not seen better acting from a young adult in my entire film life. Dakota Fanning comes close, but Nelson's emotion seems to be raw and uncreated by Hollywood. His reactions and passion behind his eyes is intense and compelling at the same time. You cannot watch this movie without keeping your eyes glued to this kid. I am very surprised that he has not done more roles that would be able to showcase this young protégé's talent. He interacts well with the other actors as well, giving us this rare glimpse into a world that many of us may not be familiar with. He takes us away from the clichéd child abandoned on the streets with nothing to loose and gives us faith in the family structure and bonds that are created between humans. Sometimes I think we forget this as we watch our televisions, buy our cars, and spend our money. There are important aspects in life, but at times our ideas of that can be skewed. That is what I love about Sean's role in this film. He defines himself early, and allows us to see his change clearly throughout the film. He begins as wanting to have a lot of money and power to using what he has earned to save his family and his friends. There is something redeemable about that which isn't shown as much in films today.

Add to the brilliant work of Sean Nelson are a couple of actors that really played well of the emotional child. Giancarlo Esposito, N'Bushe Wright, Jean-Claude La Marre, Ron Brice, and the unquenchable Sam Jackson are just a few. Nelson's ability to play off Jackson's intensity with the greatest of ease is just another glowing example of the power behind this film. You can honestly see where Fresh's talent began with the strong father/son dynamic that director Boaz Yakin has created. Yakin has crafted this beautiful story of a child's inner demons and desires with the greatest of ease. As a director, he has pulled more emotion out of these children than I have ever seen with any other child actors. Where he takes his story is bold and realistic. The dirtiness and grime of the streets contrasted with the intelligence of this child was nerve racking and intense. I loved it. Yakin had to be proud of himself to find such a great cast to work with as well as create this story that could be enjoyed by audience throughout the ages.

Finally, I would like to comment on one of the most important themes of this film that I didn't realize until closer to the end. Chess is a huge element in this film, and at first you will not see this, but by the end it will hit you like a brick. The power that Jackson brings to this young boy's mind simply by teaching him the strategies of chess is insurmountable. While I thought that Yakin was just trying to define the father/son relationship with this game, there was so much more going on underneath the top layer that I wasn't expecting it from this small title. I think that is what impressed me so much.

Overall, this film is great. It is boldly honest and originally beautiful (in repetition of myself) that needs to be re-released or remembered time after time. I am so glad that I discovered it and cannot wait to show it to friends and family. It is nothing short of the perfect film!

Grade: ***** out of *****

I watched 'Fresh' again recently, with several other examples of

its genre (urban crime drama, or words to that effect). It

stands out head and shoulders above the rest as an engaging and

intelligent film. Part of 'Fresh's strength is that it belies

many of the genre's expected conventions. Rap music is vaguely

incidental, giving way to a poignant soundtrack by Stewart

Copeland. For once, gang life, alcoholism, and drug addiction

are never glamourized as they are simultaneously condemned...

the fault of so many films which purport to be morally aware of

the destructive nature of these things (but seem to say,

backhandedly, "isn't T-Bone a badd mutha, though?") And as

another reviewer noted, the central character as an intellectual

prodigy is neither a joke nor a gimmick, his mind is the means

of his survival and eventually his triumph over the forces

around him. The cast is excellent, the standouts being an

extraordinary debut by Sean Nelson as the Fresh and the reliable

Samuel L. Jackson as his alcoholic speed-chess-master father.

The final scene is one of the most devastating and memorable

scenes in the last decade of films. The sincerity and unpredictability of 'Fresh' are unparalleled in films of its

type.

This movie didn't have to rely on BIG NAMES to make this movie great. It didn't have to rely on lots of on screen killing to be great. This movie was great because the dialog between the characters as well as the screen play were excellent all by themselves. The people who did play the parts DID justice to the characters they played. As the movie started and in the first 15 minutes, all I could think was this kid (Sean Nelson) was a punk trying to make a buck. I didn't realize, like most, until the end of the film what this kid was actaully doing, which was playing everyone like they were live chess pieces. He got what he wanted all by playing one against the other. This movie proved that a film does not have to be high budget or big names to be great. If that were the case, The Last Action Hero or Reindeer Games should win an OSCARS for Best Movie.

Fresh was a very unique movie, the opening montage was great and the dialogue was so realistic to the point where li'l kids in the ghetto are talkin' about bein' rich and Scarsdale, NY which really impressed me 'cause Scarsdale is a rich neighborhood. Sean Nelson in a great role as Fresh the young drug dealer who's livin' in a home with 10-11 other relatives and has to move crack in order to survive. N'Bushe Wright shows up in her most depressing role as Fresh's under-confident sister - you really feel sorry for her in this as well as a few others. Giancarlo Esposito is cool to watch as Esteban, A drug dealer that looks out for Fresh and the other top-tier performance comes in the form of Ron Brice as Corky the other drug dealer who is ruthless and demands that you do what you have to while he's looking and not behind his back. We already know Samuel L. Jackson would give a good performance that's no surprise at all.

Good story about the ghetto life and the drug game from the eyes of those around it. The ending in this epitomizes the saying "every man for himself"

another gunshot in the air for the ghetto genre 10/10

Many comments confirm the strength of this movie in simple manipulation of an camera eye. Well, that's true. You will not find any fancy FXs here. But, does it make the picture less spectacular? Of course not. Script is brilliant. Whole plot resembles well played chess game telling the story about violence and losing innocence. This is not only a game in an explicit chess meaning. Main characters , wonderfully played by S. L. Jackson and Sean Nelson, are playing chess with themselves, struggling with their lives. There is another aspect of chess game that accompanies the plot till the end. Throughout duration of the movie chess puzzle gets clear. We can finally see where 'Fresh' is heading to and what he wants to achieve through his plan. Anyway, Boaz Yakin made one of the best movies of 94' , really worth seeing.

Mariusz Pelka