Ajouter une intrigue dans votre langueIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is ... Tout lireIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is trying to figure out what to do with his life. John can't be bothered with apathy, but no ... Tout lireIn this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is trying to figure out what to do with his life. John can't be bothered with apathy, but no matter how much he wants to help people, he is too immobilized to do anything useful. Haun... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- John
- (as James LeGros)
- Breadstore Clerk
- (as Dolores Delucé)
- Yolanda
- (as Yolanda Garcia)
- Pepe
- (as Angel Garcia)
Avis à la une
This sixties time-warped retro kind of "power to the people" nineties flick is mostly a procession of set pieces, some of which are not bad. The bit at the gun store with Billy Bob Thornton was superb. The crack philosophers scene was also very good. And the way "What's So Funny ‛Bout Peace, Love and Understanding?" was sung so badly was just perfectola. (Actually that's "What's So Bad about Peace, Love and Understanding?" but whatever...)
And the way that big silver fish popped those gold fish...gulp!
I think some of the negative comments about this movie ought to be greeted with a "Whoa, dudes--get a sense of humor." Or, "Don't be offended, man, it's only a movie." Or maybe, "Uh, the soundtrack is awesome, dude." (Oh, god, people really did talk like that!) The dream sequences fooled me at least twice. They were funny. Funniest line: when the trash lady pulls her rifle out of her cart and says "Vive la Revolution!" Second funniest line: "What kind of music do you want to hear?" "The farm report."
Okay, this was no masterpiece, and any episodic movie sans plot is not going to rival The Godfather here at IMDb. And James LeGros ain't no Marlon Brando. And if you've ever been to Venice Beach...well, you know it's a freak show. But I think director and screen writer Peter McCarthy did a nice job of bringing that slacker street scene to life. I think the big mistake was to headline actors like Steve Buscemi, John Cusack, Ethan Hawke, and Billy Bob Thornton when they only had cameos. That should have been made clear up front. And there was more than a touch of the kind of sixties moral pretension that we've all grown a little tired of. But bottom line for me, this was a funny movie.
The movie has the right things to say. It attacks greed, racism, corporate indifference, and shallow relationships, and it features cameos by such interesting people as Steve Buscemi. John Cusack, and Billy Bob Thornton.
Unfortunately, it lacks one thing one usually looks for in a comedy, namely humor. It just isn't very funny.
Our hero has a really bad hair day. His girl is with another guy when he shows up early for a date. His brother breaks out of rehab, gets wasted and now thinks our hero is the devil. His bank accounts are possessed by the IRS. His unemployment runs out. His idealistic high school teacher has become a racist greedhead. He is pursued in a drive-by shooting.
He O.D.'s. He is sodomized after he passes out. ....Well, you get the point.
There are two ways to attack a hateful target. One is to use the sharp eye of satire, the other is to say "hey, that stinks". This movie does the latter. It uses the Beavis and Butthead level of analytical depth.
Unfortunately, everyone knows that racism stinks, and they go to movies to be entertained. Viewers may agree with the ideas in this one, and so they may feel good when he strikes back, but not many people will be entertained by it.
Sophomoric.
Le saviez-vous
- GaffesAt 80 minutes, at the motel, John tucks his revolver into his belt but less than a minute later, he again tucks his revolver into his belt.
- Bandes originalesMy Drug Buddy
Performed by Stan Ridgway & Zander Schloss
Words & Music by Stan Ridgway
(c) & (p) Mondo Spartacus/Illegal Songs
Meilleurs choix
- How long is Floundering?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 20 031 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 604 $US
- 6 nov. 1994
- Montant brut mondial
- 20 031 $US
- Durée
- 1h 36min(96 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1