NOTE IMDb
4,3/10
7,6 k
MA NOTE
Ajouter une intrigue dans votre langueElliot heads for the sexual fantasy island, Eden. He takes some photos of diamond smugglers. They and undercover cops want the photos and follow him to Eden.Elliot heads for the sexual fantasy island, Eden. He takes some photos of diamond smugglers. They and undercover cops want the photos and follow him to Eden.Elliot heads for the sexual fantasy island, Eden. He takes some photos of diamond smugglers. They and undercover cops want the photos and follow him to Eden.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Sandra Taylor
- Riba
- (as Sandra Korn)
Alison Moir
- Kitty
- (as Allison Moir)
Avis à la une
I have looked at this movie at least forty times. It is sheer pleasure. Lots of laughs. I enjoyed seeing Dana Delaaney in a very different role than I have usually seen her. Paul Mercurio too I had only seen before in his profession as a dancer. He is a superb dancer.
At first I was surprised at the extent of nudity, but then realized, how else could they depict the island. Both Dana and Paul have great looking bodies and get to show them off throughout the movie. Paul's outstanding butt is highlighted in a scene between the two of them.
Clever was the scene involving the buttered croissants. Really good flick!!! JFC
At first I was surprised at the extent of nudity, but then realized, how else could they depict the island. Both Dana and Paul have great looking bodies and get to show them off throughout the movie. Paul's outstanding butt is highlighted in a scene between the two of them.
Clever was the scene involving the buttered croissants. Really good flick!!! JFC
One thing can be said about veteran director Garry Marshall; he'll go nearly ANYWHERE for love and laughs.
EXIT TO EDEN may be about as unlikely a mainstream comedy/romance as you'll find, with most of the action occurring at a 'Club Med'-type resort catering to S&M devotees, but someone, somewhere, might have been able to pull it off...but not, unfortunately, the ever-conventional Marshall, who, try as he might, can't make either the comedy (as two cops attempt to infiltrate the club to capture a fugitive 'hiding out' among the 'mistresses' and 'slaves') or the love story (as a somewhat jaded 'mistress' discovers the joys of conventional romance with a mysterious newcomer) more than mildly entertaining.
The main problem is miscasting; while a Dan Aykroyd/Rosie O'Donnell team-up might have looked good on paper, on film the two actors have virtually no chemistry together. Aykroyd is better as a 'straight man' than comic, and, as age has given him a 'cuddly' quality (along with extra pounds), the edginess he displayed in THE BLUES BROTHERS or even DRAGNET is gone. O'Donnell, on the other hand, is TOO edgy, and can become annoying quite easily. Her one-liners seem contrived and often mean-spirited...and Rosie in leather is a sight I've been trying to forget for 10 years! Dana Delany fares somewhat better, as the Number 1 Dominatrix (her voluptuous curves, encased in leather, and brief nude scenes have made EXIT TO EDEN a video store favorite), but her personality, fundamentally sweet-natured (more 'Girl Next Door' than 'Supervixen') plays against her. She is simply too 'nice' for her role! Coming off best is Australian newcomer Paul Mercurio, in his first American film. With a twinkle in his eye, he 'plays' the S&M 'game' as a joke, championing traditional romance, and, ultimately, converts Delany to his point of view. Totally natural, Mercurio 'steals' the film from the veteran cast. He, and Marshall 'regular' Hector Elizondo are both so good, in fact, that they seem to have been 'lifted' from a different film!
EXIT TO EDEN stumbles frequently, in it's attempt to be both mainstream AND daring, and ends up being boring and a bit distasteful.
PRETTY WOMAN, it ain't!
EXIT TO EDEN may be about as unlikely a mainstream comedy/romance as you'll find, with most of the action occurring at a 'Club Med'-type resort catering to S&M devotees, but someone, somewhere, might have been able to pull it off...but not, unfortunately, the ever-conventional Marshall, who, try as he might, can't make either the comedy (as two cops attempt to infiltrate the club to capture a fugitive 'hiding out' among the 'mistresses' and 'slaves') or the love story (as a somewhat jaded 'mistress' discovers the joys of conventional romance with a mysterious newcomer) more than mildly entertaining.
The main problem is miscasting; while a Dan Aykroyd/Rosie O'Donnell team-up might have looked good on paper, on film the two actors have virtually no chemistry together. Aykroyd is better as a 'straight man' than comic, and, as age has given him a 'cuddly' quality (along with extra pounds), the edginess he displayed in THE BLUES BROTHERS or even DRAGNET is gone. O'Donnell, on the other hand, is TOO edgy, and can become annoying quite easily. Her one-liners seem contrived and often mean-spirited...and Rosie in leather is a sight I've been trying to forget for 10 years! Dana Delany fares somewhat better, as the Number 1 Dominatrix (her voluptuous curves, encased in leather, and brief nude scenes have made EXIT TO EDEN a video store favorite), but her personality, fundamentally sweet-natured (more 'Girl Next Door' than 'Supervixen') plays against her. She is simply too 'nice' for her role! Coming off best is Australian newcomer Paul Mercurio, in his first American film. With a twinkle in his eye, he 'plays' the S&M 'game' as a joke, championing traditional romance, and, ultimately, converts Delany to his point of view. Totally natural, Mercurio 'steals' the film from the veteran cast. He, and Marshall 'regular' Hector Elizondo are both so good, in fact, that they seem to have been 'lifted' from a different film!
EXIT TO EDEN stumbles frequently, in it's attempt to be both mainstream AND daring, and ends up being boring and a bit distasteful.
PRETTY WOMAN, it ain't!
this was a great movie...i loved it any movie with dana delaney naked is worth the cost of of a movie ticket.....dana as a dominatrix....awesome.. i thought she was great...dan was funny as usaul...as for rosie........i'm not a huge rosie fan ,but she did okay ..5/5 for this, not that funny but sexy as hell!!!!
Exit to Eden was a fine erotic book by Ann Rice, full of texture, sensuality and drama, all of the things the movie is not. Why Gary Marshall chose to turn a great novel into a non-funny comedy with the miscasting of Rosie O'Donnell and Dan Aykroyd is beyond me. The subject of this movie has never been dealt with in a non-X movie and it should have been done with tact instead of a loose comedy hand. The cast is good except the above duo. Dana Delany is great as the Mistress of a pleasure island; she takes a chance and shows her sexy side of herself as well as full body nudity. You watch this movie and shake your head about how good it could have been. read the book, forget the movie. 4 out of 10
While not the greatest nor funniest movie I have ever seen, Exit to Eden is unique in that it treats s&m in a non-threatening manner. Unlike most movies which use s&m and b&d as tools to orchestrate a character's psychotic behavior, or to show a ridiculous or funny fetish trait of someones, Exit to Eden shows s&m in a very flattering light--portraying it as sensual and serious, but also playful and fun. Since the subject of this lifestyle has rarely been explored in mainstream movies, this is very important and I would even dare to say groundbreaking, in terms of working to eliminate taboos and misconceptions about a subject through the cinematic medium. Like movies which have dared to display gay and interracial relationships in a realistic light, rather than pandering to cliched stereotypes, Exit to Eden shows that s&m culture can be a very normal, non-violent part of the average person's life. Yes, some of the lines are corny and the acting is less than convincing, but Delany and Mercurio make a dynamite couple with some great chemistry. All in all, I would say this was a decent movie which provides a great service--educating the public about s&m culture--and one which breaks new ground in its presentation of its subject matter.
Le saviez-vous
- AnecdotesDan Aykroyd when interviewed on the American morning radio show Hill-Man, identified this film as the one that he'd like to forget making.
- GaffesThe film doesn't explain how the LAPD tracked Elliot to the harbor where he boarded the ship for Eden.
- Citations
Sheila Kingston: You took off your clothes in his office? I could never do that, you know. Even at home, I take off my clothes in the bathroom and then I jump into bed real quick... which is kinda wierd because I live alone.
- Crédits fousHector Elizondo's title credit is prefixed by 'As Usual', referring to the number of times Elizondo has appeared in films directed by Garry Marshall
- ConnexionsFeatured in Siskel & Ebert & the Movies: Only You/Second Best/Pulp Fiction (1994)
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- How long is Exit to Eden?Alimenté par Alexa
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 841 570 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 012 695 $US
- 16 oct. 1994
- Montant brut mondial
- 6 841 570 $US
- Durée
- 1h 53min(113 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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