Embrace of the Vampire

I place this film along side "Showgirls" as a truly indispensable guilty pleasure, this film is an absolute riot, you just can't keep a straight face. If you're looking for a plot, good acting, thrilling action sequences, characters that you can care about, a good script, or a memorable movie experience, then you're looking at the wrong movie. However, if you're looking for a soft-core porn movie starring Alyssa Milano's bare breasts, you're looking at the right movie.

Alyssa Milano gets naked. You see her nipples with amazing frequency. She lets guys touch her in dream sequences. She lets a female photographer touch her, remove most of her clothing, and then kiss her. But beware, Lesbian Sex Scene seekers - Alyssa does not go further than kissing. Yes, that's right - she loses her nerve and runs out of the room. Taking the time to get dressed again, unfortunately. So, if you're a fan of Alyssa Milano's breasts, then by all means rent this movie!

Overall rating: 6 out of 10.

The seventeen year-old Charlotte (Alyssa Milano) is a virgin college student from a Catholic high-school and girlfriend of her college mate Chris (Harrison Pruett). Near to the eve of her eighteenth birthday, a vampire (Martin Kemp) that was her lover in a past life tries to seduce her to regain his human life. However Charlotte is in love with Chris and the vampire sends the sexy Marika (Jennifer Tilly) to seduce him. Meanwhile Charlotte is also sexually tempted by the lesbian Sarah (Charlotte Lewis).

"Embrace of the Vampire" is an erotic and sexy tale that uses the attractive figure of the vampire to expose the naked body and breasts of Alyssa Milano. The story can be written in half a page and is basically a storyline entwined with scenes of sex. The most incredible is that there is a remake of this movie. My vote is five.

Title (Brazil): "A Sedução do Mal - Os Diários de Nosferatu" ("The Seduction of Evil - The Nosferatu's Diaries")

Note: On 11 July 2022, I saw this film again.

...I found this quite dull. First, there's barely a story - much of the movie is devoted to sex scenes that stop the story completely, and have no real significance in altering the "evolving" plot.

So if there's a lot of sex, there must be some merit, right? Actually, I found the sex and nude scenes flatly directed - despite the flesh and activity shown, surprisingly a lot of these scenes have nothing erotic to them.

We don't learn a lot about the characters. For instance, why does the vampire character only have a certain time to live? How did he get to where he is in the movie? How did he find the heroine? And so on. None of this is explained. And speaking of the characters, none aroused any sympathy - in fact, all of them seemed annoying.

And though the movie is supposed to be about vampires, there's hardly any vampire action!

Yes, You-Know-Who gets naked enough, but that's not enough to save this movie, or even make it worth fast-forwarding.

Charlotte Wells (Alyssa Milano) is a good girl. She's a virgin college student. She is haunted by erotic dreams of being taken by a vampire. The vampire is centuries old and Charlotte has the soul of his lost love. He needs to reunite with her soul or else it will be eternal sleep in 3 days' time. Charlotte sleepwalks and is found by boyfriend Chris. Her friend Nicole tries to set her up on a fling and everybody is killed by the vampire. She is befriended by Sarah who talks her into an erotic photograph session.

This is noteworthy for one reason and one reason only. Alyssa Milano from 'Who's the Boss?' tried to break out of her former child star status. For the most part, she succeed into blowing it wide open. That photographing session with Charlotte Lewis is unforgettable and that white shirt is always ready to pop open. The story is thin and weak. Other than Alyssa getting naked, this movie has nothing to offer.

Alyssa Milano's breasts give a terrific performance here. They play, they dance, they utter soliloquies, they defy gravity (actually not really), and they photograph well.

The dominant presence of Milano's breasts prevent the vampire story from taking root. But all is well, for we need nothing more than the incredible anticipation of seeing the breasts in another well lit shot.

Life is indeed complete because director Goursaud has committed Alyssa's ample amples to the screen in such worthy style. Salancha senorita Anne, and the sangria's on me....