Doomsday Gun

This movie sets out to tell the (more or less) true story of Canadian weapons designer Gerald Bull (Frank Langella), who dreams of building the world's most powerful artillery gun: hundreds of feet long and able to deliver a shell the size of a small building. The only problem? America and Great Britain don't want to finance his masterpiece and don't want Bull constructing one for anybody else. But Iraqi dictator Saddam Hussein is willing to pay for one, and able to get around the American embargo on selling weapons to Iraq by cleverly disguising the gun's parts as ordinary industrial equipment. But once Bull goes to work for Saddam, he sets himself as a target for international hit squads willing to do anything to keep such a weapon out of the wrong hands. He found himself playing cat-and-mouse, taking precautions to stay one step ahead of the world's intelligence agencies. This movie provides a pretty good reconstruction of the project, and the fact that the project was a quite chilling possibility gives the story much of its interest. Unlike the outlandish schemes of James Bond's usual adversaries, Bull's supergun was technically feasible and his customer, Saddam, was a very real threat to world peace. A decent way to pass the time for anybody looking for real life intelligence intrigue.

Another excellent made-for-TV movie. This is as good a spy thriller as I have seen in a long time. The icing on the cake is, it also happens to be true!

This movie is short on action, short on special effects, explosions, car chases and the likes; this is a movie with a great script (true life is the best writer I have ever known), it is intelligently made, well directed and acted. All of the protagonists are excellent, but special mention is due to Alan Arkin in my opinion, whose portrayal of a cynical spy is Oscar worthy. James Fox has a cameo as the Head of MI6, he is also perfect in his role and seems to be amusing himself greatly while playing it.

It would be very interesting to learn the whole truth about this story one day...

Just a quibble to correct Jonathan from Hoboken's identification of Gerry Bull as an America. He was Canadian (you can even see him brandishing his Canadian passport in the final airport scene with Price (Spacey) near the end.) Gerry Bull was an inconvenient Canadian, in that he thought too big for a Canadian, and, like many other Canadians of talent and vision, eventually had to leave the country to achieve what he wanted. He was a brilliant supersonic aerodynamics engineer, who had contributed to the Avro Arrow program, and had run HARP (High Altitude Research Program) which had been, ahem, aimed at achieving spaceflight using guns, a la Jules Verne. It had operated the original 'supergun' in the Caribbean, with battleship guns put end to end. Bull gave up on Canada when Canada gave up on him, and that's when he became the international long-range artillery guy, selling his expertise to whoever paid - Israel, South Africa, Iraq. I figure if Israel could knock out Saddam's Osirak nuclear plant with an air strike, it wouldn't be past them to knock off the guy about to give Saddam a supergun with which to shell Tel Aviv.

The movie, though heavy on the CIA-is-the-root-of-all-evil conspiracy theories, was entertaining and not that bad, especially as a made-for-TV job, with, I thought, pretty good casting (I always like Michael Kitchen).

Interesting fact based spy film with supposed allies backstabbing each other, each with their own agenda for using an engineer's gigantic gun he is developing. The long range implications for Middle East Countries is factored against the region's importance as an oil producer. Profit and greed is offset by the scientific drive of one man, who's vision is well beyond the present, possibly offering him the immortal recognition he desires. This is well acted, fast paced, and intriguing. There is even an open ended conclusion that begs discussion. The miniatures and computer renderings of the big guns are superbly done, and the film is relevant even with all the time that has passed. - MERK

Another good example of how a tv movie can, perhaps within bland and low-cost production values, be more interesting and truthful than the standard Hollywood film.

Another respondent has described how well the film captures the creative moment within engineering, and that's all true. I think Langella's performance was also an excellent representation of a buccaneering businessman, drawing about him intelligent people he trusts and inspiring them, although occasionally haranguing them.

Good scenes .. Gerald Bull dining on the grave of a famous German artilleryman. The Israeli spy chief walking morosely around the Baghdad arms fair looking at all the hardware he would one day have to face. The nods and winks of the British establishment as they turn a blind eye to the production of Saddam's supergun.

Yes it clunks here and there. But fine acting and a literate script. More absorbing than most films which cost 10 times as much.

Seven out of ten.