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Harcèlement

Titre original : Disclosure
  • 1994
  • 12
  • 2h 8min
NOTE IMDb
6,2/10
57 k
MA NOTE
Harcèlement (1994)
Home Video Trailer from Warner Home Video
Lire trailer0:31
1 Video
99+ photos
DrameThrillerThriller conspirationniste

Un informaticien est poursuivi pour harcèlement sexuel par une ancienne amante, devenue sa patronne. Celle-ci a initié l'acte avec force et menace à la fois sa carrière et sa vie personnelle... Tout lireUn informaticien est poursuivi pour harcèlement sexuel par une ancienne amante, devenue sa patronne. Celle-ci a initié l'acte avec force et menace à la fois sa carrière et sa vie personnelle.Un informaticien est poursuivi pour harcèlement sexuel par une ancienne amante, devenue sa patronne. Celle-ci a initié l'acte avec force et menace à la fois sa carrière et sa vie personnelle.

  • Réalisation
    • Barry Levinson
  • Scénario
    • Michael Crichton
    • Paul Attanasio
  • Casting principal
    • Michael Douglas
    • Demi Moore
    • Donald Sutherland
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    57 k
    MA NOTE
    • Réalisation
      • Barry Levinson
    • Scénario
      • Michael Crichton
      • Paul Attanasio
    • Casting principal
      • Michael Douglas
      • Demi Moore
      • Donald Sutherland
    • 124avis d'utilisateurs
    • 48avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Vidéos1

    Disclosure
    Trailer 0:31
    Disclosure

    Photos220

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    + 213
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    Rôles principaux45

    Modifier
    Michael Douglas
    Michael Douglas
    • Tom Sanders
    Demi Moore
    Demi Moore
    • Meredith Johnson
    Donald Sutherland
    Donald Sutherland
    • Bob Garvin
    Caroline Goodall
    Caroline Goodall
    • Susan Hendler
    Roma Maffia
    Roma Maffia
    • Catherine Alvarez
    Dylan Baker
    Dylan Baker
    • Philip Blackburn
    Rosemary Forsyth
    Rosemary Forsyth
    • Stephanie Kaplan
    Dennis Miller
    Dennis Miller
    • Mark Lewyn
    Suzie Plakson
    Suzie Plakson
    • Mary Anne Hunter
    Nicholas Sadler
    Nicholas Sadler
    • Don Cherry
    Jacqueline Kim
    Jacqueline Kim
    • Cindy Chang
    Joe Urla
    • John Conley Jr
    Michael Chieffo
    Michael Chieffo
    • Stephen Chase
    Joseph Attanasio
    • Furillo
    • (as Joe Attanasio)
    Faryn Einhorn
    • Eliza Sanders
    Trevor Einhorn
    Trevor Einhorn
    • Matt Sanders
    Allan Rich
    Allan Rich
    • Ben Heller
    Kate Williamson
    Kate Williamson
    • Judge Barbara Murphy
    • Réalisation
      • Barry Levinson
    • Scénario
      • Michael Crichton
      • Paul Attanasio
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs124

    6,256.8K
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    10

    Avis à la une

    7Leofwine_draca

    Stand-alone thriller with a mish-mash of intriguing themes

    A tale of sexual harassment in the office with a twist – this time, the guy is the victim and the woman the pursuer. Yes, it's another thriller that builds on Michael Douglas's typecasting as a victim of powerful women (following FATAL ATTRACTION and BASIC INSTINCT) but this one plays all the right cards. Part workplace drama, part courtroom thriller, and all the time invested with now-dated-but-then-cutting-edge technology (email, virtual reality) I found Disclosure to be never less than intriguing and well made. The Crichton source material helps, of course; I haven't yet seen a Crichton film that hasn't been thought-provoking and entertaining (even the worst, CONGO, isn't entirely without merit, although the book is loads better).

    I've been seeing a lot of Douglas in recent months and my opinion of him has steadily improved to the degree that I can't remember him giving a bad performance. He's fine here, providing a key likable anchor for the film to revolve around, and playing opposite him Demi Moore is also a surprise: she oozes sexuality and selfishness in equal measure, proving a powerful enemy at all times. Moore isn't the world's greatest actress but this might well be her best performance in a film.

    The courtroom scenes, tense and full of electricity, are undoubtedly the film's highlights and there are supporting actors to relish (Donald Sutherland, Allan Rich and in particular a slimy Dylan Baker). It's not a perfect film, but it is a reminder of the kind of solid, sensual thriller that got made during a sometimes forgotten decade of filmmaking.
    AllisonLVenezio

    An intriguing story of sex and power...

    Sexual harrassment soars to new concepts in this compelling film based on the novel of the same title by Michael Chricton.

    Tom Sanders (Michael Douglas) is psyched up about his promotion at DigiCom. But, as he arrives at work that morning, he finds out that the promotion never happened, but the position of Vice President was given to a woman. Of course, its not just any woman, its Meredith Johnson (Demi Moore), a woman from his past. Sanders discloses that he once was in a whirlwind romance with Meredith, but they parted ways and he came to Seattle, married, and started a family. Now, she wants nothing more to rekindle their romance, which Sanders doesn't want. An after-hours encounter leads to Meredith crying sexual harrassment, Sanders claiming he was the one who was really harrassed. Now, Sanders must be able to push past her power and status to show people what Meredith is really all about.

    This was a great movie, based on an amazing novel. Douglas as Tom Sanders is what I expected, middle aged with a family, successful. However, the novel describes Meredith Johnson as blonde, while Demi Moore was not what I really pictured. However, her performance as "Super-Bitch" Meredith is convincing. She makes you hate her, no matter how much you like the characters she played in other films.

    The part where Sanders struggled with Johnson in her office was extremely graphic. My mom predicted that I would cover my eyes, but I was very fascinated with it. In the book, this particular scene was EXTREMELY long, about 15 pages.

    In conclusion, I thought "Disclosure" was a very well-done film with a great cast. Performances by Moore and Douglas were great, with a good supporting cast to back them up. It gives a good understanding of the American Legal System and sexual harrassment, and proves that sexual harrassment works on two levels. Sex is truly power, and if you have it, you have it, and if you don't...well, you'll have to work hard to prove yourself. I highly recommend seeing this film, but read the novel in addition to the movie. You won't regret it.
    7AaronCapenBanner

    Corporate Intrigue.

    Michael Douglas plays Tom Sanders, a successful computer specialist working for a big firm who is passed over for promotion in favor of an old flame named Meredith Johnson(played by Demi Moore). She is very ambitious, and seems to have undue influence over the CEO, which proves to be the case as Meredith tries to seduce Tom after hours in her office. Tom, a happily married man, is tempted by her beauty, but resists. He is later shocked to learn that she has reported him for sexual harassment, so he has no choice but to sue her, which endangers his future within the company, but Tom will discover that things are not as simple as they seem, and Meredith has another agenda at work...

    Based on Michael Crichton's novel, and well directed by Barry Levinson, this features fine acting by its stars, and a fascinating story with many twists and turns, that leads to a satisfying finale.
    8rupie

    crackling good yarn

    'Disclosure' is not to be missed. The plot is well-known enough not to be summarized here, but suffice it to say that this movie is loaded with crackling drama, edge-of-your-seat suspense, witty and snappy dialogue (best line - Garvin, on transferring Sanders to Austin: "Making a lateral move to Austin is like a duck making a lateral move to 'a l'orange'".) and a celluloid-melting seduction scene. Excellent acting all around (I like Michael Douglas, I don't care what they say), and the movie captures in a visceral way the high-powered, high-stakes, cutthroat world of business politics in the world of leading edge computer hardware and software development. My wife and I both give this one a straight 'A'.
    7hitchcockthelegend

    Sexual harassment is about power. When did I have the power? When?

    Disclosure is directed by Barry Levinson and co-adapted to screenplay by Paul Attanasio and Michael Crichton from Crichton's own novel of the same name. It stars Michael Douglas, Demi Moore, Donald Sutherland, Roma Maffia, Dylan Baker, Caroline Goodall and Rosemary Forsyth. Music is scored by Ennio Morricone.

    Tom Sanders (Douglas) is an executive at DigiCom, a high-tech computer company, who hopes that now it's finally his time to get promotion. Passed over for an outsider, he's further irked when it turns out to be Meredith Johnson (Moore), an old passionate flame of his from years previously. When Meredith arranges for a meeting between the two later that evening, Tom finds himself sexually harassed by her. Spurning her aggressive overtures, Tom is shocked to learn the next day that she has filed a charge of sexual harassment against him. He naturally counters the charge, but this opens up a can of worms for both him and the future of DigiCom.

    The 1990s practically belonged to Michael Crichton, it seemed for a time that everything he wrote was adapted to the big screen for some form of entertainment. With Jurassic Park still warm and still garnering bucket loads of cash, two other Crichton adaptations worked their way into theatres; both of which were a world away from the family friendly extravaganza of Jurassic Park. One was Rising Sun, a messy wasted potential of a movie, the other was Disclosure, a zeitgeist snatcher that seized the moment.

    The topic, and the novelty of flipping the gender aggressor, was always going to make Disclosure of much interest, thus the film and the novel made big money: aided still further by the hot casting of Douglas and Moore, who were still draw cards in the early 90s. Crichton, after being displeased with other adaptations of his work, got big say on the screenplay as a written project. So with director Levinson in tow, he set about pushing the buttons of his audience, attempting to continue the heated debates that were brought about previously from Douglas' Fatal Attraction and Basic Instinct. If it's Crichton's or Levinson's fault that it didn't work out that way? I'm not sure, but fact is, is that Disclosure really wasn't that potent back then, and certainly now it's not even lukewarm.

    There's too much techno babble going on, and an over keenness to stick the nose up at the big business vultures picking the flesh off of the lesser minions. Entering the last half hour of the film, it's easy to forget there has actually been a sexual harassment case! Here's the crux of the matter, if going in to it for a first time viewing expecting this to be a powder-keg of sexual harassment muckiness and legal intrigue, then you are in for a big disappointment. I know, because I was one of the paying patrons at the theatre back in 94! You sense that one of the makers got a bit carried away…

    Yet the film still has much going for it if stripped of that expectation, not least that it packs a pile of tension in that last half hour and the finale is rather rewarding. I'd go as far to say I'm a fan of the film, but it's not the film I originally went to see! There's a trio of interesting and differing female characters at the front of the narrative, even if Moore's stair-master vixen isn't exactly developed beyond being a bitch, and the virtual reality sequences have an appealing charm about them. The cast are turning in good ones, with a notable shout out to Caroline Goodall who wisely underplays it as the wife. While the interior set design (Gary Lewis/Joseph Hodges) for the DigiCom HQ is wonderful with its 90s excess of glass meeting mirrors and open spaces. Which leaves us with what?

    A film that is not what you expect! Which in this case is both disappointing and a surprise. 7/10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      A decade later, Demi Moore was sued for sexual harassment by the caretaker of her Idaho ranch, Lawrence Bass, who claimed that she hit on him in the same manner she used to approach Douglas' character in this film, then fired him after he rejected her advances. The case was dismissed.
    • Gaffes
      The mediation is completely unrealistic. In a mediation, no court reporter is present to make a transcript and the lawyers do not cross-examine the opposing parties; it is not a mini-trial. In reality, the parties explain their case to the mediator and the mediator tries to get the two sides to agree on terms.
    • Citations

      Catherine Alvarez: No means no. Isn't that what we tell women? Do men deserve less?

      Meredith Johnson: Well, when he really wanted to stop, he didn't seem to have any problems doing it, did he?

      Catherine Alvarez: And that's when you got angry.

      Meredith Johnson: Of course I got angry. So would anyone.

      Catherine Alvarez: Don't we tell women that they can stop at any point?

      Meredith Johnson: Haven't you ever said no and meant yes, Mrs. Alvarez?

      Catherine Alvarez: Up until the moment of actual penetration...

      Meredith Johnson: [interrupting] The point is he was willing. That tape doesn't change anything.

      Catherine Alvarez: The point is you controlled the meeting. You set the time. You ordered the wine. You locked the door. You demanded service and then got angry when he didn't provide it. So you decided to get even, to get rid of him with this trumped up charge. Ms. Johnson, the only thing you have proven is that a woman in power can be every bit as abusive as a man!

      Meredith Johnson: You wanna put me on trial here? Let's at least be honest about what it's for! I am a sexually aggressive woman. I like it. Tom knew it, and you can't handle it. It is the same damn thing since the beginning of time. Veil it, hide it, lock it up and throw away the key. We expect a woman to do a man's job, make a man's money, and then walk around with a parasol and lie down for a man to fuck her like it was still a hundred years ago? Well, no thank you!

    • Connexions
      Edited into Die Geschichte des erotischen Films (2004)

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    FAQ26

    • How long is Disclosure?Alimenté par Alexa
    • What is 'Disclosure' about?
    • Is 'Disclosure' based on a book?
    • How closely does the movie follow the book?

    Détails

    Modifier
    • Date de sortie
      • 8 février 1995 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Acoso sexual
    • Lieux de tournage
      • Bainbridge Island, Washington, États-Unis
    • Sociétés de production
      • Warner Bros.
      • Baltimore Pictures
      • Constant c Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 55 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 83 015 089 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 068 126 $US
      • 11 déc. 1994
    • Montant brut mondial
      • 214 015 089 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 8min(128 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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